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“He Opened My Eyes” by the Redeye RamblersThe Redeye Ramblers came together in the fall of 2006. A few old friends getting together to pick a little bluegrass and the next thing you know we’re putting out a CD! We really had no idea this was where our efforts would end up.Growing up in Salisbury, North Carolina, I heard “hillbilly music” once in a while, but I really became interested in bluegrass while living in the Washington, D.C., area in the mid 1970’s. You could go out to hear the Seldom Scene, the Country Gentlemen, and the Johnson Mountain Boys playing in the clubs up there about any time you wanted to, and I fell in love with the music. I started learning guitar at that time, and played with my first bluegrass group in the Chapel Hill area in the early 1980’s, the Piney Mountain Boys. But I basically gave up music when I joined a busy physician practice in Asheville, N.C.In the fall of 2006, after a long hiatus from playing bluegrass, I called Mark Canter (bass) and Bob Reynolds (mandolin) to see about putting together a band. Mark was a Weaverville, N.C. native whom I had known for a long time, and Bob, originally from Alcoa, Tennessee, was another physician in Asheville who had played with bluegrass and country groups in the past. None of us had been playing much music for a number of years, however, due to the demands of our “day jobs.” Once we started practicing, we found we really enjoyed singing and playing together, and we decided to form a band. We all loved the traditional and gospel bluegrass music, and we also brought slightly different musical tastes and backgrounds to each other. Struggling with a name, we finally settled on “The Redeye Ramblers” because we were so old that our eyes would get red and irritated if we stayed up much past 9:30 at night! In 2007, we were joined by Tom McKinney (banjo and vocals) and Lori Little (fiddle and vocals), both natives of Asheville. Tom is a highly regarded banjo picker in western North Carolina and had played for a number of top groups, including the Nashville Grass and the Shenandoah Cut-Ups. We managed to coax Tom out of retirement to play with us. His powerful Scruggs- style banjo playing can be appreciated on these selections. Lori has not only upgrades the appearance of our band but also adds her fine fiddle playing to our sound. As you will see when you listen, she has a truly beautiful and inspirational voice as well.Our musical influences are those of the old masters, including Flatt and Scruggs, Bill Monroe, and the Stanley Brothers, as well as more recent influences. The wonderful lead and tenor singing of Russell Moore has had ...
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Signed, Infinity CD“Signed, Infinity” was officially completed in August of 2008. This is my first CD that includes a cover song (“The Lord’s Prayer”). Most of the others are songs I’ve written over the course of many years and there are two new songs on the CD (“Signed, Infinity” and “One Chapter More”).Although the songs are old, the recordings are all new. I recorded all of these songs at my home in Ocala, Florida during the spring and summer of 2008. I used a software program called Acid Pro and, of course, my trusty 12 string acoustic guitar.The first song on “Signed, Infinity,” \"Such Imaginings Go On\", is the oldest song of the collection. I wrote this song when I was eighteen or nineteen years old in 1974. After all these years, the song still reflects a basic belief I have that we are living this lifetime to learn. How those lessons unfold is truly a mystery and often a frustration but through it all, I believe, we become better people. The second song, \"1970 Nova,\" is a song I wrote about being young and fearless. On the surface, it is a song about my old car but, in truth, it is about the spirit we possess when we are young that enables us to pursue our goals with absolute faith. As for the car itself, yes I had a 1970 Nova. I didn’t own it in 1970, though! I owned it toward the end of the 1970s and never doubted its ability to “take me everywhere.” I’d “crank her up and she’d get me there.”“From Zero To Nine” is the third song on the collection and feels like an old friend whenever I “revisit” it. The song is self-explanatory in its reflection of my optimistic nature to believe that “happiness must be from zero to nine.”The ...
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