| | Ringo Shiina Watashi & Houden CD - Import Ringo Shiina Discography of CDs
Watashi & Houden Music | List Price | $30.99 (You save $2.10) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7737372 | | Catalog number | 820608 | | Discs | 1 | | Release Date | Aug 26, 2008 |
Watashi & Houden Review
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Laura Pausini, a multilingual Italian pop singer who won a Latin Grammy in 2005 for Best Female Pop Vocal Album, decided to record an album of cover songs when she returned to the studio to record her follow-up effort. This is a fairly standard practice for pop/rock artists, of course, especially in the wake of a mammoth success like the one Pausini experienced with Resta in Ascolto (released concurrently in Spanish as Escucha in the Americas). Yo Canto (likewise released concurrently in Spanish) is a ...
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I sang from the age of three or four. I remember my dad teaching me songs like "Down Where the Sunflowers Grow," and "Good Ship Lollipop." I sang in many locations as a child and young student. Upon graduation from high school, I entered Moody Bible Institute in Chicago where I met Phil White. Phil and I were married, and traveled with Word of Life for several years. In 1970, Phil and I were selected to become members of The Discovery Singers on "Day of Discovery," the television program produced by The Radio Bible Class, and filmed at Cypress ...
| | Bagley Month Of Mondays CD (2008)
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Tom Bagley (Keyboards, vocals, musical contractor)Late 60’s: First Euphonium in Nairobi School Marching Band. Began Playing in his first band in East Africa as a young teen where he met one of his musical mentors Stefan Hillstrom. Played Blues, Rock, and Psychedelic Music. Early 70’s: Was introduced to Chris Whynaught (back in the USA) by Stefan where they played in Colorado in Rock, Blues, and Swing Rock bands including Sassafrass (an 8 piece horn band), Snake and the Flim Flam Band, and later in Iowa City in Harlequin. Mid 70’s: Moved to Maryland to play in various Southern rock and Blues Bands and perform in the St. Mary’s College Jazz Ensemble. Late 70’s: Hitch Hiked to California to visit Stefan Hillstrom and was offered a gig withStefan in the Randy Barlow Show, a country/pop band with four songs in the Top 100 Billboard Charts. 80’s: Was joined by sister Cat Bagley to sing in Gazelle, a top-40 and R&B band in Orange County. Disneyland hired Gazelle in 1979 To perform at the Tommorowland Terrace and later changed their Disney name to Voyager. Continued as bandleader on Tomorrowland and various Disney and Buena Vista Events around the US and in foreign countries. Put together lots of specialty Shows for Disney and also performs in The Bytes, a band formed in the early 80’s. Recorded The Bytes album in 1981. Landed a production deal in 1983 with Cherokee Studios where he wrote and played on over 50 recordings. Mid 90’s: Performed in Peter Dobson Blues Band and recorded Peter Dobson Spirit album, Recorded his album Baby’s Comin' Home Tonight, with Peter Dobson as producer and guitarist. Performed all the keyboards on Heard Him on the Radio by Chris Whynaught, and recorded with Taj Mahal Bassist Larry Fulcher on his solo project and Taj Mahal’s Band the Phantom Blues Band. Currently Performing with Chris Whynaught and the Reasons Why. Still performing with Voyager and The Bytes. Late 90s to Present: Performed Dueling Pianos at Sing Sing in Irvine Spectrum as well as Denver, Long Beach and San Diego. Currently on staff at the Shout! House in San Diego.Recorded and co-wrote A Month of Mondays with Sue Cross and Peter Dobson.Sue CrossElectric Upright BassSue has been performing in clubs, festivals and musical theater throughout Southern California since the early seventies. Performance venues include The Galaxy, The Coach House, The Palomino, The Cowboy, Laguna Molten Playhouse, Irvine Barclay Theater and Irvine Valley College ...
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Abandoning the lovely soundscapes of Snow Goose, Camel delved into layered guitar and synthesizers similar to those of Pink Floyd's Wish You Were Here on the impressive Moonmadness. Part of the reason behind the shift in musical direction was the label's insistence that Camel venture into more commercial territory after the experimental Snow Goose, and it is true that the music on Moonmadness is more akin to traditional English progressive rock, even though it does occasionally dip into jazz-fusion territory with syncopated rhythms and shimmering keyboards. Furthermore, the songs are a little more concise and accessible than those of its predecessor. That doesn't mean Camel has abandoned art. Moonmadness is indeed a concept album, based loosely on the personalities of each member -- "Chord Change" is Peter Bardens, "Air Born" is Andy Latimer, "Lunar Sea" is Andy Ward and "Another Night" is Doug Ferguson. Certainly, it's a concept that is considerably less defined than that of Snow Goose, and the music isn't quite as challenging, yet that doesn't mean that Moonmadness is devoid of pleasure. In fact, with its long stretches of atmospheric instrumentals and spacy solos, ...
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