| | Black Sabbath Paranoid CD - Import Black Sabbath Discography of CDs
(3 Customer Reviews)
 |
|
Our Price: $31.89 CDFor Sale Usually ships in 1-2 days
|  |
2009 digitally remastered and expanded deluxe three CD edition of the classic sophomore album from the Heavy Metal kingpins led by Ozzy Osbourne. Originally released in 1970, Paranoid still stands as an important milestone in the history of Hard Rock and Heavy Metal. This ultimate edition features a beautifully remastered version of the album, an alternate version of the album including instrumental mixes, alternate recordings and more plus the SACD 5.1 audio mix of the album
Paranoid was not only Black Sabbath's most popular record (it was a number one smash in the U.K., and "Paranoid" and "Iron Man" both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath's signature sound -- crushingly loud, minor-key dirges loosely based on heavy blues-rock -- and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like "War Pigs" and "Iron Man" (which sports one of the most immediately identifiable riffs in metal history). The subject matter is unrelentingly, obsessively dark, covering both supernatural/sci-fi horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations, and narcotic abuse. Yet Sabbath makes it totally convincing, thanks to the crawling, muddled bleakness and bad-trip depression evoked so frighteningly well by their music. Even the qualities that made critics deplore the album (and the group) for years increase the overall effect -- the technical simplicity of Ozzy Osbourne's vocals and Tony Iommi's lead guitar vocabulary; the spots when the lyrics sink into melodrama or awkwardness; the lack of subtlety and the infrequent dynamic contrast. Everything adds up to more than the sum of its parts, as though the anxieties behind the music simply demanded that the band achieve catharsis by steamrolling everything in its path, including its own limitations. Monolithic and primally powerful, Paranoid defined the sound and style of heavy metal more than any other record in rock history. ~ Steve Huey PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, "War Pigs," or the lumbering thud of "Iron Man" (which boasts one of the most indelible electric guitar riffs in rock history). The album's title is apt: PARANOID is filled with an edgy aggression and lyrics about war, insanity, death, and destruction. Ozzy Osbourne's flat, affectless voice merges perfectly with Tony Iommi's fuzzed-out, sledgehammer power chords and the bruising bass and drum lines to create an intense, freaky, horror-show universe. There are elements of blues-rock and psychedelia (the floating "Planet Caravan," in particular), but Black Sabbath basically invents here what would become one of the most popular genres of music in the latter 20th century and beyond. Even after the millions of heavy metal albums that have followed in its wake, PARANOID stands as an all-time classic.
Rolling Stone (12/11/03, p.126) - Ranked #130 in Rolling Stone's "500 Greatest Albums Of All Time" Spin (p.89) - "Ozzy saw heavy rock as a way to emulate the horrors of a fallen world..." Q (12/99, p.170) - Included in Q Magazine's Best Gothic Albums Of All Time - "...[They] stamped their bombastic and doom-laden imprint on British rock forever..." Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th Century Kerrang (Magazine) (p.52) - "[With] classic after classic, the strange, lost, almost sobbing vocals of a young Ozzy Osbourne floating over a skulking rhythm section and grim, lurching riffs." Record Collector (magazine) (p.93) - 5 stars out of 5 -- "With sharper edges and nastier riffs than Sabbath's much bigger contemporaries Led Zeppelin and Deep Purple, the album made it clear to any doubters that heavy metal didn't just have to be about hobbits and sports cars." Paranoid Music Review Average Rating: (4.7 out of 5 stars)   get it while it is available!!!!! First of all, the surround mix is not Sacd, but dvd audio presented in DTS. This mix totally revamps the original stereo mix in terms of instrument placement as well as vocal dynamics. Simply put, it breathes new life into a great album that was recorded well but by no means great. The liner notes,photos, instrumental versions are all icing on the cake. Discs like this tend to vanish quickly in a limited release in the DVD audio format. So order now!!! Submitted by shorewoodsteve (shorewood WI) Was This Review Helpful? Yes No 3 of 3 found this helpful.
2009 deluxe Paranoid The dvd is nice to have and a nice touch. It shows different Paranoid single slipcovers and so forth.
