| | Dottie Peoples Do It! CD Dottie Peoples Discography of CDs
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Dottie Peoples Do It! Songs Purchase Do It! CD To buy, Click on price to add to cart | Canton Spirituals Driven CD (2007)
Do It! album
 $11.29   
| | Dorinda Clark-Cole Take It Back CD (2008)
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| | True Believers Break Through CD (2008)
Do It! music CDs
$14.29 
| | Mary Mary Sound CD (2008)
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R&B-influenced ...
| | Paul Porter New Day CD (2008)
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| | Revere, Paul & The Raiders Midnight Ride CD (1966)
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One of the most popular yet most underrated rock bands of the '60s was Paul Revere & The Raiders. They were teen idols and sold millions of records, but because they wore Revolutionary War soldiers' uniforms and were teen idols with no "artistic" ...
| | Blue October Consent To Treatment CD (2000)
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This major-label debut from Houston's Blue October is an obscure treat driven by an unconventional, dynamic, and intelligent rock energy. Vocalist/guitarist/songwriter Justin Furstenfeld comes off on Consent to Treatment like an angry, Midwestern Peter Gabriel who has been listening to too much Eddie Vedder. As Furstenfeld plows through one irascible breakup track after another, the theme of transformation -- isolation into independent, proud self-sufficiency ...
| | Aerosmith Honkin' On Bobo CD (2004) Bonus Track; Japan
Do It! album
$38.69
The Japanese import edition includes a bonus track ("Jaded").
With HONKIN' ON BOBO, Aerosmith takes a break from radio-ready fare to record an album that pays tribute to the blues influences that have always been close at hand for the group. Further enhancing the sound of this project is the presence of storied pianist Johnnie Johnson (on two tracks) and Jack Douglas, the producer for many of Aerosmith's classic 1970s albums.
The result is the typical 'Smith sass and shimmy, with a contemporary sensibility applied to nuggets plucked from the songbooks of Willie Dixon (the sleazy strut "I'm Ready"), Sonny Boy Williamson (a rollicking "Eyesight to the Blind"), and Little Walter (the Howlin' Wolf-flavored "Temperature"). Throughout the record, Joe Perry and fellow fret-bender Brad Whitford play with a dirty, fuzz-guitar tone, perfectly complemented by Steven Tyler's equally rough-and-rowdy forays on the harmonica. As a result, these Boston natives do a stellar job with fiery renditions of Big Joe Williams's "Baby, Please Don't Go" and Mississippi Fred McDowell's "You Gotta Move," proving that they can still rock hard while playing the blues.
Aerosmith prove that a band can be inspired by the blues and play the blues without ever feeling like a blues band. Then again, the nature of the blues is that every musician who plays it stamps his or her own identity on a set of familiar chord changes and songs. While it might not feel like the blues, Aerosmith do indeed stamp their identity on each track on their long-promised blues album, the atrociously named Honkin' on Bobo. Other rockers who have cut full-length blues albums have always played the music with a kind of scholarly reverence, taking care to pay tribute to their influences. Not Aerosmith. They turn up the amps and cut loose, playing slick and sleazy blooze-rock that feels indebted to second-generation blues-rock instead of blues forefathers. But that's the nature of the band. Surely, they loved Chess and country blues as much as they loved the Stones, but they are so thoroughly the children of Mick and Keith, they can't help but sound like a rock & roll band no matter what they do, no matter what they play. That might mean that Honkin' on Bobo is something that could be close to anathema to blues purists, since it's a rock album pure and simple, but chances are the bandmembers don't care, since they're just here to have a good time playing songs they love.
Besides, the song selection proves they're no purists. There are some warhorses with "Road Runner," "Baby, Please Don't Go," "I'm Ready," and "Eyesight to the Blind," but there's also a heavy dose of Fred McDowell, a Fleetwood Mac tune, a little-known Little Walter song, an obscure song from the obscure band Freedom, a Smiley Lewis number, and one casual original. While the warhorses are predictable, the rest is not, and the album itself is a bit of a surprise, too. Every indication, from the awful title and silly album art to the notion that the band was going back to its roots, suggests that this is going to be an embarrassment from a band that has been no stranger to embarrassment during ...
| | Naomi K Thomas Best Offering CD (2008)
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BiographyNaomi Kimberly ThomasBrilliant, innovative, radiant and novel 'Naomi' is the name of 'delight'. With such a divinely anointed voice, the Lord has appointed Naomi to be an instrument for the nations. The rich soulful sounds of this new gospel artist have become a constant means of expression from which the presence of God continues to flow. The scope of Naomi's alto produces an array of melodies that are bright, clean, and piercing to the spirit. Moreover, Naomi consistently delivers a fresh, intense and true worship experience each time she mounts the stage for ministry. In a variety of capacities Naomi has been afforded opportunities to share the stage with such legendary talents as Kim Burrell, Kirk Franklin, Tramaine Hawkins, Pastor Hezekiah Walker, Vickie Winans, The Canton Spirituals, Douglass Miller, Duranice Pace and a host of others. While Naomi may not come from a long line of singers, songwriters ...
| | Hal Flavin CD (2008) (Import)
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| | DJ Black Presents Best Of Three 6 Mafia Dragged & Chopped CD (2008)
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| | Joshua Madore D4988 CD (2008)
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