| | Bobby Valentin Greatest Hits CD Bobby Valentin Discography of CDs
 (1 Customer Review)
Bobby Valentin Greatest Hits Songs | 1. | Soy Boricua |
| 2. | La Rumba Te Espera |
| 3. | Muero En Tu Tierra |
| 4. | El Mensajero |
| 5. | Hay Craneo |
| 6. | Huracan |
| 7. | Son Son Charari |
| 8. | Guarambembere |
| 9. | Vete Pa'lla |
| 10. | Pirata De La Mar |
| 11. | Papel Del Payaso |
| 12. | Beso Borracho |
| 13. | Pobre Soy |
| 14. | Piensalo Bien |
| 15. | Aqui No Me Quedo |
| 16. | Aquella Mujer |
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Greatest Hits Music Review Purchase Greatest Hits CD To buy, Click on price to add to cart | Aventura Last CD (2009) Digipak
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| | Marlon Estoy De Pie CD (2009)
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Personnel: Alberto Barros (trombone).
| | Elvis Crespo - Greatest Hits DVD (2002)
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| | Tributo A Tite Curet: Salsa De Barrio CD (2001)
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| | Victor Manuelle CD (1996)
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| | Estudiantina Invasora Music From Oriente De Cuba: The Estudiantina Tradition CD (1995) (Import)
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| | 10 Jahre Oldie-Borse Die Jubilaums-CD Von Bremen Eins CD (2005) (Import) Import; Germany
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| | Infra Crepuscule CD (1999) (Import)
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| | Sharie My Heart/Leebee CD (2002)
Greatest Hits CD music
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"Sharie walks into a room with her guitar and her own dimension. Those present sense that something special is happening.As she begins, her eyes are closed,her head slightly bowed.Slowly she looks up at her audience, and they are engulfed in her world. Sharie Sofair sings, and familiar words of prayer suddenly grow larger, breaking barriers, reaching higher, farther and deeper than many of those who recite them daily could ever imagine. She is at once a product of a classical yeshiva education and a serious student of the mystical aspects of prayer. As she sings, deep in kavanah, those listening experience an awesome dichotomy; aloft in spirituality, she is unapproachable and yet, so, close. Who is Sharie Sofair? "Words," said a Chasidic Master, can only go so far,"to really understand, you must hear the music." Sharie Sofair holds a degree from NYU in Music Therapy. She's a certified Music Therapist and a licensed Special Education teacher. Sharie lived in Jerusalem, Israel for four years working as a Music Therapist, teaching Jewish, Torah studies and studying. Presently, Sharie ...
| | Puerto Rican Plenas CD (1999)
$7.69 | | Rolando Laserie De Pelicula CD (1999)
Greatest Hits music CDs
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| | Geoffrey Armes Hemisphere CD (2009)
Greatest Hits songs
$10.15
One comes away from the listening and absorbing of Geoffrey’s latest offering Hemisphere as though well-traveled in one’s inner world….space-age technology combined with hallway voices, handclaps, blips, bleeps, smooth and sublime bass riffs, and a palette of sound that commands attention. And, in the case of “The Neighborhood Dubhouse” leaves little to the inspiration except to dance. Dub indeed a weapon here among the electronics (think early Thievery Corporation), as Geoffrey combines sounds of flute, flugelhorn, piano (a general basis for transition) and possibly a Moog or Minimoog thrown in there somewhere. The short-to-medium tracks capture the desire of the electronica fan most; the aforementioned “Dubhouse”, “Geology”, and “A Narrative Of Paradise”. The latter resembles a trip into an outer world, with gravity and time fairly suspended by the piece’s end.Dan HermanI’ve played on a semi- regular basis for dance and movement classes since 1980, and and have spent the last seven years or so twice weekly at the Neighborhood Playhouse Theatre School working with actors. Over this period I’ve developed a number of quirky approaches in an attempt to amuse myself, the students and the instructors, and have engaged in some serious music making.The seeds for these new pieces were captured live in Studio 4 of The Playhouse, February 2009, and this month I was playing piano, synth (Korg Poly 800 II) and a Roland Handsonic 15 percussion controller. The recorder was a Tascam DP 004, which records in 16 bit, using two tracks. Track one was a line in from the a Crate CA 30 amp, which handled the synth and the handsonic, track two was the sound of the room itself, i.e. natural reverb, chatter, feet, the piano, traffic, the sounds coming out of the amp, the clicking of keys and the thump of hands on pads. I then imported these 16 bit wav files into my Tascam 2488 (working on in 24 bit).The performances were solo, so I was playing three instruments ‘simultaneously’. The way I conceive it is that I am playing one whole groove or piece, but only realising aspects of it at any one time. So, I may keep a rhythm happening with one hand on the handsonic and play melodies on the synth or piano with the other, or play ostinato on the piano and switch between the synth and the handsonic with the other. An idea might start on the synth but the run finishes with a flourish on the piano and handsonic. So on and so forth.Once I began working on it at the home studio, I had two jumping off points. One, how to work with, accentuate, contrast, the sound of the ambient room, and two, how to judiciously fill in the rest of the piece, that had been hanging in the Playhouse air un-realised and un-articulated. I also had the sonic possibilities presented by having two relatively busy lo fi mono tracks as the foundation.The stereo image became key. Sometimes the foundation tracks sounded good panned hard left and right, other times a core drum taken direct is dead centre with the ambient material flown off somewhere else. Most of the time I made just a few edits to impose order and began overdubbing right away, but there were a couple of occasions when I excerpted loops over which to lay fresh material, or ended up with an almost all new piece that incorporated only fragments from the original seed. Long codas of new work appeared after initial burbles of mono. I connected different takes of the same piece in different ...
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