| | Red Harvest New World Rage Music CD - Import Red Harvest Discography of CDs
New World Rage Music Music | List Price | $15.99 (You save $1.54) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7722130 | | Discs | 1 | | Release Date | Jul 29, 2008 | | Additional Info | Import |
Red Harvest New World Rage Music Songs | 1. | Intrusion |
| 2. | Ad Noctum |
| 3. | Mover Or Be Moved |
| 4. | Swallow The Sun |
| 5. | Pity The Bastard |
| 6. | Final Scorn |
| 7. | Absolut Dunkel Heit |
| 8. | Supreme Truth |
| 9. | Terrorsonic Zodiac |
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New World Rage Music Review
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Purchase New World Rage Music CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
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Track list includes "I'm Down,""Drive My Car," "Got To Get You Into My Life," "The Long And Winding Road," "Blackbird," "Eleanor Rigby," "Back In The USSR," "Paperback Writer," "Let It Be," "Hey Jude," "Helter Skelter" and more, plus "Something" rendered on ukulele gifted to Paul by George Harrison, and a tribute to John Lennon in the form of a medley of "A Day In The Life" and "Give Peace A Chance." Wings era chestnuts include "Band On The Run," "My Love," "Let Me Roll It" and the pyrotechnic tour de force of "Live And Let Die," while timeless McCartney solo material ranges from "Here Today" to the upbeat "Flaming Pie" and "Dance Tonight" to a pair of numbers from Electric Arguments, the 2008 album released under the alias of The Fireman.
DVD features concert footage directed by Paul Becher, who has overseen live visuals for McCartney for some 200 performances and counting. The 33-song 2 hour 40 minute performances were ...
| | Lady Gaga Fame Monster CD (2009)
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even ...
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This 1976 soundtrack found Paul Williams turning his writing and producing skills to crafting an original song score for a musical that used child actors to bring an adult story about 1930s gangsters to life. The resulting album works like a charm because Williams uses his Tin Pan Alley sense of melodic craftsmanship to creating a series of short, tight songs that effectively blend modern pop song structures and hooks with pre-rock & roll styles like ragtime jazz and Bing Crosby-style crooner balladry. As one might expect, there are plenty of toe-tapping tunes that evoke the good-timey feel of a speakeasy: "Fat Sam's Grand Slam" mixes a horn-laced up-tempo tune with effective flapper background vocals to create an enticing portrait of the title location, while "Bad Guys" is an amusing tribute to the tough-guy lifestyle that blends a complex multiple-singer vocal arrangment with a jazzy, piano-pounding melody. The up-tempo tracks are balanced out by some surprisingly torchy ballads: "I'm Feeling Fine" is an alluring invitation to romance that boasts a richly-harmonized chorus, and "My Name Is Tallulah" sets tough-girl lyrics to a sultry melody laced with elegant piano fills and stately horns. However, the album's finest moment is the finale, "You Give a Little Love"; this charming tribute to friendship builds from a single piano to a full, ragtime-styled band arrangement that climaxes with a rousing sing-along fade out. Though the album is short, each of the songs holds up to repeated listening and the album flows ...
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Late Tuesday est. February, 2000LATE TUESDAY combines richly interwoven harmonies over acoustic and electric guitars, piano, and bass/drums to create an original folk-pop sound.Tara {guitar ~ piano ~ vocals}Dana {piano ~ guitar ~ vocals}Jocelyn ...
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Principally recorded at Cherokee Studios, Hollywood, California. Includes interviews ...
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