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Magic Pie: Kim Stenberg (vocals, guitar); Gilbert Marshall (vocals, keyboards); Eirik Hanssen, Allan Olsen (vocals); Lars Petter Holstad (bass guitar); Jan Torkild Johannessen (drums). Magic Pie Circus Of Life Songs Circus Of Life Review
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Purchase Circus Of Life CD To buy, Click on price to add to cart | Porcupine Tree In Absentia CD (2002)
Circus Of Life album
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There's a breed of (post-1980s) bands with the same degree of grand rock experimentalism as Pink Floyd and Yes, who simultaneously adhere to the concept of concise songwriting. Porcupine Tree is one such band--their sound is a balance of lush ambient textures, charming vocal harmonies, rock & roll directness, and acoustically- and electronically-generated sounds. ...
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Circus Of Life CD music
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| | Beardfish Sleeping In Traffic, PT. 1 CD (2007)
Circus Of Life music CDs
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Sleeping in Traffic, Pt. 1 is Beardfish's third album, but the Swedish outfit's first for a major progressive rock record label, namely InsideOut. Even though the album went by rather unnoticed, prog rock fans should take note of it. Beardfish do not break new ground, but their take on the genre has a lot of balls and feeling. Blending an occasional Gentle Giant influence with a ...
| | Beardfish Sleeping In Traffic, PT. 2 CD (2008)
Circus Of Life songs
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| | Magic Pie Motions Of Desire CD (2005)
Circus Of Life album
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| | Transatlantic The Whirlwind CDs (2009)
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| | Nusound Erotic Moods Vol. 2 CD (1999)
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| | David S Ware Balladware CD (2006)
Circus Of Life songs
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A ballads album is not something one might associate with David S. Ware, the fiery tenor saxophonist. It was recorded in 1999 as Ware was making a series of albums for Aum Fidelity and Japan's DIW label -- in fact, many of the tracks on this set appeared in different versions on those recordings. It's a wonderful thing that this set produced by Steven Joerg (owner of Aum Fidelity) was licensed by Thirsty Ear for release. The seven tracks that appear on this release, split between original compositions and standards, offer a very different side of the saxophonist, without sacrificing his iconic individuality. They are forward-thinking and utterly passionate -- albeit in a lower-key manner. Ware is ably assisted by the ubiquitous William Parker on bass, pianist Matthew Shipp, and Guillermo Brown on drums. Since restraint is not often associated with this group of musicians, the sensitivity with which they reinvent nuggets like "Yesterdays," "Autumn Leaves," and "Tenderly" is not only noteworthy -- it may just make the argument for the standard being a body of music that should be utterly re-explored harmonically to reveal the "otherness" in it, the place where it breaks and turns back on itself to offer some new meaning. "Autumn Leaves" was performed first on Ware's Third Ear Recitation album for DIW in 1992 with Shipp, Parker, and drummer Whit Dickey. His approach here melds Ben Webster and Archie Shepp into his own sound world where chords, scales, and melodies are turned not so much inside out, but are expanded upon to extend the tune's breath -- much like Charles Olson's notion in his 1949 essay in which he spoke of the line in poetry to be carried out to the end of that writer's single breath. Shipp offers a solid ground by extrapolating his chord voicings to include not only the melodic frame, but its outside harmonic as well. In fact, his playing here is so lovely and tender that it's breathtaking.
Ware's own compositions, such as "Dao," present utterly new things. "Dao" takes a modal approach wherein Parker's bass and Shipp's expansive voicings offer the notion of playing in just intonation -- which is not being done, but its feeling across a melody line that begins from the root at all times is deeply affecting. "Godspelized" touches on Albert Ayler's gospel approach, but ...
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| | Tom Tomoser, Jeff Sheffler Marty Marquez & Richie Love Lush & Lovely CD (2008)
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| | Exile Aisubeki Mirai He CD (2009) (Import)
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