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Leavell, Chuck - Live In Germany: Green Leaves & Blue Notes Tour CD Cover Art
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Chuck Leavell Live In Germany: Green Leaves & Blue Notes Tour CD

 Chuck Leavell Discography of CDs

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Live In Germany: Green Leaves & Blue Notes Tour Music


Detailed Live In Germany: Green Leaves & Blue Notes Tour Music Information



List Price $22.98 (You save $6.29)
Category Rock/Pop Albums, Jazz CDs
Label Pepper Cake
All Time Sales Rank   433224  
CD Universe Part number 7729793
Catalog number 2040
Discs 1
Release Date Sep 19, 2008
Chuck Leavell Live In Germany: Green Leaves & Blue Notes Tour Songs


Chuck Leavell Live In Germany: Green Leaves & Blue Notes Tour Album Track Listing



1.Here Comes The Sun
2.Tomato Jam
3.Blue Rose
4.Tumbling
5.Compared To What
6.Jessica
7.Georgia
8.Statesboro Blues
9.Savannah
Live In Germany: Green Leaves & Blue Notes Tour Review


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Although Compay Segundo will ever be remembered as one of the great characters of Buena Vista Social Club, that was only one tiny part of his career. Gracias Compay: The Definitive Collection captures some of the great songs from the second wind of his career, when he'd become an international star again. Inevitably, there's his signature song, "Chan Chan," in not one but two versions, but it's simply one of many diamonds here, like "Saludo A Chango," where he duets with rai star Khalèd, and comes out ahead with his laid-back style. That style, however, was typical of the music of Santiago, and it permeated everything Segundo did. The harmonies on the chorus, the singing lines on the tres (or at times on Segundo's own armonico, a cross between a tres and a guitar), and the stripped-down backing of bass ...
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"First impressions are everything," says multi talente Hip Hop artist and songwriter CONTAC. He should know. His much anticipated sophomore album "EEYEAYA," an independent project, is in the works as we speak. Being that he was born on the east coast (Connecticut), raised in the Midwest (Minnesota), and dirty south rooted from Arkansas, his unique sound and lyrical weaponry is guaranteed to Blow-up. Most ...
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Text Of Festival
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Get a front-row seat for the genesis of space rock with these live recordings from the early '70s. Hawkwind is captured here at their earliest, arguably most psychedelic stage, performing material from their first two albums. Though the slightly later album SPACE RITUAL is regarded as the definitive live Hawkwind album, all the electronic swoops and squiggles, extended stoner jams, and heavily processed guitars that are the band's hallmarks are already here in full force. When this album first appeared in 1983, there was indeed rejoicing in the streets -- an apparently bona fide Hawkwind live album that not only predated the decade-old Space Ritual set, it also delivered a clutch of previously unrecorded songs. The closing salvo of "I Do It" (aka "We Do It"), "Come Home," and 20 minutes of improvisation around a theme of "Shouldn't Do That" represented uncharted territory for even arch collectors. It really was a treat. Since that time, of course, the original double album has been revealed as merely the first shot in a barrage of reissues and repackagings that continues to this day, with the most pernicious being the crop of albums ignited by a 1985 reissue of this same set, In the Beginning, that sliced away the improv and made a few minor cuts elsewhere -- and then palmed itself off as an entirely different recording. The fact that there are now box sets that include both the full and edited shows, still in the guise of different albums, only adds to the collector's frustration. Or else it makes him/her laugh. The music itself, of course, is unimpeachable, with much of it capturing the band in considerably more disciplined form than one would ever expect from a period live recording. And it turns out there's a good reason for that. While a good half of the album (from "Paranoia" on) does indeed seem to be live, possibly at the Cambridge Corn Exchange in 1971, the remainder was taken from two BBC studio sessions recorded during August 1970 ("Hurry on a Sundown") and May 1971 (a turbulent "Master of the Universe" and a mesmerizing medley of "You Know You're Only Dreaming" and "Shouldn't Do That"). The sound quality is somewhat less than one normally expects from BBC recordings, suggesting they might even have been taped straight off air. Presumably, too, the lack of any firm information as to the recording's source can be put down either to ignorance or the hope that the BBC itself would not notice the unlicensed use of the material -- and so many similarly vague reissues later, it would appear that they didn't. Such caveats notwithstanding, however, Text of Festival represents a genuinely vital chunk of Hawkwind history. It's just a shame that future re-releases (and re-re-re-leases) would do so much to demean it. [Candlelight reissued the CD in 2009.] ~ Dave Thompson 2008 release. The exact source of these recordings is a mystery; ...
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