| | Tank Power Of The Hunter CD Tank Discography of CDs
(1 Customer Review)
Although they had spent much of the previous year supporting a famously devastating debut, Filth Hounds of Hades, while touring in tandem with some of Britain's heaviest bands (Girlschool, Diamond Head and their inspirational rabbis Motörhead), Tank inexplicably delivered an astonishingly restrained and civilized sounding sophomore effort in Power of the Hunter, their second album of 1982. To be fair, the until-recently sharp-fanged power trio almost recalled their recklessly irrepressible former selves on the hard-hitting title track, the refreshingly frantic "Red Skull Rock," and the instrumental "T.A.N.K."; but it was really rather telling that so much of the their suddenly scarce allowances of high-speed adrenalin were squandered on an instrumental, with two songs shoved all the way to the back of the album. Meanwhile, repetitive opener "Walking Backwards over Glass" (whatever the hell that means) seriously overstayed its welcome, a cover of the Osmonds' "Crazy Horses" was curious to say the least, the ridiculously named, bass guitar heavy "Set Your Back on Fire" sounded like second-rate Kiss with a leering Gene Simmons at the helm, and the misleadingly named "Pure Hatred" was only salvaged by a stellar guitar solo from Pete Brabbs doing his best Ritchie Blackmore imitation. And it's not even that the members of Tank were suddenly rediscovering their late-'70s punk roots because, if tedious dross like "Biting and Scratching," "Some Came Running," or the seemingly chart-minded (but still dumb-as-nails) "Used Leather" were any indication, they actually seemed to have regressed even further back to some sort of mid-'70s pub rock! In any event, and in the end, Power of the Hunter's uneven sum total didn't quite qualify as an all out disaster -- there have been far more egregious sell-out operations in the long history of heavy metal -- but the band's sonic emasculation process was nevertheless drastic enough that Power of the Hunter sold half as many copies as their furious debut. Tank would manage to recover from their unfortunate sophomore slump with an unqualified return to heavy metal on 1983's This Means War, but not before being jolted to attention by Power of the Hunter's commercial failure, their record company's bankruptcy, and the loss of the both Pete and Mark Brabbs brothers in the painful process. ~ Eduardo Rivadavia
Re-release of Tank's second studio album from 1982. The album, released during Tank's tour alongside the immensely popular band Diamond Head, featured a fairly similar musical style as on the debut, although some of the material was definitely slower and more rock-oriented. One of the main reasons for that was the constant comparison of the band to Motrhead, which after some time became really annoying for Tank. Although some of the tracks, like 'Walking Barefoot Over Glass' and 'T.A.N.K.' were true highlights for Tank, 'Power of the Hunter' never managed to repeat the success of the debut release. New edition includes 3 bonus tracks and is limited to 2000 copies. Digitally remastered using 24-Bit process on golden disc.
Personnel: Algy Ward (vocals); Mark Brabbs (drums).
Recording information: Surrey Sound (06/1982-07/1982).
Power Of The Hunter Music Tank Power Of The Hunter Songs Power Of The Hunter Music Review Buy Power Of The Hunter CD Purchase Power Of The Hunter CD To buy, Click on price to add to cart | Riot Fire Down Under CD (1981) Reissue
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$10.45 Ever exiled to the fringes of the '80s heavy metal scene, Los Angeles' Cirith Ungol limped to the end of their troubled career with 1991's rather fittingly named Paradise Lost -- their fourth and final long-player in a decade's work. Unfortunately, very few music fans even cared by then, which was an especially tragic state of affairs since Paradise Lost was a far stronger outing than 1986's One Foot in Hell (1986), and matched improved sound quality and musicianship to the classic/doom adventure metal songwriting of uneven early efforts, Frost & Fire (1981) and King of the Dead (1984). Coincidentally, half of the band's lineup had turned over during their five-year absence (the band had actually split up for a time), and so long serving members Jerry Fogle and Michael ...
| | Tank This Means War CD (1983) Bonus Tracks; Gold; 24 Bit Remastered; Limited Edition
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$12.89 Bassist Algy Ward's mob scored a bull's eye with this successor to its more rudimentary debut, Filth Hounds of Hades. This Means War hits the mark with memorable riffs, vivid lyrics, and razor-sharp production that brightens the sound without sacrificing the bare-knuckled rock approach. Tank epitomized the fuzzier, faster 'n' louder pack aching for a place in the British heavy rock scene -- as its 1977 punk peers had only done several years earlier. "Just Like Something from Hell," "Hot Lead and Cold Steel," and "If We Go (We Go Down Fighting)" remain some of the most evocative looks at the hell of war, a quality that helped Tank stand above its more velocity-oriented peers. Indeed, the subject hangs over much of the album (except "I Won't Ever You Let Down"). The band's graphic lyrics leave little to the listener's imagination (as Metallica and Motörhead did ...
| | Satan Court In The Act CD (1983) (Import) Bonus Tracks; Gold; 24 Bit Remastered; Poland
Power Of The Hunter album
$14.59 After nearly three years of climbing its way through the heavy metal underground, Newcastle, England-based Satan was all set to record its debut album for Neat Records. But then, in a move more common in the wide world of sports, they suddenly decided to make a trade, swapping vocalists with local act Avenger to land the talents of well-regarded free agent Brian Ross -- he of Blitzkrieg fame. Thus strengthened, the group proceeded to record what at the time surely ranked among the heaviest albums yet recorded -- even within the fast-evolving New Wave of British Heavy Metal. Indeed, 1983's Court in the Act bordered on the yet undefined style of thrash metal, thanks to the frenetic speeds achieved in cuts like "Trial By Fire" and the amazing "Break Free." But the ...
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$12.65 About my music: My music is very vocal. My songs aren’t written to support or even drown my voice, rather my voice is clear and above, supporting the music. Singing tenor, solo vocal performance is what I started out with, singing in religious and classical settings. I have been involved with fairs, festivals and various celebrations and soon found myself singing country, pop and some mild rock. I have such a love for both styles of music now that I find myself “crossing over”, even in the same performances. My new CD, that is now out as of May of 2008, combines spiritual and alternative pop-style music. I think I will create thematic albums in the future; one dedicated to easy listening/pop and another to spiritual/religious music rather than combining them in one. I have learned to be versatile with my voice so I can sing to any age group with any style of music. I’m used to a wide scale of music, singing from a low b, which is baritone lows, to a high c which is up there with the high tenors. My vocal abilities have been refined and strengthened by my vocal coach Evelyn Isham of Toquerville, Utah. She taught me so many things ...
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