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On their first studio album without singer Jessee Harvey, the Duhks manage to maintain the same amount of energy and invention that made their previous efforts so striking. New vocalist Sarah Dugas more than makes up for Harvey's absence, as the band moves deftly through a dizzying fusion of bluegrass, folk, pop-rock, R&B, gypsy jazz, Celtic flavors, and much more. If ever there was a literal definition of world music, it's FAST PACED WORLD.
Photographer: Laura Crosta.
The Duhks: Leonard Podolak (vocals, banjo, background vocals); Sarah Dugas (vocals, background vocals); Jordan McConnell (guitar, guitars, banjo, background vocals); Tania Elizabeth (mandolin, fiddle, strings, Fender Rhodes piano, pump organ, background vocals); Christian Dugas (drums, percussion, background vocals).
Audio Mixer: Jay Joyce.
Dirty Linen (p.46) - "[T]he Duhks take it up a notch with its fourth outing....They break new ground with Sarah Dugas' singing in French, Portugese, and English..." Fast Paced World Music | List Price | $17.97 (You save $2.92) | | Category | Rock/Pop Albums, Pop CDs, Folk, Country, Bluegrass, Rock | | Label | Sugar Hill | | Orig Year | 2008 | | All Time Sales Rank | 95771  | | CD Universe Part number | 7712993 | | Catalog number | 14042 | | Discs | 1 | | Release Date | Aug 19, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jay Joyce; Jay Joyce | | Personnel | Christian Dugas - drums, percussion, background vocals Jordan McConnell - guitar, guitars, banjo, background vocals Tania Elizabeth - mandolin, fiddle, strings, Fender Rhodes piano, pump organ, background vocals Leonard Podolak - vocals, banjo, background vocals Sarah Dugus - vocals, background vocals
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Duhks Fast Paced World Songs Fast Paced World Review
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| | Kenny Rogers They Don't Make Them Like They Used To CD (1986) Import; Remastered
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$16.29 Full Title - They Don't Make Them Like They Used To. 2003 reissue of 1986 album includes the hit title track and 'Twenty Years Ago'. Ten tracks. Dreamcatcher/Castle.
Kenny Rogers' They Don't Make Them Like They Used To album's title track does what one critic said of Neil Young's Time Fades Away: remove the word "time" and the album reviews itself -- "Neil Young Fades Away." The Burt Bacharach/Carole Bayer Sager song and production feels forced -- the only track sounding like classic Kenny and kicking in as it fades. With five producers total it may have been a case of too many cooks, the music here a far cry from the string of hits put together by Larry Butler on Liberty Records for the former lead singer of the First Edition. No, they don't make 'em like they used to, but that doesn't mean this is a bad record; in fact, it's a very good album from a country-pop singer trying his hand at the slick adult contemporary associated with Whitney Houston and Celine Dion. Either of those artists could have sang Dave Loggins' "Anything at All," and it may have hit, same with "You're My Love," which features El Debarge on backing vocals. For Rogers it is a wonderful experiment that sounds good but may have been too much of a paramorphism -- there's just not the balance that the Bee Gees struck with Kenny on Eyes That See in the Dark. Not including songwriters, almost four dozen individuals lent their talents to this underrated and pretty much forgotten 1986 album, Jay Graydon picking up where his colleague David Foster and George Martin left off on other RCA releases. The label didn't seem to be the company to keep this artist ...
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| | Dim Lights, Thick Smoke 1945 CD (2008) (Import) Import; Germany
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$23.29 Germany's Bear Family is well known for its stellar box set reissues of country, rock, and rhythm & blues recordings, as well as for single titles by deserving if not necessarily remembered American artists. Their mastering, production, and packaging set the industry standard for excellence. The six-volume Dim Lights, Thick Smoke series was released on CD in December of 2008 and covered the years 1945-1950, a strange and wonderful time in country music history born from of the end of the War Department's restrictions on shellac and the end of the recording ban, all near the end of the second world war. These discs all contain either 27 or 28 tracks, and are lavishly annotated with historical essays and track by track annotation by the esteemed Colin Escott, and contain with photographs of performers and record sleeves where available. The 1945 volume is indicative of the rest. Contained here are well-known numbers by legendary artists as well as some relative obscurities -- to novices anyway. But anyway you slice it, these tracks were compiled from the best audio sources available. The better-known selections here are Bob Wills' "Smoke on the Water" and "Stars and Stripes on Iwo Jima," Dick Thomas' "Sioux City Sue," Phil Harris' Western swing classic "That's What I Like About the South," Wesley Tuttle's "With Tears in My Eyes," Floyd Tillman's "Each Night at Nine," Tex Ritter's "You Two Timed Me One Time Too Often," Roy Acuff's "We Live in Two Diffr'ent Worlds," Jack Guthrie's stone classic "Oklahoma Hills" (Woody's uncle), and Spade Cooley's "Shame on You," just to name a few. This volume is just a peek into the world that Bear Family opens in the Dim Lights, Thick Smoke series. To add to the bounty: the sound quality here is also unmatched anywhere else. ~ Thom Jurek
2008 release, an installment in this luxuriously packaged collection that highlights the history of Country music year by year, beginning ...
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