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In Search Of The Lost Chord (Deluxe Edition) album for sale Product Description
In Search Of The Lost Chord (Deluxe Edition) album for sale by Moody Blues was released Apr 18, 2006 on the Deram label. After helping lay the groundwork for concept albums and progressive rock with 1967's orchestra-enhanced suite DAYS OF FUTURE PASSED, the Moodies retrenched for the follow-up. They abandoned the orchestra but kept their sound as rich as before by playing a multitude of instruments themselves, including everything from sitar to cello to oboe. At the time, it was remarkable enough for these instruments to appear on a rock record, much less to be played by the band itself. In Search Of The Lost Chord (Deluxe Edition) CD music is a 2-disc set with 27 songs. ...See Full Description
Moody Blues - In Search Of The Lost Chord (Deluxe Edition) Album Track Listing
In Search Of The Lost Chord (Deluxe Edition) buy CD music Customer Reviews
| Average Rating: |  |  List All 11 Reviews
 | Great Sound but missing the 5.1 As everyone else has mentioned, It is disappointing that the 5.1 decoding is missing,but it is the absolute best that this album has ever sounded. I bought it without really reading the reviews on it. By Rivendell-bsc (JCC,Va.)  |
| After the disappointment wears off... Once you get over the fact that this is not a multichannel recording you slowly begin to get sucked into the colorful world of the Moodies. By hgroppler (Milford, Mass)  |
| Someone really dropped the ball here!!! I already have the best 2 chan. stereo remaster of this album, the Mobile Fidelity gold CD. I bought this one because of it was advertised as SACD 5.1 mix. I have the Deluxe Edition of "Days of Future Passed" which is packaged identical to this one and is SACD 5.1. I can't figure out why this one is not. By dgigante2 (Buffalo, NY) |
| The Disappointment DOESN'T WEAR OFF! I love 5.1 SACD mixes of classic rock albums and, having been a Moody Blues fan for, oh, OVER 35 YEARS!!! I was so excited to hear of the release of 5 albums in SACD. I already had Days Of Future Passed and Seventh Sojourn in DVD-A. By Peter (Australia) |
| Why?????? Why advertise it as 5.1 Deluxe Hybrid and then just slap a stereo disc on us? Why just this one? What's the point? Very frustrating! By Mr. Hankey (South Park, CO) |
| Have you heard this album? |
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In Search Of The Lost Chord (Deluxe Edition) songs Product Details
| CD Universe Part number | 7717707 |
| Label | Deram |
| Orig Year | 1968 |
| Catalog number | 9832147 |
| Discs | 2 |
| Release Date | Apr 18, 2006 |
| Studio/Live | Studio |
| Mono/Stereo | Stereo |
| Producer | Tony Clarke |
| Recording Time | 98 minutes |
| Personnel | Justin Hayward - vocals, acoustic & electric guitars, 12-string guitar, sitar, harpsichord, piano, Mellotron, bass, percussion, tablas John Lodge - acoustic guitar, cello, bass, tambourine, snare drum, background vocals Graeme Edge - piano, drums, timpani, tambourine, tablas Ray Thomas - C flute, alto flute, soprano saxophone, background vocals Mike Pinder - acoustic guitar, cello, autoharp, harpsichord, Mellotron, piano, bass Michael Pinder - vocals, acoustic guitar, autoharp, cello, piano, harpsichord, Mellotron, bass guitar
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| Additional Info | Remastered; Deluxe Edition |
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In Search Of The Lost Chord (Deluxe Edition) CD music Also available in a 3-pack with FACE THE MUSIC and DISCOVERY.
1976's A NEW WORLD RECORD is both a classic of commercial '70s pop and an archetypal ELO album. From the outer-space synths and rich orchestrations that open the album to Jeff Lynne's meticulous production and Beatlesque melodies, A NEW WORLD RECORD is magnificent ear candy. Both ambitious enough to appeal to "serious" rock fans and ultra-catchy enough to sound terrific on Top 40 radio (the plaintively gorgeous, McCartney-like "Telephone Line" and the anthemic "Livin' Thing" were well-deserved smashes), ELO was one of the few '70s bands whose appeal covered both the FM and AM spectrums. The album even resurrects "Do Ya," a classic single by Lynne's former band, the Move, in a splashy new version.
