| | Falconer Among Beggars And Thieves CD Falconer Discography of CDs
One of the premier bands to merge rudiments of power metal with medieval, European folk music, Sweden's Falconer continues to display genuine compositional ability with AMONG BEGGARS AND THIEVES. The quintet's sixth studio release sounds less like its earlier, Helloween-inspired power anthems and more in line with the current movement of vibrant, pagan folk metal, ŕ la Turisas and Eluveitie--Falconer has come quite a long way from its roots as the Viking death metal act Mithotyn.
In a pseudo-conceptual album that deals with the depression and poverty of medieval Sweden, Falconer's music is, ironically, energetic. Produced, engineered, and mastered by Andy LaRoque (King Diamond), and driven by powerful guitar passages in addition to Mathias Blad's honeyed vocals, AMONG BEGGARS AND THIEVES is a melodic masterwork.
Falconer: Mathias Blad (vocals); Stefan Weinerhall (guitars, keyboards); Jimmy Hedlund (guitars); Magnus Linhardt (bass guitar); Karsten Larsson (drums).
Personnel: Anders Wangdahl, Evelyn Jons (vocals, background vocals); Johannes Nyberg (piano).
Among Beggars And Thieves Music Falconer Among Beggars And Thieves Songs | 1. | Field Of Sorrow |
| 2. | Man Of The Hour  |
| 3. | Beggar Hero, A |
| 4. | Vargaskall |
| 5. | Carnival Of Disgust |
| 6. | Mountain Men |
| 7. | Viddernas Man |
| 8. | Pale Light Of Silver Moon  |
| 9. | Boiling Led |
| 10. | Skula, Skorpa, Skalk |
| 11. | Dreams And Pyres |
| Among Beggars And Thieves Review
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$11.49 Jeri’s music has roots in many art forms. Though she studied piano, marimba and voice from a young age through college, her song writing and singing career only took off after a first career as sculptor and a second with her 60s involvement in anti-war, collective theater groups. She then became active in the Women’s Music Network of the 70s performing extensively and recording (A Few Loving Women and Jeritree’s House of Many Colors) on her own Seawave Recordings label, enjoying world-wide exposure.After teaching music and writing in New York City public schools and colleges for 20 years, she continues to compose and sing solo as well as with small ensembles that work out of her Manhattan recording studio. Her colorful and textural compositions and mixes, showing that early sculptor’s hand, also have a dramatic drive; a novel, poetry, plays and analytical writings have been published by Chicago Review, Peoples’ Theater in America and New Victoria. “…When you enter it is clear there is someone come, no longer a woman, not wiry warm quick flesh but a makeshift holy artifact moving on the blank face of the dark as on a river…” - Marge Piercy, poet “Jeriann’s Hands,” Hard Loving, Wesleyan University Press, l969 “To hear Jeri sing is like being re-born in music. She reminds us of things forgotten, and things still to yield shape … a true and living artist, soaring and disciplined, angry and healing, new and age-old. To label what she does is to confine it.” - Padma Hejmadi, author“The music is avant-garde, improvisational as well as compositional…One might call it “classical,” another “jazz.” It could be either or both, but I think it defies classification…” - Kay Gardner, ...
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