Harp Anne van Schothorst I Am A Dreamer CD

I Am A Dreamer Music

Category	Classical Albums
Label	Anne van Schothorst
CD Universe Part number	7708236
Discs	1
Release Date	Jun 10, 2008

I Am A Dreamer Songs

	1.	Snowwhite bird - Anne Van Schothorst
	2.	I loves you Porgy - Anne Van Schothorst
	3.	I am a dreamer - Anne Van Schothorst
	4.	Anticipation - Anne Van Schothorst
	5.	Bonjour tristesse - Anne Van Schothorst
	6.	Winter - Anne Van Schothorst
	7.	Beautiful World - Anne Van Schothorst

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David Erskine Sierra Passage CD (2008)

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Inspired by Holst\'s program music \"The Planets\", this original acoustic solo piano music describes an imaginary voyage through the mountains in 7 movements. This contemporary classical music is vivid and thoughtful, evocative with impressionistic textures. Accompanying the CD is a beautifully printed 6x9 inch booklet containing drawings and poems, also created by the composer\'s own hand, paired with each piano movement that illustrate the arc of the journey (a total of 9 drawings). The CD is mounted on inside back cover of booklet.

This synergic combination of music, poems and drawings constitute a unique and evocative expression of art. Early copies of the CD are autographed by the composer/artist.

Previews of the drawings can be seen at David Erskine\'s website.

The music, drawings and poems were composed in 1985, and released in 1986 on tape cassette. Now in 2008 the author has released the music for the first time in CD format, with the drawings more beautifully reproduced in booklet form than was possible in 1986.

Brief descriptions of the seven movements1. Foothills. Drone of the engine as we drive through the rolling hills, hearts full of anticipation.2. In the Realm of the MountainBeholding the majesty of the mountains-- interludes of the life that lives amongst it.3. Reflections from an Alpine PoolA quiet piece beginning with sunrise, a walk around a placid pool, ending in the splash of a tossed rock.4. SnowboundRhythmic cadence of cross-country skiing through the forest freshly shrouded in white.5. Sequoia CathedralA long piece describing in erie tones the timeless giants with interludes of fire and storm.6. River Borne of Mountain\'s TearsA short exhuberant piece painting the cascade of water in spritely rythmic chords.7. The Summit!The joy of victory over (life\'s) challenges, combined with reflection over the journey just made, is celebrated. -- Reviews --Pianist Erskine really works the keyboard, calling on nearly every note lurking there for his portrait of the mountains he loves. His impressive technique raises this tape miles above the pretty city-piano of Windham Hill, scaling the heights with rope and pitons and no safety net. This is athletic edge-of-endurance music for solo grand piano from someone who obviously loves challenges. - Electronic Musician/March 1987Dear David, Thanks very much for the music. I played all of the first side of \"Sierra Passage\" on my show last night and received a favorable response. The telephone calls were very ...

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Much like Mutant Theatre, his previous album for Tzadik, Chromatophore provides an overview of Anthony Pateras' activities (mostly) as a composer. There is no real theme, genre, form, or instrumentation running through the six works selected for this CD, except Pateras' creativity and broad palette. The key works here are the ones book-ending the collection: the title track and "Autophagy." "Chromatophore" for amplified string octet (featuring the Ensemble of the Australian National Academy of Music) is a dramatic, contrast-heavy piece that makes great use of the textural possibilities (and historical connotations) of a mid-size string ensemble. "Autophagy" for amplified string quintet, prepared piano, and electronics displays a gripping sense of urgency and offers a synthesis of sorts of Pateras' various approaches: music for acoustic ensembles, the prepared piano (his main instrument as a musician), the electro-acoustic aspect of his work, etc. These two pieces are action-packed and full of ideas, enough to justify this release on their own. The other four compositions are slightly weaker, although "76755" for percussion quartet (performed by the Ear Massage Percussion Quartet) has its strong moments. "Automatons" for ten voices (all Natasha Anderson's), three violas (all Erikki Veltheim's) and electronics (Pateras) becomes ...