The next ELO album, 1977's elaborate double-album OUT OF THIS WORLD, was probably the band's commercial high point, but A NEW WORLD RECORD is the group's artistic high-water mark.
Their #5 smash from '76 gave ELO its first platinum record, and it's probably their most consistent creation. The hits Livin' Thing; Do Ya , and Telephone Line join Rockaria; Tight Rope ; a full six bonus cuts and more!
Electric Light Orchestra: Jeff Lynne, Bev Bevan, Richard Tandy, Kelly Groucutt, Mik Kaminski, Hugh McDowell, Melvyn Gale.
Electric Light Orchestra: Mik Kaminski (violin); Richard Tandy (piano, Moog synthesizer); Kelly Groucutt, Hugh McDowell, Melvyn Gale, Jeff Lynne, Bev Bevan.
Personnel: Jeff Lynne (vocals, guitar, slide guitar, Wurlitzer organ, percussion); Kelly Groucutt (vocals, bass guitar, percussion, background vocals); Richard Tandy (guitar, grand piano, electric piano, Clavinet, Wurlitzer organ, Mellotron, mini-Moog synthesizer, percussion, background vocals); Mik Kaminski, Hugh McDowell, Melvyn Gale (cello); Bev Bevan (mini-Moog synthesizer, drums, percussion, background vocals).
Liner Note Authors: Jeff Lynne; Rob Caiger.
Recording information: De Lane Lea Studios, London, England; Musicland Studios, Munich, Germany.
Illustrator: Kosh.
Photographers: Kosh; Andrew Kent; Barry Plummer.
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Every Good Boy Deserves Favour CD (1971) Top Seller
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In Search Of The Lost Chord (Deluxe Edition) buy CD music Though this 1971 release was issued at a time of enormous commercial success for the Moody Blues, EVERY GOOD BOY DESERVES FAVOUR contains some of the band's most adventurous music. The band had recently discovered the Moog synthesizer, and its presence is felt on much of the album. The opening "Procession" instantly sets this collection's experimental course, landing like a spacecraft among reams of cascading synthesizer before evolving into a soundscape of cricket chirps, thunderclaps, and tribal chanting. The next three minutes contain one of the most cathartic sonic explorations the band has ever put forth.
Other standout tracks include "After You Came," which features tessellated vocal layering and bluesy guitar work; "Emily," a song that John Lodge wrote for his daughter; and the rapturously symphonic "You Can Never Go Home." Rich, complex, powerful, and beautifully produced, EVERY GOOD BOY DESERVES FAVOUR brings together all of the Moody Blues' best qualities in one album, standing as the culmination of their fine '60s work, and the standard-bearer for the music to come.
Import-only SACD/Hybrid pressing. 2007 digitally remastered digipack edition of this 1971 classic featuring the original stereo mix and the 5.1 Surround Sound mix plus added tracks along with an expansive booklet containing sleeve notes and rare photographs. Features two previously unreleased tracks: 'The Story In Your Eyes' (Original Version) and 'The Dreamer'. 11 tracks total. Decca.
Contains 2 Bonus Tracks.
The Moody Blues: Mike Pinder (keyboards); John Lodge (bass instrument); Graeme Edge (percussion); Justin Hayward , Ray Thomas.
Personnel: Justin Hayward (vocals, guitar); Ray Thomas (vocals, flute, harmonica, percussion); Michael Pinder (vocals, keyboards); John Lodge (vocals); Graeme Edge (drums).
Audio Mixer: Paschal Byrne.
Audio Remasterers: Justin Hayward ; Paschal Byrne; Alberto Parodi.
Recording information: Tollington Park Studios, London, England (11/04/1970-11/09/1970); Wessex Studios (11/04/1970-11/09/1970).
Photographer: Barry Plummer.
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In Search Of The Lost Chord (Deluxe Edition) songs This is a DTS CD, which features DTS 5.1 Surround Sound technology and is playable on a DTS-capable 5.1 Surround Sound system.
