| | Vicious CD Vicious Discography of CDs
Vicious Music | Category | Rap Albums | | Label | CD Baby | | CD Universe Part number | 7751850 | | Catalog number | 301370 | | Discs | 1 | | Release Date | Aug 19, 2008 |
Vicious Songs | 1. | Intro |
| 2. | Follow Me |
| 3. | In L.A. |
| 4. | Act Like You Know |
| 5. | I Can't Hear You |
| 6. | Pop Off Muzic |
| 7. | Jezebel |
| 8. | Ride On Nem |
| 9. | Go Hard |
| 10. | Get Low |
| 11. | Crazy Like Cee-lo |
| 12. | Magnum Opus |
| 13. | Get Money |
| 14. | Damn Right |
| 15. | You & Me |
| 16. | State of Mind |
| 17. | Outro |
|
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Purchase Vicious CD To buy, Click on price to add to cart | Michael Jackson's This Is It CDs (2009)
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Out of a seemingly endless array of hip hop albums, every now and again something fresh and powerful rises to the top of the pile. Hailing from the Queensbridge Housing Projects in Long Island City (home to Marley Marl among others), 20-year old Nasir "Nas" Jones is less concerned with being an impersonator than with being an originator, bypassing adolescent fantasies and B-boy braggadocio in favor of jazzy beats, rap noir realism and new answers to urban despair.
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Production-wise, Nas has gathered together some of the superstars of the hip hop underground, producers the likes of Q-Tip, Pete Rock, L.E.S., DJ Premier and The Large Professor, but it is Nas's unique rhythmic cadences, his idiomatic sense of on-the-street wordplay, his disrespect for the high time and the empty rhyme that distinguishes ILLMATIC. When Nas rocks the mic, it's not a hedonist's wet dream, but a depiction of urban hope and despair, and ...
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A half-decade after breaking through to the mass public as a cagey veteran with the smash "Slow Jams," the "world's fastest rapper" continues to consistently drop some of the most downright interesting records in the hip-hop universe. 2009's CATEGORY F5 is quite possibly Twista's tightest record to date. The album is both a whirlwind of language and a bloodletting, a reminder that the rapid-fire rapper possesses one of the most keen (and often underrated) wits in the game as well as one of its darkest minds. Twista is of the streets, but his task is not to extol ...
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Chicago Metropolitan Jazz Orchestra leader Lenny King makes no bones about it. He looks to Stan Kenton and Kenton's great arrangers for his big-band music. The group plays in the style of Kenton not in imitation, but more in admiration. This session features arrangements by Bill Holman, Gene Roland, Willie Maiden, Marty Paich, and Lennie Niehaus. It also includes good orchestrations by members of the band, like trumpeter Kirk Garrison. Whatever they are performing, the CMJO specializes in the same tight, disciplined ensemble work -- listen to "Just Friends," featuring those high-flying solos that were standard with Kenton's various aggregations.
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