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El Papa De La Salsa Music Frankie Ruiz El Papa De La Salsa Songs El Papa De La Salsa Music Review Purchase El Papa De La Salsa CD To buy, Click on price to add to cart | Elvis Crespo Suavemente CD (1998)
El Papa De La Salsa album
$7.59 SUAVEMENTE was nominated for a 1999 Grammy for Best Tropical Latin Performance.
Let us speak of apt adverbs. The comely Elvis Crespo makes his U.S. debut with a soft touch indeed, on SUAVEMENTE. Mostly moderate in tempo, this assortment of merengues takes its time as it entices. So just know that this is not your tio's merengue--you'll have barely reached the faster-burning tracks by the time your blood is pumping bien calentado.
Crespo commands attention on the title track with his pleading style and deliciously seductive vocal exhibition. Entrancing horn lines stretch and spiral over a bassline full of whimsical personality. For those of you who are young and feeling ...
| | Salsa Mega Hits DVD (2004)
El Papa De La Salsa CD music
$6.39
| | Grupo Niche Originales: 20 Exitos CD (2005)
El Papa De La Salsa music CDs
$8.99
| | Original Salsa Kings - Vol. 3 DVD (2006)
El Papa De La Salsa songs
$12.25
| | 30 Bachatas Pegaditas En Video DVDs (2008) Sony Music Video
El Papa De La Salsa album
$12.65
| | Super Bachata 2009 CD (2008)
El Papa De La Salsa CD music
$10.25
| | Victor Manuelle La Historia De Un Sonero CDs (2008) With DVD
El Papa De La Salsa music CDs
$11.29
| | Combo Dayer Canta Pellin Rodriguez CD (1999)
$7.85 | | Issac Delgado Asi Soy CD (2008)
El Papa De La Salsa songs
$9.65
| | Andres Jimenez En La Ultima Trinchera CD (2008)
$11.69 | | Rob Rose Remember Monterrey CD (2002)
El Papa De La Salsa album
$15.19
| | Ximo Tebar Steps CD (2009) (Import) Spain
El Papa De La Salsa CD music
$15.19 Ximo Tebar's guitar style is not typical in the contemporary electric jazz tradition of John McLaughlin, Pat Metheny, or John Scofield in that it displays little distinction in and of its own voicings. What Tebar does own is a sense of teamwork and a greater theory of the melodic whole with his fellow bandmembers. Steps, his seventh album, is a very appropriate title for this recording in three discernible ways. There's a progression of size in these combos, from quartet, quintet, sextet, septet, and octet. Compositions from post-bop and the jazz fusion era are used, as well as modern contemporary originals. Though somewhat based in acoustic music, the electric Fender Rhodes piano played by Orrin Evans is very present throughout, while add-ons include a horn section, vocals, and a cello. Though Tebar's guitar is at the focal point, he is not the main voice, but instead represents a straight shooting laser beam of conceptual originality that precludes personal individuality. What is unique is the clever way he interprets any given composition. Alex Blake (longstanding member of Randy Weston's bands) and Boris Koslov (the Mingus Big Band stalwart) switch their regular roles, with Blake on acoustic upright and Koslov on the electric bass guitar, while rock-solid drummer Donald Edwards plays his ever consistent role as a rhythmic taskmaster. Tebar "covers" five standards, all of them quite differently, with new ideas surrounding the original themes. The theme from "Pink Panther" for instance incorporates a neat and clean modern approach merged with heavy contemporary funk without dismissing the slinky mood of the song. Wayne Shorter's "Nefertiti" is adapted into a light, breezy samba, Herbie Hancock's fusion classic "Actual Proof" is done very faithfully to the original in short form, and John Coltrane's "26-2" is deviated beyond initial recognition, with Blake's bass, Stefan Braun's cello, wordless vocals from Ester Andujar, a funky tick-tock beat, and Tebar's ...
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