While the Moodies were never exactly a rocker's delight, SEVENTH SOJOURN, the seventh recording with the post-Denny Laine lineup, is perhaps their most ballad-heavy album. Ironically, the album's biggest hit, which would become one of the group's signature songs, was the uncharacteristically uptempo "I'm Just a Singer in a Rock and Roll Band." Elsewhere, appearances are equally deceiving; interpersonal tensions had developed in the band to the point where there wouldn't be another Moody Blues album for six years, but the album is full of slow, romantic musings, not signs of strife.
As usual, it's Justin Hayward, he of the silky voice and heart-on-a-sleeve lyricism, who excels at all this romantic balladry, his contributions being the most melodic and affecting. John Lodge's aforementioned "I'm Just a Singer" is far and away the most energetic tune, but it closes the album and doesn't disturb the contemplative mood. Ironically, though the band was coming apart, they were also reaching new heights. Keyboardist Mike Pinder had traded in his Mellotron for its more sophisticated cousin, the Chamberlain, which provided an improved overall sound on SEVENTH SOJOURN.
Import-only SACD/Hybrid pressing. 2007 digitally remastered digipack edition of this 1972 classic featuring the original stereo mix and the 5.1 Surround Sound mix plus added tracks along with an expansive booklet containing sleeve notes and rare photographs. Features four previously unreleased tracks: 'Isn't Life Strange' (Original Version), 'You And Me' (Beckthorn's Backing Track), 'Lost In A Lost World' (Instrumental Demo) and 'Island'. 12 tracks total. Decca.
Digitally remastered by Steve Fallone (Polygram Studios).
All tracks have been digitally remastered.
Contains 4 Bonus Tracks.
Recorded at Tollington Park Studios, London, England.
Recorded at Tollington Park Studios, London, England. Originally released on Threshold (7). Includes liner notes by John Reed.
Audio Remasterers: Justin Hayward ; Paschal Byrne; Alberto Parodi.
Recording information: Beckthorns (01/??/1972-02/14/1973); Decca Studios Tollington Park (01/??/1972-02/14/1973); Decca Studios, Tollington Park, London, England (01/??/1972-02/14/1973); Tollington Park Studios, London, England (01/??/1972-02/14/1973).
Photographer: Barry Plummer.
The Moody Blues: Mike Pinder, Justin Hayward, Ray Thomas, John Lodge, Graeme Edge.
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In Search Of The Lost Chord (Deluxe Edition) album for sale Originally released on Deram (1035). Includes liner notes by John Reed.
Where this album's predecessor IN SEARCH OF THE LOST CHORD dipped deeply into Eastern-flavored psychedelia, THRESHOLD is more of a straightforward rock record. Things open up experimentally enough, with a spoken-word vignette over electronic drones, but this leads straight into one of the Moodies' poppiest, most up-tempo songs, "Lovely to see You," which would remain a concert favorite for decades. Even notoriously theatrical flautist/vocalist Ray Thomas keeps his eccentricities in check on his effective ballad "Dear Diary."
Keyboardist Mike Pinder takes a surprisingly lascivious vocal turn on the anomalous, leering rocker "So Deep Within You." Justin Hayward provides the lion's share of ear-tickling moments with pretty folk-rock tunes such as "Never Comes the Day" and "Are you Sitting Comfortably," while the most adventurous piece "Have you Heard/The Voyage" extends over three discrete tracks, featuring complex instrumental passages and lush harmonies. THRESHOLD doesn't come off as an attempt to cater to the mainstream, it's just a more song-based, less exotic recording than its predecessors.
Digitally remastered by Steve Fallone (PolyGram Studios).
Includes liner notes by David Lymonds and Lionel Bart.
Additional Tracks
Audio Remasterers: Justin Hayward ; Paschal Byrne; Alberto Parodi.
Liner Note Author: David Symonds.
Recording information: Decca Studio One, West Hampstead, England (01/14/1969-02/23/1969); Decca Studio One, West Hapstead (01/14/1969-02/23/1969); Decca Studio One, West Hampstead, England (01/14/1969-04/02/1969); Decca Studio One, West Hapstead (01/14/1969-04/02/1969).
