| | JÓN Nordal: Lux Mundi / Bernharour Wilkinson, Et Al CD Chamber Choir Hljomeyki / Nordal CDS
JÓN Nordal: Lux Mundi / Bernharour Wilkinson, Et Al Music | List Price | $19.98 (You save $4.09) | | Label | Icelandic Music | | Orig Year | 8/12/2008 | | All Time Sales Rank |  73395  | | CD Universe Part number | 7715523 | | Catalog number | 28 | | Discs | 1 | | Release Date | Aug 12, 2008 |
JÓN Nordal: Lux Mundi / Bernharour Wilkinson, Et Al Review
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"Acoustic Player Magazine," USA, 2005(Review for the album "Bichromial," Greydisc Records, 2004):Anyone who approaches KastningSiegfried's music, expecting traditional compositional structure or forms, could initially be puzzled by the freshness of its sounds. But the listener with an open mind and a sense of adventure will be delighted to discover that Kastning's music evolves from simple, cell-like beginnings into a complex and fascinating interplay between two guitars. If you liken this sonic experience to sitting through a film that seemed hard to follow in its early scenes, but paid off big in the end, you get a good idea of how this process of personal investment in art can work.While Kastning's music might be best suited for listeners with a taste for the cerebral in their music, those who have appreciated the intellectual works from artists such as Robert Fripp, Frank Zappa, Ornette Coleman or Anthony Braxton will be well-equipped to delve into Kastning's "Bichromial." Perhaps even closer analogies to Kastning's new music would be the duets of John Coltrane and Pharaoh Sanders, minus the rhythm section. "Bichromial" does not sound exactly like the work of these artists as much there is a thread of kinship that is evident in its boldness and invention. Did I mention that it's hard to categorize?The main influence I heard in KastningSiegfried's album is that of the modern innovator John Cage, a man who is well-known in classical music circles-and virtually unheard of in "the real world." Using a compositional approached known as "open form," Kevin and his duet partner Siegfried throw riffs and motifs back and forth, the results at times resembling the interaction between two dancers; at others, a face-off between two boxers. There is no empty virtuosity here as dialog and development are the order of the day. While some of the eighteen tracks on the album would make for satisfying listening in their own right, the pieces on "Bichromial" are better appreciated in the context of the whole.Sonically, "Bichromial" is a treat. It is recorded with an extreme pan, with one guitarist relegated hard to the right channel and the other to the left. So, rather than reproducing an idealized stereo soundstage, each speaker basically acts as a single guitar. A touch of digital reverb was added in the mix and works quite well.Throughout the album, Kevin Kastning uses three guitars from the Santa Cruz line (he is an SCGC artist endorser): a 2000 Model D, a 2003 OM (both custom made to his specs), and a 2002 Baritone tuned to ADGCEA. Siegfried played two Martins: a 1998 D1 and a 2000 000-1. The guitars sound great in every combination.Kastning has also written solo sonatas for piano and chamber music for string trio, string quartet, and wind quintet. His work has been performed by the London Chamber Group, which also commissioned from him a new piece to be performed next year.Kastning's compositional influences and inspiration come from a variety of 20th-century artists-from composers to writers (Joyce and Proust) to painters (Jackson Pollock). More information about Kevin Kastning, his music and MP3 samples from his albums are available at www.kevinkastning.com." - Album review, "Acoustic Player Magazine," USA, 2005***********Bridge Guitar ...
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