| | Willie Basse Money Grind CD Willie Basse Discography of CDs
Willie Basse Money Grind Songs | 1. | Danger Zone |
| 2. | Guitargasm |
| 3. | It's Over |
| 4. | The Money Grind |
| 5. | You Can't Have It All |
| 6. | (Love So) Far Away |
| 7. | Po' Boy |
| 8. | Yesterdaze |
| 9. | Reasons |
| 10. | Unloveable |
| 11. | Avarie |
| 12. | Don't Waste My Time |
| 13. | Immortal |
| 14. | You're Not There |
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Money Grind Review
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$42.05 | | Madjid Khaladj Anthology Of Iranian Rhythms, Volume 1, The Basic Works Of Master Hossein Tehrani CD (2006) (Import)
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Hossein TEHRANI by Madjid KHALADJ, TombakThis CD contains a booklet of 32 pages including:- The scores of the 14 pieces of the basic works of Master Hossein TEHRANI performed by Madjid Khaladj.- The biography of Master TEHRANI- Discography----------Tombak:This is the main percussion instrument of Persian art music. Its challis shaped body is made of a turned and hollowed-out walnut or mulberry tree trunk with a goatskin stretched across the wide end of the resonator." If the tombak has known such a fundamental growth in all these years, it is no doubt thanks to the relentless work of TEHRANI, who really ennobled this instrument. He ceaselessly enriched tombak playing but he also greatly contributed to Persian music in general.The influence he still exercises long after his death definitly makes him an undisputed master of contemporary times.".......Hossein Tehrani:Hossein Tehrani was born in Tehran, Iran in 1912 and he died in 1973 at the age of 61. He started playing Tombak* at the age of 13.He was always found practicing Tombak. At that time Tombak was considered to be a musical instrument worthy of street entertainers only. In 1928 he started serious studies with Hossein Khan Essmailzadel a music master and a kamancheh player. He learnt the tombak rhythm by memorizing phrases in Persian. He later studied with several master Tombak players as Reza Ravanbakhsh and Kangarlo and others. He was always observing the different methods of playing Tombak and trying to learn the different techniques and rhythms. He even used to observe street entertainers and learn from them. In 1928, at the age of 26, he met Abolhasan Saba, this was start of a life long friendship. Ostad Tehrani said: apart from musical notation that I learnt from Khaleghi, I have learnt every practical and theoretical aspect of music from Saba. In 1940, at the creation of Tehran radio, he started working there with a group of musicians. In 1941, he started teaching at madrese aeli mosighi (advance music college). Later on, Tombak was removed from the list of instrument taught at this college. In 1949, Khaleghi started another music college called national music college. The responsibility of teaching Tombak at this college was give to Ostad Tehrani. While Teaching at these colleges, he collaborated with National Music Ensemble and National Music association.Liner Notes: © Madjid Khaladj......Madjid ...
| | Lara Landon Love/Majestic CD (2009)
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"Weaving a tapestry of rich lyrics and soaring tones, Lara Landon tells the story of her journey in songs rooted in Faith and Soul. A product of an international upbringing, Lara's music blends Middle Eastern and European music in to a harmony of the Folk, Rock and Spiritual genres."- City Sessions NashvilleGrammy Award winning producer Mitch Dane harmoniously blends Lara Landon's hybrid of soul, rock, pop and contemplative singer/songwriter on her Sophmore offering "Love/Majestic". In a stand out 5 song EP, the sparse and intimate "I've Never Been" shows the passion and depth to Landon's delivery as a vocalist. In "For You" and "Shrowded In Mystery" Landon pushes the limits of her rock/experimental side, allowing the musical hooks and stellar instrumental moments to hold their own against her power packed voice and cutting lyrics. "Love/Majestic" is an intelligent and vibrant follow up to Landon's Freshman album "Beloved". She proves to be ever changing and unafraid to make new and bold musical statements that still remain rooted and grounded in her trademark of passion.BI0- by Tara Leigh Cobble Perfect tension the pulling of the rope from both ends is one of the things that keep tightrope walkers balanced as they walk over the heads of their audience. Its much the same way with the music of burgeoning artist Lara Landon. She subtly invites the listener to sit in the middle of the moment, surprising them with an intriguing combination of opposites that pull with equal strength. One of the first things you notice about her is her striking beauty, the result of an Arabian father and Sicilian mother. And in the midst of a lighthearted conversation, she'll let fly a piece of insight that reveals the depth of her introspection. She is both joyful and dark, easygoing and pensive, drawing from different sides of her personality to offer a fresh new perspective to the Nashville music scene. Lara landed in Nashville at the age of nineteen without knowing a single person or having any idea how to pursue a career as a musician. But within a year, she had made coveted connections with many of the citys musical veterans, and she began writing with award winning songwriters like Christa Wells (Held, Natalie Grant) and Tiffany Lee of Plumb. Much in the vein of Sarah McLachlan and Tracy Chapman, Lara writes from the darker shades of her personality. "I believe that its better to feel something strong than nothing at all. And in those places where I doubt, I am most reminded to reach out to God. When I work through my thoughts in my songs, it helps me to sort through the feeling and come back to the truth.'' Between her voice and her piano, she perfectly executes the music that she hopes will reach into other peoples lives. Pulling from the dark and pushing into the light, arms outstretched in both directions, Lara establishes that balance again the juxtaposition that makes her music feel moody and hopeful, joyful and broken, all at once. And it is a beautiful, perfect tension. ...
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