| | Alder / Anderson / De Grassi / Mckee Harp Guitar Dreams CD Alder / Anderson / De Grassi / Mckee Discography of CDs
A gorgeous and moving new harp guitar compilation. 13 solo instrumental tracks many commissioned specifically for this project that will appeal to everyone from New Age fans to virtuoso instrumental guitar fans. Featuring a wonderful mix of world-class harp guitarists, including popular favorites, fingerstyle champions and newer artists, the lineup includes Muriel Anderson, John Doan, Andy Wahlberg, Andy McKee, Don Alder, Carter Lancaster, Tim Donahue, Tom Shinness, Dan LaVoie, Jeff Titus, Gregg Miner, Pete Bradshaw, and surprise guest harp guitarist Alex de Grassi! Produced by Gregg Miner exclusively for Harp Guitar Music. Specifically designed as an infinite musical experience. Relax during your massage, chill out during your drive, share with friends over dinner, or put on your iPod phones and savor every luscious note. However or wherever it moves you, we invite you to share our dreams. Includes 16-page full color booklet highlighting each artist and instrument! Alder / Anderson / De Grassi / Mckee Harp Guitar Dreams Songs | 1. | Into the Ocean: Andy McKee |
| 2. | If You Were Here: Tim Donahue |
| 3. | Reverie for Greensleeves: Alex de Grassi |
| 4. | View From Space: Muriel Anderson |
| 5. | Brandywyn: Andy Wahlberg |
| 6. | Dulcitar Dream: Tom Shinness |
| 7. | A Single Moment: Don Alder |
| 8. | Mahjabeen: Jeff Titus |
| 9. | Bridge of Verdant Mist: Gregg Miner |
| 10. | Jubal s Tomb: Carter Lancaster |
| 11. | Long Distance Call: Dan LaVoie |
| 12. | When We Were Kings: Pete Bradshaw |
| 13. | Harp Guitar Dreams: John Doan |
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Harp Guitar Dreams Review
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Suzy Thompson is featured on fiddle, guitar and vocals, with: Mike Seeger on mandolin; Kweskin Jug Band alumni Geoff Muldaur on kazoo, Fritz Richmond on jug, and Maria Muldaur on vocals; bluegrass ace Bill Evans on banjo; a raft of great guitarists including Jody Stecher, Eric Thompson, Del Rey, Tony Marcus and Paul Hostetter; stride piano from Hoyle Osborne; bassist Steven Strauss, and Dave Murray on banjo-uke.Suzy Thompson started her musical career while still in her teens during the 1970's. She's been a member of all kinds of roots music bands, including the all-woman Any Old Time String Band; the Klezmorim; California Cajun Orchestra and the Bluegrass Intentions. She's worked as a side musician with Maria Muldaur, Dave Alvin, Geoff Muldaur, Beausoleil, Jody Stecher & Kate Brislin, Laurie Lewis, Frankie Armstrong, D.L. Menard, and many others. "No Mockingbird" is her first solo album, released in 2003. "Suzy has been a vital force in my musical soundscape for nigh-on thirty years. But through time, she just kept showing up in great musical combinations playing beautiful fiddle and singing with laser-like exactitude, unerringly seeking out the soul of whatever music it was that she put her talents to, whether it was old-time string band, Cajun, Greek rembetika, bluegrass, or blues.I have often thought that of all the various styles into which Suzy has delved, she has a particular way with the sensuous and often overlooked body of fiddle tunes known as blues and rags. She has talked about recording this material for some time, and I am glad that she has finally done it. Her fiddle is a sweet and wailing voice that it is impossible to ignore. Over the years, that voice has gotten more sassy, sultry and flexible. And not only her fiddle's voice, but her own singing voice as well: the laser edge has softened, gotten fuller and more expressive with age and experience." Laurie LewisAbout the musicBabe, from the mysterious and swinging East Texas Serenaders, was one of the very first tunes that I learned off an old recording, nearly 30 years ago in a haunted house that has since burned down. Frosty Morning Blues is from the Empress of the Blues, Bessie Smith. Red Apple Rag comes to us from Arthur Smith via Otis Burris' fiddling (Is it bluegrass or is it oldtime? Yes!) Cathie Whitesides has been into this raggy kind of fiddling way deep for a long time, and composed the Salt Lake City Blues while living near Mendocino in the Old Timey Hotel. She taught it to me not long after she wrote it, and at the time it included some rhythmic potholes which she later filled in. I liked the potholes ...
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