Photographers: Terence Abbott; David Wedgbury; Barry Plummer.
Unknown Contributor Roles: Graeme Edge; John Lodge; Michael Pinder; Ray Thomas.
The Moody Blues: Mike Pinder, Justin Hayward, Ray Thomas, John Lodge, Graeme Edge.
Additional personnel: Pete Jackson (triangle).
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In Search Of The Lost Chord (Deluxe Edition) CD music The beautifully remastered version of the Moody Blues's 1970 back-to-basics album (translation: they cut way back on the overdubs) strips away the original aural murk at last, and includes informative liner-note interviews with the band about the recording process. Standout tracks include the classic sort-of protest song "Question" and "It's Up to You," one of singer/guitarist Justin Hayward's most authoritatively wistful riff-rockers.
There is a clear attempt to pare back the lush excesses of their earlier work in favor of a leaner rock sound, as heard on cuts like John Lodge's pell-mell "The Tortoise and the Hare." Still, one of the album's standouts is Ray Thomas's "And the Tide Rushes In," a lovely psychedelic ballad of the sort that moved the Who's Pete Townshend to remark that the Moody Blues' albums were so gorgeously produced that listening to them was like "being in church." A QUESTION OF BALANCE is a fine album, and a clear preparation for its successor EVERY GOOD BOY DESERVES FAVOUR, one of the band's finest moments.
Import only SACD/Hybrid pressing. Digitally remastered digi-pack edition with the the original stereo mix with added tracks along with an expansive booklet containing sleeve notes are rare photographs. 'A Question of Balance' features 6 bonus tracks. Universal. 2006.
Includes liner notes by John Reed.
All tracks have been digitally remastered.
The Moody Blues: Justin Hayward (vocals, guitar); John Lodge (vocals, bass instrument); Ray Thomas (flute, harmonica); Mike Pinder (keyboards); Graeme Edge (drums, percussion).
The Moody Blues: Justin Hayward, Graeme Edge, John Lodge, Mike Pinder, Ray Thomas.
Engineers: Derek Varnals, Adrian Martins, Robin Thompson.
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In Search Of The Lost Chord (Deluxe Edition) buy CD music The Moodies were a prolific lot in the late '60s. This, the post-Denny Laine lineup's fourth album, was the second to be released in 1969. It was the group's most mature, fully realized effort to date, arguably surpassing even the milestone DAYS OF FUTURE PASSED in its elegance and vision. The Moodies were always capable of both songcraft and experimentalism, but this was the first time they combined them both successfully. Mike Pinder's dramatically arcing mellotron is the perfectly complement to the group's lush vocal harmonies, which are colored by rich acoustic guitar textures.
Things open on a mind-bendingly psychedelic note with the electrical storm of "Higher and Higher," but soon the waters calm. Justin Hayward's brief acoustic ballad "I Never Thought I'd Live to be a Hundred" is among the band's loveliest tunes, and it leads into "Beyond," an ambitious instrumental that is the Moodies at their most progressive. Throughout the album, the mixture of winningly melodic balladry, poignant folk-rock and ambitious prog-rock leanings combine for what is one of the Moody Blues' most satisfying albums.
Additional Tracks; Deluxe Edition
All tracks have been digitally remastered.
The Moody Blues: Graeme Edge, John Lodge, Ray Thomas, Justin Hayward, Mike Pinder.
Engineers: Derek Varnals, Adrian Martins, Robin Thompson.
The Moody Blues: Justin Hayward , Graeme Edge, John Lodge, Mike Pinder, Ray Thomas.
Audio Mixer: Derek Varnals.
Audio Remasterers: Justin Hayward ; Alberto Parodi.
Recording information: BBC Paris Theatre (07/??/1969-12/17/1969); Decca Studio One, West Hampstead, England (07/??/1969-12/17/1969).
Photographers: Derek Varnals; Barry Plummer.
The Moody Blues: Justin Hayward, Mike Pinder, John Lodge, Ray Thomas, Graeme Edge.
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