| | Vibe Tribe Cool Shoes CD - Import Vibe Tribe Discography of CDs
Cool Shoes Music | List Price | $24.99 (You save $1.34) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7736718 | | Catalog number | 819916 | | Discs | 1 | | Release Date | Aug 05, 2008 |
Vibe Tribe Cool Shoes Songs | 1. | Gotta Do Better |
| 2. | Breath 95 |
| 3. | Get Up |
| 4. | Cool Schoes |
| 5. | Lucy Lucid |
| 6. | Ballons |
| 7. | When I See The Moon |
| 8. | Farewell |
| 9. | Travels |
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Cool Shoes Review
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Steve Tyrell has attracted enough attention for his two regular albums, A New Standard and Standard Time, that he is almost beyond journalists' usual tack of describing a new singer's voice by who he sounds like; pretty soon, they'll be saying that other singers sound like him. But it remains true that if you have never heard him but you are familiar with Dr. John, your first reaction upon hearing him is likely to be that you are listening to Dr. John. Well, maybe a younger Dr. John, and one whose accent isn't quite as swampy. But the basic elements -- the grit and gravel in the tone, the slurred, deep South phrasing -- are much the same. Of course, Tyrell comes by the sound of his voice honestly, hailing from Houston, TX, and boasting a musical career (albeit, behind the scenes) as long as Dr. John's. But it remains true that Dr. John got there first, and so the comparison remains inevitable. As on his regular albums, Tyrell lines up a cast of jazz heavyweights for these small-group sessions, allowing plenty of space for soloing, ...
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The plot line of Jenny and Peter as two crazy British teenagers in love circa 1962 only gets the ball rolling for the music in the soundtrack of the film An Education. Director Lone Scherfig and screenplay author Nick Hornby decided to base the backing music on jazz instead of R&B or the burgeoning rock & roll scene identified by the Beatles. Familiar hit songs of the era, Parisian waltzes (Jenny is fond of French everything, and the stately, romantic music of Edward Elgar), and groove-based jazz make up most of the music on this recording that should stand alone regardless of the cinematic sappiness. While the connecting original themes are serene, spacy, and not just a little atmospheric, and "Jenny's Theme" is a beautiful piano epilogue done by music director Paul Englishby, the rest of the music reflects the wholesome fun of youth and young love. It's great for those who are baby boomers, and the younger generation who are boomers at heart, to hear great old hits like Brenda Lee's bompity-bomp classic "Sweet Nothin's," the calypso blues "Tell the Truth" by Ray Charles, and Mel Tormé's rockin' take of Bob Dorough's "Comin' Home Baby" (with the over-punctuated caveat "now"). Instrumentals like the great piano trio version of "Since I Fell for You" by Vince Guaraldi, the memorable boogaloo by Floyd Cramer "On the Rebound," and the surf dude anthem by the Hunters "Teen Scene" might conjure old sentiments, as non-vocal tracks did make the hit parade in the day. Then there's the cheesy Percy Faith opus "Theme from 'A Summer Place,'" which holds equal romantic charm and sappiness. The updated songs include two by the wonderful English singer Beth Rowley, who has legitimate jazz flowing in her veins. She does faithful versions of the slow surrender love song "You Got Me Wrapped Around Your Little Finger" and the great tune of affirmation "A Sunday Kind of Love." For most, the highlight of the soundtrack will be Duffy's retro take on "Smoke Without Fire," as she also plays a bit part in the movie as a lounge singer, and the wonderful American vocalist Melody Gardot sings "Your Heart Is as Black as Night" with the savvy of a scorned woman twice her age. Jenny is particularly fond of Juliette Gréco, who sings two French torch songs on the soundtrack, and Madeleine Peyroux does her best contemporary Billie Holiday impression during "J'ai Deux Amours." If the movie is as good as the soundtrack, this should be a successful box office attraction for both the tween crown and those who remember the days of innocence, when sophistication was more important than glam or individualism. ~ Michael G. Nastos
The plot line of studious teenager Jenny, compelled to discover the larger picture of life through worldly suitor Peter circa 1961, only gets the ball rolling for the music in the soundtrack of the film An Education. Director Lone Scherfig and screenplay author Nick Hornby decided to base the backing music on jazz instead of R&B or the burgeoning rock & roll scene. Familiar hit songs of the era, Parisian waltzes (Jenny is fond of French everything, and the stately, romantic music of Edward Elgar), and groove-based jazz make up most of the music on this recording work well in their own right. While the connecting original ...
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