I like the alternate tracks on disc 3 with their scratchvocals and the instrumental with no overdubs and no solos, we get work in progress. It is a very nice sound into the making of Paranoid.
The remastering of the original album is probably the best I have heard. You say what about the Black Box? To me the Rhino remasters of the original Sabbath sound just a bit compressed. I own all the Castle remasters and the new Sanctuary remasters sound just a bit better. More natural. But, if you can keep all your other remasters. Submitted by Darryl Baysinger (Fulton, MO & Pensacola, FL) Was This Review Helpful? Yes No 1 of 1 found this helpful.
Great analog sound!
I compared this deluxe edition to the Rhino remaster and the deluxe edition has more tape hiss and less over all level, which is probably closer to the original vinyl. Rhino sounds good, it has noise reduction to bring down the hiss and compression/limiting to make everything sound at the same loud level. Which is best? I prefer the good old analog sound, less compression which gives more dynamic range to the music, but the Rhino release isn't bad like some might say. The bonus tracks are fun to listen to , you get to hear the detail in the instruments because most tracks are without vocals and the quad mix isn't great but interesting to hear surround sound from back then. The artwork and packaging are nice too. Enjoy! Submitted by rfleurant55 (MTL, Qc) Was This Review Helpful? Yes No
| Have you heard this album? |  |
Purchase Paranoid CD To buy, Click on price to add to cart | Yes - 9012 Live DVD (1986) Full Frame
Paranoid
$15.09
| | Moody Blues Seventh Sojourn CD (1972) England; SACD Hybrid
Paranoid
$19.49 Import-only SACD/Hybrid pressing. 2007 digitally remastered digipack edition of this 1972 classic featuring the original stereo mix and the 5.1 Surround Sound mix plus added tracks along with an expansive booklet containing sleeve notes and rare photographs. Features four previously unreleased tracks: 'Isn't Life Strange' (Original Version), 'You And Me' (Beckthorn's Backing Track), 'Lost In A Lost World' (Instrumental Demo) and 'Island'. 12 tracks total. Decca.
The Moody Blues: Mike Pinder, Justin Hayward, Ray Thomas, John Lodge, Graeme Edge. Recorded at Tollington Park Studios, London, England. Originally released on Threshold (7). Includes liner notes by John Reed. Digitally remastered by Steve Fallone (Polygram ...
| | Emerson, Lake, And Palmer Brain Salad CD (2008) SACD Hybrid; Deluxe Edition
Paranoid
$27.95
| | Cars Heartbeat City CD (1984)
Paranoid
$20.29 The Cars: Ric Ocasek (vocals, guitar, keyboards); Ben Orr (vocals, bass); Elliot Easton (guitar, background vocals); Greg Hawkes (keyboards, background vocals); David Robinson (drums, percussion). Recorded at Battery Studios, London, England. MTV had become a major marketing tool by 1984, and the Cars were one of the first bands to use the new video medium to their advantage. The band's fifth album, Heartbeat City (Elektra), spawned several imaginative and memorable videos, which translated into massive chart and commercial success, making it one of the biggest releases of the year. Produced by hitmaker John "Mutt" Lange (AC/DC, Def Leppard), the album included two Top Ten singles -- the ballad "Drive" and the charismatic "You Might Think" -- plus an additional two that landed in the Top 20: the summer anthem "Magic" and the eccentric "Hello Again." But it didn't just stop there, plenty of other tracks could have been hits as well, such as the sparse rocker "It's Not the Night" and the breezy pop of "Looking for Love." Other highlights included the ethereal title track, the melodic rocker "Stranger Eyes," and the moderately paced love song "Why Can't I Have ...
| | Black Sabbath CDs (1970) Bonus CD; Remastered; Deluxe Edition
Paranoid
$26.79 Deluxe 2cd edition comes with a bonus disc of unreleased material including alternate versions and mixes of "Black Sabbath", "N.I.B.", "Sleeping Village", "Wizard", "Behind the Wall of Sleep", "Evil Woman", and "Warning". Has new notes by David Wells and a booklet with rare photos and memorabilia. 16 Tracks
Personnel: Tony Iommi (guitar); Geezer Butler (bass guitar); Billy Ward (drums). Audio Remasterer: Andy Pearce. Liner Note Author: David Wells . Author: Billy Ward. Photographers: Hugh Gilmour; Chris Walter; Chris Walter. Black Sabbath's debut album is given over ...
