| | Wire Graffiti CD Wire Graffiti Discography of CDs
This crowd-rousing four piece from Oakland, CA is powered by vocalist/guitarist Katherine Sawyer and guitarist Stev Ohanis and driven full force by drummer Rob Tucker and bassist Rafa Corral. Wire Graffiti celebrate their tenth year of battering sound systems and frenzying fans by releasing their fourth full length CD which features original bassist Tim Sanchez.Wire Graffiti have always played what they want, and this self-titled CD is no exception. With Katherine and Stev's combined influences the new songs are given plenty of juice and plugged into a user-friendly rock album that spotlights what Wire Graffiti is all about, one big rebellious party. Wire Graffiti Songs | 1. | Object |
| 2. | Shrinking Violet |
| 3. | Look In My Eyes |
| 4. | Silent Sin |
| 5. | Gravity |
| 6. | Fool's Errand |
| 7. | Good Times Roll |
| 8. | One With The Road |
| 9. | Into Submission |
| 10. | Reverse The Edge |
| 11. | Riot |
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Wire Graffiti Review
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Purchase Wire Graffiti CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
Wire Graffiti album
 $14.45   
After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; ...
| | Them Crooked Vultures CD (2009)
Wire Graffiti CD music
$11.17  
Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, it's a group of three natural-born collaborators: John Paul Jones, the old studio pro who gravitated toward provocative partners after Led Zeppelin's demise, ...
| | Avett Brothers I And Love And You CD (2009)
Wire Graffiti music CDs
$11.25 
North Carolina sibling duo the Avett Brothers return in 2009, fresh off a few years of building a cult following for its melodic and rootsy alt-bluegrass sound, with the subdued I AND LOVE AND YOU. The opening single and title track basks in piano-pop splendor in an odd mix of Beach Boys, Byrds, and ...
| | Rolling Stones Get Yer Ya-Ya's Out!: In Concert CDs (1970) With Book; With DVD; Anniversary Edition; Limited Edition
Wire Graffiti songs
$48.19
| | Perry Como Greatest Christmas Songs CD (1999)
Wire Graffiti album
$6.09 
| | Alice In Chains Black Gives Way To Blue CD (2009) Limited Edition; Digipak
Wire Graffiti CD music
$12.59 
| | Dead! The Grim Reaper's Greatest Hits CD (2006)
Wire Graffiti music CDs
$14.55
| | Dream Frequencies CD (2007) (Import)
$26.29 | | First Step Rhythm Album Vol. 1-First Step Rhythm Album CD (2008)
Wire Graffiti songs
$12.55
| | Miracle Made CD (2008)
Wire Graffiti album
$13.69
The Miracle Made Story by Joe Holder:In the summer of 2006 a co-worker of my wife invited us to her church, Firehouse Ministries in Mt. Airy, NC. Wow, what a different kind of church. There was a full band with great music and a real sense of life, worship, and God in this place. Our invitation had come from Amanda Leonard, who I later learned was a singer and songwriter. After a few months of church at Firehouse, Amanda asked me if I could help her with some songwriting for a CD she was getting ready to record. After playing in working rock bands for the last 15 years, I reluctantly agreed to help. Because I had enjoyed recording and writing music so much in the past, I thought this would pacify my needs for music, since my band had dissolved. What a blessing this turned out to be! After helping Amanda arrange some of her songs, I got the idea that I might write a few songs for her to include on her CD. One Sunday morning while missing church with a sick child, I sat down with my guitar and within a matter of minutes had completely written the song “He Lives” that appears on Amanda’s CD “My Journey Here”. As the lyrics of this song poured out of me like water I was brought to tears with the awesome feeling of God’s love and promise of salvation. That’s when the gates of heaven opened up for me, I began to write song after song and unlike in the past, they actually had meaning, a purpose. ...
| | Nikki Corfield & The Pocket Rocket Band CD (2008)
Wire Graffiti CD music
$16.45
| | Moody Blues Live At The Isle Of Wight Festival 1970 CD (2008)
Wire Graffiti music CDs
$11.49
| | Best Of Michael Martin Murphey CD (1982)
Wire Graffiti songs
$5.69
The 12 songs that make up Capitol's The Best of Michael Martin Murphey compilation are a perfect initiation for those who want a taste of Murphey's biggest hits on both sides of the charts. The tracks are divvied up appropriately, with his earlier "cosmic cowboy" era represented by hits like "Carolina in the Pines," "Geronimo's Cadillac," "Cherokee Fiddle" (from Urban Cowboy), and "Wildfire," his most renowned single. Five other tracks make up some of Murphey's biggest country singles of the early '80s, with "Don't Count the Rainy Days," "What She Wants," and "Still Taking Chances" all making the Top Ten ...
| | Tommy Flanagan Condado Beach CD (1978) (Import) Digipak; Spain
Wire Graffiti album
$14.99
| | Bob Greene St. Peter Street Strutters CD (2009) Reissue
Wire Graffiti CD music
$13.09
A group formed upon the suggestion of Preservation Hall Jazz Band founding father, the now late Allan Jaffe, the St. Peter Street Strutters made this recording in late December of 1964, at a time when vintage jazz was not necessarily very high on the radar. Over the years, the music has held its ground among more modern styles, but not in the stripped-down small combo format used here. New York born pianist Bob Greene is steeped in the tradition of Jelly Roll Morton, playing saloon and parlor-type early jazz with the tantalizing spirit and joy the music has always displayed. He's helped by South Dakota native, tuba player Hal "Shorty" Johnson (formerly with Turk Murphy) and the lead cornet of Portland, OR's Ernie Carson (ex- Murphy, Ray Bauduc, Castle Jazz Band) for a session documented in the legendary New Orleans landmark Preservation Hall, where they all met. Banjo player Steve Larner was a professional cameraman before taking up the invite to sit in with this band, one of few trios or quartets in the latter history of authentic, original jazz. This CD version also contains five previously unissued tracks that were not available to be placed on the original vinyl LP. You expect and receive typical hot jazz jam treatments of Morton's "Kansas City Stomp" and King Oliver's "Dr. Jazz," the good-time Morton evergreen "The Pearls," and the midtempo Oliver number "Snake Rag" featuring a strutting Larner, all standouts. Where Carson's cornet is most conspicuous and delightful apart from any comparisons with Louis Armstrong is evident on Morton's "Winin' Boy Blues" alongside Greene's lilting piano, or during the typical take of "Just a Closer Walk with Thee." "Wolverine Blues" is the definitive song of the six compositions played by the group as penned by Morton, a solid swinging classic that the band plays as if they'd done so all their lives. Greene's propensity for sounding like a pub pianist probably has to do with the upright piano at Preservation Hall, but also with his approach in making it sing, jingle, and jangle. It should also be noted that Greene strapped a single drum stick to his foot to add percussive effects in lieu of having no drummer. His bluesy playing on "After You've Gone," the way he muses through "Sweet Substitute," or his simple, barebones phrasings for the bookend tracks "St. Peter Street Strut" or W.C. Handy's "Atlanta Blues" suggest he's able to mold the sound of the instrument via his personal tastes. Johnson's ...
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