| | Kool Moe Dee Greatest Hits CD Kool Moe Dee Discography of CDs
With a history dating back to the early days of Sugar Hill Records, Kool Moe Dee was able to reinvent himself as a solo artist during the latter half of the '80s, and in the process helped rap transform from an underground party music into a cultural phenomenon. Greatest Hits collects 14 of the most essential items from this seminal figure, kicking off with his two best-known songs -- the catchy "Wild Wild West" and the influential safe-sex rap "Go See the Doctor." His flow is most definitely old-school -- nearly every couplet is squared off at the end -- but his technique was in the top of its class for its pre-golden age time period ("Look at Me Now" is impressive by any standard). His chief rival was LL Cool J, and not just in the abstract sense -- their on-record feud was the most legendary in early hip-hop, and it's chronicled here on "Let's Go," "Death Blow," and "How Ya Like Me Now." His MC boasts are among the best of their time, but he was also ambitious enough to tackle socially conscious material; apart from the aforementioned "Go See the Doctor," there's "No Respect," a cautionary tale of a street hustler who lost everything, and the Chuck D/KRS-One team-up "Rise 'n' Shine." His production is often heavy on the synths and drum machines, though there are also some James Brown-type samples; a few tracks are produced by new jack swing legend Teddy Riley, and those constitute some of the earliest work in his career. All in all, Greatest Hits is an essential look back at one of the greatest talents the old school ever produced. ~ Steve Huey
Personnel includes: Kool Moe Dee (rap); Hula, K. Fingers (various instruments, background vocals); Barron Ricks (scratches); Maurice Joshua, Ardria Pittman, Walter Phillips (background vocals).
Entertainment Weekly (10/1/93, p.56) - "...kinda makes you nostalgic for those days when hip-hop didn't have to be so durn serious..." - Rating: A- Q (11/93, p.146) - 3 Stars - Good - "...An old school rapper without equal in his day..." Kool Moe Dee Greatest Hits Songs Greatest Hits Review
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Purchase Greatest Hits CD To buy, Click on price to add to cart | D O C No One Can Do It Better CD (1989)
Greatest Hits album
$8.79 An early landmark of West Coast rap, the D.O.C.'s debut album, No One Can Do It Better, remains sorely underheard today, largely because the car crash that destroyed the rapper's voice also cut short his time in the spotlight before he'd had a chance to really cement his reputation among the general public. When No ...
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$16.45 Join me in the story!..Jon Bachman 2007In nearly forty-five years of singing, performing, composing, entertaining and having fun playing the guitar I have been asked three questions hundreds of times, 'What kind of music do you play?', 'Who influenced you as you learned?, and 'Do you write your own material'?Let's start with 'What kind of music do you play?'A way back during the mid sixties I started saying 'folk music', back when playing folk music put you in some sort of lofty intellectual, down with the roots of what it's all about kind of expression. I mean, everyone seemed to be tuned in and I tuned in and loved it. I spent every dime I could lay my hands on 'records'; Vanguard, Electra, Verve, Folkways and more. I started buying better and better guitars. Singers were telling stories to me, this green suburban kid, life stories that I had never thought of much less experienced. The roots of blues, the humid slide guitar of the Mississippi delta, the raucous vaudevillian ragtime, ballads and balladeers filled my head with ghosts, madmen, bloody rebellions, lost ships, tell-tale hearts, social consciousness and unrequited loves. I soaked it up. Well, times have a way of detouring your clarity. I copped out and by the mid '70's the nomenclature didn't fit, the term folk music no longer worked. I guess it was hearing too many bad jokes about Kumbiya and Michael rowing boats that got under my skin and sort of dampened my purist spirit. I started saying I was a 'singer', then 'folk/pop singer', then, 'contemporary folk/pop singer', and then 'contemporary, folk/pop acoustic singer'. It got pretty weird. The fact is that I still played and sang the same types of songs I had been for years. My repertoire expanded, more ballads, more great story songs and by the mid 80's I realized that I was truly a 'folk singer' and that was ok. Let me explain the 360 degrees retrospect. Folk Music is people music, for and by the people and can incorporate any and all genres. I mean from the rock to the pop, blue grass to blues. It's all about the music people can understand, dream with, love with and take inspiration from. Finally, I didn't have to cover up the fact that I played 'folk music' and I still loved it. Now for the second question, 'Who influenced you as you learned?'Anyone's style is the amalgamation of the people you listen to and respect for their honesty ...
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