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Motley Crue - Dr. Feelgood CD Cover Art
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Motley Crue Dr. Feelgood CD

 Motley Crue Discography of CDs
4.8 stars (4 Customer Reviews)

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 Our Price: $11.09  CD
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This is an Enhanced CD, which includes both regular audio tracks and multimedia computer files.
Motley Crue: Vince Neil (vocals, shaker); Mick Mars (guitar, background vocals); Nikki Sixx (piano, organ, bass, background vocals); Tommy Lee (drums, percussion, background vocals).
Additional personnel includes: Steven Tyler, Bryan Adams, Robin Zander, Rick Nielsen, Skid Row (background vocals).
Principally recorded at Little Mountain Sound Studios, Vancouver, Canada in 1989. Includes liner notes by Alan K. Stout.
Personnel: Vince Neil (vocals, background vocals); Mick Mars (guitars, background vocals); Nikki Sixx (bass instrument, 8-string bass, 12-string bass, background vocals); Tommy Lee (drums, percussion, background vocals); John Webster (keyboard programming).
Mötley Crüe's albums were a lot like episodes of Married with Children -- they may not be great works of art, but they can be darn entertaining. With Bob Rock serving as producer, the L.A. headbangers savored the joys of trashy, unapologetically decadent fun on Dr. Feelgood -- an album that made no pretense at being anything else. While nothing here is quite as commanding as "Shout at the Devil," "Wild Side," or "Live Wire," such hook-oriented MTV smashes as "Kickstart My Heart," "Don't Go Away Mad (Just Go Away)," and the title song are infectious and hard to resist, and helped make this the best-selling Mötley Crüe album ever, as well as providing their first Top Ten singles. Unfortunately, the album would be lead singer Vince Neil's last album with the band for several years, thus marking the end of Mötley Crüe's heyday. Neil's departure -- and pop-metal's decline in popularity during the mid-'90s -- proved to be severe blows to Mötley Crüe, but Dr. Feelgood is still a fine curtain call. [In 1999, the Crüe remastered and reissued Dr. Feelgood on their own Motley/Beyond label with bonus tracks.] ~ Alex Henderson
Motley Crue's biggest seller, DR. FEELGOOD is the best example of Beyond Music's CRUCIAL CRUE series reissue of the band's catalog. A meaty and in-your-face digitally remastered sound, with added extras of four demos and a hitherto-unreleased track, improve this title greatly. Superlative liner notes are also included.
Riding a string of platinum releases, Motley Crue here employed producer Bob Rock to help achieve the blockbuster sound that accompanied their glam metal image; the title track kicks in with a ferocity not heard since SHOUT AT THE DEVIL. Drummer Tommy Lee's shuffle propels "Kickstart My Heart," while singer Vince Neil wails to good effect on the radio-friendly "Without You." Crowd favorite "Same Ol' Situation (S.O.S.)" sensitively explores lesbianism, while the politically incorrect "She Goes Down" features guest vocals by Cheap Trick's Robin Zander. Although album closer "Time for Change" proposes a better future through social action, don't look for a deep message on DR. FEELGOOD. This is perfect pop metal.Record Collector (magazine) (pp.94-95) - 3 stars out of 5 -- "[A] tight, entertaining bag of tricks, featuring at least three career-best songs."
Dr. Feelgood Music


Detailed Dr. Feelgood Music Information



List Price $13.98 (You save $2.89)
Category Rock/Pop Albums, Heavy Metal CDs, Pop, Hard Rock, Rock
Label Eleven Seven Music
Orig Year 1989
All Time Sales Rank   51244  
CD Universe Part number 7747392
Catalog number 340
Discs 1
Release Date Sep 30, 2008
Studio/Live Studio
Mono/Stereo Stereo
Producer Bob Rock
Engineer Matthew Spindel
Personnel Tommy Lee - drums, percussion, background vocals
Mick Mars - guitar, background vocals
Vince Neil - vocals, shaker
Nikki Sixx - bass instrument, 8-string bass, 12-string bass, background vocals
John Webster - keyboard programming

Also: Steven Tyler, Rick Nielsen, Robin Zander, Bryan Adams, Bryan Adams, Skid Row
Motley Crue Dr. Feelgood Songs


Motley Crue Dr. Feelgood Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio Media1.T.N.T. (Terror 'N Tinseltown)
Windows MediaWindows MediaRealAudio MediaRealAudio Media2.Dr. Feelgood
Windows MediaWindows MediaRealAudio MediaRealAudio Media3.Slice Of Your Pie
Windows MediaWindows MediaRealAudio MediaRealAudio Media4.Rattlesnake Shake
Windows MediaWindows MediaRealAudio MediaRealAudio Media5.Kickstart My Heart
Windows MediaWindows MediaRealAudio MediaRealAudio Media6.Without You
Windows MediaWindows MediaRealAudio MediaRealAudio Media7.Same Ol' Situation (S.O.S.)
Windows MediaWindows MediaRealAudio MediaRealAudio Media8.Sticky Sweet
Windows MediaWindows MediaRealAudio MediaRealAudio Media9.She Goes Down
Windows MediaWindows MediaRealAudio MediaRealAudio Media10.Don't Go Away Mad (Just Go Away)
Windows MediaWindows MediaRealAudio MediaRealAudio Media11.Time For A Change
Windows MediaWindows MediaRealAudio MediaRealAudio Media12.Dr. Feelgood [Demo]
Windows MediaWindows MediaRealAudio MediaRealAudio Media13.Without You [Demo]
Windows MediaWindows MediaRealAudio MediaRealAudio Media14.Kickstart My Heart [Demo]
Windows MediaWindows MediaRealAudio MediaRealAudio Media15.Get It For Free - (previously unreleased)
Windows MediaWindows MediaRealAudio MediaRealAudio Media16.Time For A Change [Demo]