| | Black Sabbath Master Of Reality CD (2009) Bonus CD; Remastered; Deluxe Edition
Paranoid
$26.79
| | Best Of Classic Country V.1 CD (Import) Canada
$15.75 | | Concord Records Sacd Sampler CD (2003) SACD Hybrid
Paranoid
$9.95 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Compilation producers: John Burk, Nic Phillips. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Tania Maria (vocals, piano, keyboards); Mel Tormé, Michael Feinstein, Rosemary Clooney, Carmen McRae (vocals); Jim Hall, Phil Upchurch, Reg Schwager, Ron Eschete, Tim May, Charlie Byrd (guitar); Julia Sverdlov (harp); Eliezer Gantman, Avital Steiner, Rima Kaminkowski, Drorit Valk, Yitshak Geras, Elyakum Salzman, Marina Dorman, Emanuel Aronovich, Lazar Shuster, Shmuel Glaziris, Amnon Valk, Raphael Frankel, Yoram Livne, Yelen Tishin, Marianna Povoltzsky, Olga Stern, Robert Mozcs, Kalman Levin, Ilya Isakovich, Alexander Dobrinsky, Shimeon Abalovitch, Alon Weber, Elizabeth Krupnik, Alexander Povoltzky, Anna Rosnovsky, Adelina Grodsky, Genadi Gurevich (violin); Abraham Rosenblit, Roman Spitzer, Avraham Levethal, Vladislav Krasnov, Klara Nussovitzky, Michael Appelman, Miriam Hartman, A. Yaron, Eugenia Malkovksy (viola); David Barnea, Shulamit Lorrain, Alla Yampolsky, Dmitri Golderman, Baruch Gross, Marcel Bergman, Enrique Maltz, Ofra Hanh Sacher, Felix Nemirovsky, Dmitri Tsirin, Yoram Alperin (cello); Eyal Ein Habar (flute, piccolo); Roger Glenn (flute, percussion); Boaz Meirovitch, Yossi Arnheim (flute); Rashelly Davis, Yaakov Barnea, Ken Peplowski (clarinet); Israel Zohar (bass clarinet); Bruce Weinstein, Herman Openstein (oboe); Merrill Greenberg (English horn); Uzi Shalev, Gad Lederman (bassoon); Carol Patterson (contrabassoon); Dan Higgins, Gary Foster, Joe Soldo (reeds, alto saxophone); Pete Christlieb, Bob Cooper (reeds, tenor saxophone); Bob Tricarico (reeds, baritone saxophone); Red Holloway (saxophone); Scott Martin (alto saxophone, hand claps); John "Woog" Johnson, Moe Koffman, Branford Marsalis (alto saxophone); Rick Wilkins, Alex Dean, Mary Fettig, Steve Getz, Bill Pierce , Mitch Frohman (tenor saxophone); Bob Leonard (baritone saxophone); Guido Basso (trumpet, flugelhorn); Arnie Chycoski, Yigal Meltzer, Robbie Kwock, George Graham, Stan "Be Bop" Martin, Ram Oren, Raphael Glaser, David "Piro" Rodríguez, John MacLeod, Larry Hall , Warren Luening, Wynton Marsalis, Bob Summers, Steve McDade, Kevin Turcotte (trumpet); Gary Pattison, James MacDonald , Brad Warnaar (French horn); Alastair Kay, Yehoshua Pasternak, Stewart Taylor, George Roberts , Jerry Johnson , Bob Livingston, ...
