| | MGM It Is Love CD - Import MGM Discography of CDs
Young Melbourne singer/songwriter Kate Vigo is fast forging a growing reputation as a performer who combines musicality with style. Her voice has been described as combining beautiful subtleties reminiscent of the soulful delivery of Donny Hathaway with the sweet mournful tones of Billie Holiday. It Is Love Music | List Price | $22.97 (You save $1.68) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7715165 | | Discs | 1 | | Release Date | Jul 29, 2008 | | Additional Info | Import |
It Is Love Review
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Purchase It Is Love CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming ...
| | Creed Full Circle CD (2009) Digipak
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Getting right back to where they started from, Creed reunites for Full Circle, putting all tensions to rest and cutting their first album in eight years. FULL CIRCLE is a none-too-subtle allusion to how they're getting back to their beginnings, but a cynic could say they never got much past it, toiling the same weathered ground on each of their albums, but this bears some subtle differences, particularly ...
| | Michael Jackson - Video Greatest Hits - History V. 2: On Film DVD (1997)
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| | Backtracks CDs (2009) With DVD; Box Set
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| | Beatles The White Album CDs (1968) Limited Edition; Remastered; Digipak; Enhanced CD
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Each copy of this limited edition is sequentially numbered. The packaging recreates the original double-gatefold sleeve and includes the original poster as well as the individual photos of each band member.
Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric guitar); Mal Evans (trumpet, tambourine); George Martin (piano, harmonium); Chris ...
| | Robin Trower Seven Moons Live CD (2009)
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| | Colt Music File V.3: Soul Avenue CD (Import) Japan
$40.75 | | Bobby Pulido Enfermo De Amor CD (2007)
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| | Foxboro Hot Tubs Stop Drop & Roll CD (2008) (Import) Import
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| | Original Sounds Of Afr CD (2008) (Import)
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| | La Dusseldorf Individuellos CD (1981)
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| | Sings A Song Of Wiggles CD (2008) (Import)
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| | Western Swing CD (2008)
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DIVERSITY best describes the artistry of guitarist, bassist, and producer Jack Jezzro. His recordings and productions have sold well into the millions, and he surely ranks high in formal education, knowledge of his instrument, and sheer musicality. But even more than that, Jezzro has a style and taste that are all his own—qualities that are a breath of fresh air to the music of today and qualities that breathe new life into the music of yesterday. ::: The Early Years Jazz is a natural expression for this West Virginia native, who seems to have been born musical. Jack Jezzro grew up in the small town of Rivesville, starting on piano and accordion when he was very young. "I would go to the piano and start banging out tunes when I was four or five," he recalls. His remarkable skill at simultaneously fingering melody and chord changes came naturally to him as a young listener. "I had a stack of Chet Atkins records, and that’s how I learned to play," Jezzro reports. "As a kid, I’d want to play all the parts. I’d listen to a tune by James Taylor, The Doobie Brothers, Simon & Garfunkel, or whomever. I’d play the bass part, the piano, the vocal—and I’d want to do it all right there on the guitar." ::: Education For his bass-playing skills, Jezzro earned a scholarship to West Virginia University in nearby Morgantown. "I still kept playing guitar, but they didn't have a guitar program," he says. "I wanted to go to school there because it was close by, so I picked the bass and really got into it." The year was 1976. "That fall, the Pittsburgh Symphony Orchestra came to Morgantown, and I got to meet the principal bass player, Sam Hollingsworth. We immediately hit it off." Hollingsworth took Jezzro under his wings, preparing him for a professional career. By 1978, Jack knew that if he wanted to become a professional, it was time to move on. So he took the year off from school and began playing in the Charleston Symphony Orchestra (CSO). After a year with CSO, Jezzro won a scholarship and sailed into the sophistication of the prestigious Eastman School of Music in Rochester, New York. While a student at Eastman, he won an audition for and subsequently played in the Rochester Philharmonic Orchestra for two years. Meanwhile, he continued developing as a guitarist by absorbing the sounds of George Benson, Joe Pass, and Jim Hall. After graduation, "it was either New York, Nashville, or Los Angeles, and Nashville felt more like home" where he landed a job with the Nashville Symphony Orchestra and began breaking into the studio scene. ::: The Jezzro Style For an instrumentalist, speed and flash are often yardsticks. Innovation and technique unquestionably enter into play. Rhythmic invention, tonal ...
| | Michael Wendler Superstar CD (2008)
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| | Jim Kweskin Maria Muldaur CD (1974)
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$6.05  
Maria Muldaur's self-titled debut record instantly established Muldaur as a major talent and began a career-long melding of American musical styles. Fun, cheerful, and full of the sheer love of playing music, MARIA MULDAUR uses bits of country, pop, blues, rock & roll, jug band, early jazz, and all other manner of roots music to create what could be called one of the first true Americana albums. The record also produced the New York-born vocalist's biggest hit, the sultry Top 10 single, "Midnight at the Oasis," which features the languid, spine-tingling guitar work of the great Amos Garrett. A landmark album in both Muldaur's career and the 1970's music scene, MARIA MULDAUR is that rare combination of brilliant interpreter matched with top-notch tunes and sympathetic sidemen.
Personnel: Maria Muldaur (vocals, background vocals); Amos Garrett (vocals, guitar, electric guitar); Greg ...
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