| | Kosuke Atari Kizuna Uta CD - Import Kosuke Atari Discography of CDs
Kizuna Uta Music | List Price | $67.98 (You save $12.49) | | Category | Rock/Pop Albums, Japanese CDs, World | | CD Universe Part number | 7751741 | | Catalog number | 3148 | | Discs | 1 | | Release Date | Oct 01, 2008 | | Additional Info | Bonus DVD; Japan; Limited Edition |
Kizuna Uta Review
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Purchase Kizuna Uta CD To buy, Click on price to add to cart | Rodrigo Y Gabriela 11:11 CDs (2009) Digipak
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The very first moments of Rodrigo y Gabriela's sophomore effort, 11:11, hit the listener cold in the face, and not just because of the amazing guitar playing. Sure, it's there, but it's what anyone who heard the duo's astonishing debut would expect. No, it's the sound of the record: immediate, forceful, crystalline; it's in-your-face compelling and impossible to ignore. 11:11 features 11 new compositions, dedicated ...
| | Ghana Special: Modern Highlife, Afro-Sounds & Ghanaian Blue 1968-81 CDs (2009)
Kizuna Uta CD music
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The U.K. label Soundway Records has vaulted itself to the head of the pack within the narrow field of African anthologies. They specialize in hard ...
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| | Ani Difranco Red Letter Year CD (2008)
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RED LETTER YEAR finds former folkie fire-starter Ani DiFranco still maintaining her confrontational sociopolitical edge, but leavening it with a warmth that comes from the scenario surrounding the album's creation. It was the first album DiFranco made since the birth of her daughter, Petah, and the first to feature a full-on production collaboration with the child's father, Mike Napolitano. That fulsome family vibe lends a spiritual strength to the proceedings.
Like its predecessor, REPRIEVE, RED LETTER YEAR addresses the issue of the U.S. government's post-Katrina New Orleans negligence, though not as exclusively as on the earlier album. Crescent City resident DiFranco made the album in the Big Easy, and is joined by New Orleans musicians like C.C. Adcock and the Rebirth Brass Band, but there are plenty of other topics beyond her immediate surroundings for her to explore, from man's warlike nature to, unsurprisingly, motherhood. She tackles these topics to the tune of a rich, atmospheric production that maintains a nice, swampy balance between ...
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$45.89 | | Imports Rhythm & Madness CD (2009)
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It has been said that one’s personality is created by the environment that they live in; that every sight, sound, touch and smell fuse into one to create the root of their being. It is no co-incidence, then, that the eclectic musical personality of The Imports has come to be a flawless blend of the many musical influences and unique experiences of the band. Choosing their name to convey the ethnic diversity of the group, The Imports – Roydin Monteath, Liam Harasym, Heston Jones, Earl Abalajon III, Arthur Latoszek and Nathan Dumancas each bring their own interpretation of music to the collective. Whether their influences be the psychedelic prog-rock of the Mars Volta, the soul-fused indie-rock of the Junction, the funk of the Red Hot Chili Peppers or the hardcore-punk of Refused, one thing is crystal clear; the Imports have created a sound that is completely their own. In just under two action-packed years as a band, The Imports have accomplished what most local bands desire – the first significant tastes of success. The band independently released an e.p. recorded with renowned producer/engineer Greg Dawson [Moneen, The Junction, The End]; they won over significant crowds of fans across Ontario with their air-tight, dynamic live performances; they inked a record deal to London, Ontario’s Laris records; and they shared stages with critically acclaimed artists such as: Ill Scarlett, The Junction, The Salads, Hostage Life and Die Mannequin The future is bright for this band of international troubadours. May 1st, 2007, was the release of their second e.p., titled, “Rhythm & Madness”. Recorded at Ryan ...
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