| | Bob Dylan Blood On The Tracks (1975)
Paranoid
$42.85 Personnel: Bob Dylan (vocals, guitar); Kevin Odegard, Chris Weber (guitar); Buddy Cage (steel guitar); Peter Ostroushko (mandolin); Gregg Inhofer (keyboards); Paul Griffin (organ); Tony Brown, Billy Peterson (bass); Bill Berg (drums); Eric Weissberg & Deliverance. Includes liner notes by Pete Hamill. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Following on the heels of an album where he repudiated his past with his greatest backing band, Blood on the Tracks finds Bob Dylan, in a way, retreating to the past, recording a largely quiet, acoustic-based album. But this is hardly nostalgia -- this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage. This is an album alternately bitter, sorrowful, regretful, and peaceful, easily the closest he ever came to wearing his emotions on his sleeve. That's not to say that it's an explicitly confessional record, since many songs are riddles or allegories, yet the warmth of the music makes it feel that way. The original version of the album was even quieter -- first takes of "Idiot Wind" and "Tangled Up in Blue," available on The Bootleg Series, Vols. 1-3, are hushed and quiet (excised verses are quoted in the liner notes, but not heard on the record) -- but Blood on the Tracks remains an intimate, revealing affair since these harsher takes let his anger surface the way his sadness does elsewhere. As such, it's an affecting, unbearably poignant record, not because it's a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. And, in a way, it's best that he was backed with studio musicians here, since the professional, understated backing lets the songs and emotion stand at the forefront. Dylan made albums more influential than this, but he never made one better. ~ Stephen Thomas Erlewine By the mid-'70s, even Dylan's most ardent supporters began taking his artistic decline for granted. Albums like NEW MORNING and PLANET WAVES were fine works, but lacked the visionary spark of his seminal '60s recordings. ...
| | Carole Pope Transcend CD (2007)
Paranoid
$10.15 Transcend, Pope's latest weapon, is explosive, electronica that swaggers with rhythmic confidence while Pope's husky vocals both dare and deliver with the swelling abandon for which she's known. "World Of One" is dark and smoky, a visceral and sexy send off. "I won't play nice and make it easy/ In your world of one," Pope promises. In "Dream6" she blends the lure of desire with relentless, restless guitar riffs. "Americana" is a delicately hypnotic tour of landscapes and politics. "We ventured into some kind of unholy covenant/ With the government/ The rat pack, the leader, the freak, the conformist/ The screamer, Hey! That's me! Let's go down to Washington/ The mountains, the citadels, the place of detention/ The literal, the visceral, all our good intentions/ Get out of the car, run screaming." XTRA MagazineWith three Juno Awards, a Genie Award, and four Gold and two Platinum records to her credit, Carole Pope is an icon of transgressive music. Throughout her career, ...
| | Narcosis Best Served Cold CD (2008)
Paranoid
$13.65 England stole back a good portion of heavy metal's thunder when Napalm Death released SCUM, and with the door open to a new, highly extreme style of metal, the barbarians overran the kingdom. Narcosis, one such marauding band, thrashed magnificently for over a decade before their recent demise. BEST SERVED COLD collects the Brit band's material in one 51-track volume, with the vast majority of them staying under or around one minute. Blasts like "Hit It Again It's Still Alive" are as filthy and gruesome as grind gets, utterly free of compromise. Ah, convenience...something most anyone can appreciate, and something that Best Served Cold delivers in spades, by compiling Narcosis' entire career output between 1998 and 2007 onto a single, absolutely, positively, astoundingly convenient disc. How ironic for an extreme grindcore band whose mission statement -- had they been the sorts of chaps to have a mission statement -- would surely propose making music so vile, so raw, so savage, that all those exposed to it would feel most inconvenienced. Oh yeah, was it mentioned that said body of work consists of 51 tracks, all of them assembled here in just 78 minutes? Obviously, Narcosis were U.K. grind purists who restricted ...
| | Toxic Holocaust Hell On Earth CD (2008)
Paranoid
$31.45
| | Debussy, Britten, Bacri: Cello Sonatas / Marie Hallynck, Cédric Tiberghien CD (2009) (Import) Digipak
$15.65 | | Schnyder, Strauss, Loewe, Gounod, Suppe / City Brass Stuttgart CD (2009) SACD Hybrid
Paranoid
$20.39
| | Gonzoe Recession Proof CD (2009)
Paranoid
$12.00
|
|
|