Dr. Feelgood Music


Dr. Feelgood Other Versions



Motley Crue
Dr. Feelgood  (1989) Bonus Tracks; Anniversary Edition; EditedAudio Samples
CD$10.69
Motley Crue
Dr. Feelgood  (1989) Bonus Tracks; Anniversary EditionAudio Samples
CD$10.69
Motley Crue
Dr. Feelgood  (1989) Bonus CD; Bonus Tracks
CD$26.79
Motley Crue
Dr. Feelgood-Deluxe Edition  SHM-CD
CD$60.45
Motley Crue
Dr. Feelgood  (1989) Reissue
Vinyl Record$16.89
Dr. Feelgood Music Review


Customer Dr. Feelgood Reviews 




Average Rating: (4.8 out of 5 stars) 5 stars

5 stars One of the best 80's Crue albums
This album certainly has held up very well. One of, if not the very best release from the Crue in the 80's. With the addition of the demos and the unreleased track it makes for that much of a better listen. It sure beats the cassette of 89!
Submitted by Darryl (FL, USA)
Was This Review Helpful? Yes No  1 of 1 found this helpful.

5 stars mandatory CD to own
There are many great tracks on this one.Buy it!
Submitted by davidson168 (Prince Albert, SK, Canada) Verified Buyer
Was This Review Helpful? Yes No

5 stars AMAZING ALBUM!!!
This was the Crue's biggest album and one of the biggest albums of the 80's! This CD is loaded with huge Crue songs and a model album for any rock band.
Submitted by Shaw (VA, USA)
Was This Review Helpful? Yes No

4 stars Can't go wrong with this Crue cd!!
I enjoyed this cd. I was looking for this cd and remebering the Dr. Feelgood concert. Although the oringinal release was better. Did not like the extra demo songs. Recording of this cd is very good. Cd Universe is the best place to find hard to get cds from the past.
Submitted by hmphz (Californa) Verified Buyer
Was This Review Helpful? Yes No  0 of 1 found this helpful.

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Motley Crue, Rolling Stone no. 506, August 1987

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Motley Crue remain a riveting entertainment brand nearly 30 years since their inception. Happily, SAINTS OF LOS ANGELES, the band's first full-length of new material since 1997's uneven GENERATION SWINE, is an overdue return to form. The fat, contemporary production (courtesy of James Michael and DJ Ashba) perfectly suits a set of songs that lyrically reflect the bands infamous history. Much like THE HEROIN DIARIES soundtrack, SAINTS works as as the perfect musical companion to Motley's tell-all biography, THE DIRT.
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Forget the stylistic dabbling and forced attempts to fit the '90s rock market that plagued Mötley Crüe throughout the decade. New Tattoo is a full-fledged return to their trademark sound: sleazy hard rock with a slight glam tinge (although not quite as much as before). And it's really sleazy, the band apparently having decided to return to their bread and ...

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Motley Crue: Vince Neil (vocals); Mick Mars (guitar, background vocals); Nikki Sixx (bass); Tommy Lee (drums, background vocals).
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On their debut album, Mötley Crüe essentially comes across as a bash-'em-out bar band, making up in enthusiasm what they lack in technical skill. Yet that's part of the appeal of Too Fast for Love, a chance to hear the band without the glossy production of their later, most popular work, showcasing their down-and-dirty roots. The fact that pop-metal songwriting was not really a consideration helps the album come off as more genuinely trashy and sleazy, celebrating its own grime with exuberant ...

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Our Endless Numbered Days
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Initial pressings of OUR ENDLESS NUMBERED DAYS comes with a 4-song bonus CD.
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On Our Endless Numbered Days, the follow-up to 2002's stunningly good Creek Drank the Cradle, the sound of Iron & Wine has changed but the song remains the same. No longer does Sam Beam record his intimate songs in the intimate surroundings of his home. Instead he has made the jump to the recording studio. As a result the record is much cleaner, less cocoon-like, certainly more the product of someone who has become a professional musician and not someone who just records for fun on a four-track. However, all Beam has sacrificed is sound quality. The sound of the record is still very intimate and simple, with very subtle arrangements that leave his voice and lyrics as the focal point. Luckily all the technology in the world can't affect Beam's voice, which still sounds like it comes right from his lips into your ear as if he were an angel perched on your shoulder. His songs are still as strong and memorable as they were on Creek, no drop off whatsoever in quality. "Naked as We Came" with sparkling melody lovely background harmonies by his sister Sara; the aching folk ballad "Radio War," which wouldn't sound out of place on Prairie Home Companion, only it would be the best thing you ever heard there; the sad and sweet "Each Coming Night"; the crystalline acoustic guitar ballad "Fever Dream," which has the kind of vocal harmony between Beam and his sister that seems to be the exclusive domain of siblings; and the soft rock CSNY "Sodom, South Georgia" are the equal of anything on Iron & Wine's debut and match up well with anything Palace, Smog, or their ilk have done lately. A definite plus to recording in a studio and enlisting the help of outside musicians is that there is much more variety to the album and there are lots of small production touches that liven things up like the Native American chants at the close of "Cinder and Smoke," the pedal steel guitar on "Sunset Soon Forgotten," and the drums and tambourine on the bluesy "Free Until They Cut Me Down." Our Endless Numbered Days is very subdued, thoughtful, melodic, and downright beautiful album and the new sound is more of a progression than a sudden shift in values, production or otherwise. Anyone who found the first album to be wonderful will no doubt feel the same about this one. Heck, you might even like ...

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