| | Raise Hell Wicked Is My Game CD - Import Raise Hell Discography of CDs
Raise Hell could just as well be another Swedish metal band, if it wasn't for one particular ability these guys have... it's the ability to develop their own musical style into something entirely different than expected. For over ten years the group released four albums, each showcasing a brand new quality in metal music. The exclusive reissue of 'Wicked Is My Game' introduces a metal act that is fully aware of their strength and potential. Whether they took on death, black, heavy or thrash metal, the result was always the same - total destruction! The band's third LP was recorded in 2002 in the Flat Planet studio, again with Anders Fridn turning the knobs. While the music was still kept in the spirit of the previous album, 'Wicked Is My Game' welcomed new additions to the band's mixture, such as power metal and rock'n'roll! Songs like the mid-paced opener 'Hellborn' and 'The Haunted House' deliver new quality in the group's songwriting formula. But classic thrash metal
Personnel: Torstein Wickberg (guitar); Dennis Ekdahl (drums).
Recording information: Flat Planet Studio (07/03/2002-08/13/2002).
Raise Hell's third album, 2002's Wicked Is My Game, opens with dual lead guitars harmoniously executing a distinctly familiar melody, which, after a few furrowed-brow moments, reveals itself to be a none-too-discreet adaptation of that catchy theme from the horror flick Halloween. Nice touch, guys. What follows is another melodically charged, technically proficient death metal album from these dependable if not exactly groundbreaking Swedes. Highlights like "Hellborn," "Nightwatcher," and "Another Side" are original enough to demand respect for the band's abilities, both as players and musicians, but also sound familiar enough to elicit broad smiles and irresistible head-banging -- can you really ask for anything more? Chances are the group is a bit too conventional -- and even cheesy at times -- to ever climb to the top of the towering Scandinavian metal heap, but consistently fine outings like Wicked Is My Game may ultimately earn Raise Hell its own measure of respect as a career band. ~ Eduardo Rivadavia
Raise Hell Wicked Is My Game Songs | 1. | Hellborn |
| 2. | Night-Watcher |
| 3. | Haunted House, The |
| 4. | Wicked Is My Game |
| 5. | In My Cell |
| 6. | Other Side, An |
| 7. | Death Race |
| 8. | Devil May Care |
| 9. | Destiny Deceiver, The |
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Wicked Is My Game Review
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Purchase Wicked Is My Game CD To buy, Click on price to add to cart | Anthrax Among The Living CDs (1987) With DVD; Bonus Tracks; Remastered
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(2-CD set) Ernest V. Stoneman, pioneering composer & country performer, defined the formula of "three chords and the truth" and became the first rural singer/songwriter of the 20th century to record. This collection features 46 beautifully remastered per
Personnel: Ernest V. Stoneman (vocals, guitar, autoharp, harmonica); Bolen Frost, George Stoneman (vocals, banjo); Hattie Stoneman, Kahle Brewer (vocals, fiddle); Walter Mooney, Edna Brewer, Tom Leonard (vocals); Oscar Jenkins (banjo); Eck Dunford, Frank Jenkins, Francis Jenkins (fiddle); Irma Frost, Irma Frost (organ).
Liner Note Authors: Henry Sapoznik; Patsy Stoneman; Christopher [1] C. King.
Director: Christopher [1] C. King.
Singer/songwriter/multi-instrumentalist Ernest Stoneman was one of the pioneering artists documented in the famous 1927 "Bristol sessions" that introduced the world at large to early-country pioneers like Jimmie Rodgers and the Carter Family. This two-disc collection contains the best of Stoneman's early material as a solo artist (he'd later lead his offspring in the Stoneman Family), recorded for a variety of labels between the mid `20s and mid `30s. In addition to Stoneman's first and biggest success, 1925's "The Titanic," THE UNSUNG FATHER OF COUNTRY MUSIC offers two discs' worth of classic Stoneman sounds in all of their old-timey glory (though completists should be advised that it does not contain his 1928 Edison recordings).
When Victor Records field engineer and A&R man Ralph Peer arrived in Bristol, TN, in the summer of 1927, he had a mission to record every rural Southern musician he could find. By the time he left Bristol, Peer had recorded 76 songs by 19 different acts and had set the cornerstones for the future of country music, a genre that had yet to be recognized or defined. The Bristol Sessions, the so-called Big Bang of country music, yielded the first recordings from both the Carter Family and Jimmie Rodgers, as well as historic recordings by names less familiar, but no less important, including some restyled and rewritten traditional rave-ups by a previous Peer discovery, harmonica and autoharp player Ernest V. Stoneman. Stoneman had turned up on Peer's doorstep some three years earlier, and Peer, impressed by the musician's ability to generate ...
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There are numerous super-session musicians in Nashville, but very few with the longevity of Charlie McCoy. In addition to being a fixture in Nashville studios for 39 years, he also has his own recording career going full tilt (he recorded 28 albums in the last 32 years). He served as Musical Director for the long running syndicated television series, "Hee-Haw".Charlie McCoy began working sessions in the early '60s, one of the first being on Roy Orbison's Monument hit, "Candy Man". "Forty-nine dollars", says McCoy. That's how much he was paid for that session back in 1961. "It got Roy another hit and me a career, and for a 20 year-old to make $49 for three hours work back then, it was a dream."Shortly after the release of "Candy Man", Charlie McCoy became one of the in-demand session players in Nashville. His session credits are literally a who's who of country music, doing upwards of 400 sessions per year. Charlie has since cut his session appearances down in the last few years to provide more time to tour in Europe and Japan in addition to the U.S.In addition to his country sessions, Charlie McCoy was a mainstay on Elvis Presley recordings both in Nashville and Los Angeles. When Bob Dylan recorded "Blond on Blond", "Nashville Skyline" and "John Wesley Harding" in Nashville, Charlie was one of the few Nashville session players on those dates.In his book "Backstage Pass", Al Kooper described a typical Charlie McCoy incident which took place during the sessions for Dylan's "Blond On Blond" Album. One song called for a trumpet part which should have been an easy overdub, except that Dylan didn't care for overdubs. So McCoy, while playing bass with his left hand, played trumpet with his right hand, without missing a beat. Kooper points out that Dylan stopped in the middle of the song, amazed.Charlie McCoy began recording for Monument Records in the late '60s and recorded 12 albums for the label, beginning in 1969 with "The Real McCoy". He has been nominated and received so many awards over the years that it's hard to keep up with them. However, he's won a Grammy Award, two Country Music Association Awards and eight Academy of Country Music Awards. Additionally, Charlie has won numerous awards provided by the three music industry trade publications, Billboard, Cash Box and Record World. Charlie tends to be a perpetual country instrumentalist nominee year after year.In addition to making his own recordings, Charlie was a member of two legendary Nashville bands, Area Code 615 and Barefoot Jerry. Both groups featured many of the top session players in Nashville.While Charlie McCoy is predominately known as a harmonica player (he endorses the Hohner brand of harmonica) his musical prowess encompasses most instruments including guitar, bass, drums, keyboards as well as a ...
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