| | Foreign Exchange Leave It All Behind CD Foreign Exchange Discography of CDs
 (4 Customer Reviews)
Lyricist: Phonte.
Personnel: Phonte (vocals). Leave It All Behind Music Foreign Exchange Leave It All Behind Songs Leave It All Behind Music Review Average Rating: (4.5 out of 5 stars)   together the force
The chemestry between Nikolay and Phonte is unbelievable, the same as Premier and Guru or Pete Rock and CL Smooth.
Plus the right dose of electronic vibe.
Submitted by sep_db (Vicenza, Italy) 
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Good R&B style
Very soulful and effective to put on when you are with your lady...
Submitted by damonw (Los Gatos, CA)
Was This Review Helpful? Yes No  Yep it that fire!!!
That dude can really sing and its good material. Im embrace him to become an RnB singer sounds like a cross between Joe and John Legend good stuff.
Submitted by tjquicken12 (Atlanta, GA)
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Nowhere near the same as their previous CD
This is a great CD, but I was suprised to only hear Phonte rap on only 2 of the tracks. There is singing on every track. At first, I was a little upset, because I thought that all of the singing was done by Darien Brockington and YahZarah. Then I noticed that it is actually Phonte singing. Great lyrics, and Nicolay comes with great beats like always. A definite cop for League of Justus fans, and also for anyone who is into jazzy neo-soul/r&b!
Submitted by tdotcarter217 (Detroit, MI, USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Leave It All Behind CD To buy, Click on price to add to cart | Little Brother Listening CD (2003)
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Donuts was made on a hospital bed and in a home studio, on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday, three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, the track titles, and who knows where else. It's impossible not to speculate ...
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With City Made Of Teeth, Kyron takes the art of the remix to a whole new level. Seventeen distinct tracks await the caress of an attentive ear, all derived from a single song originally recorded by psychedelic progressive rock band, Griddle. In Kyron's hands, this single song has taken on an entirely unexpected life expressed as a federation of 17 glitchy ambient electronic pieces. Like patches of fabric introduced to one another through the matrix of a quilt, each track stands apart from the others and in harmony with its neighbors. Together they create a haunting electroacoustic view of a futuristic urban maze, a sonic tour of A City Made Of Teeth."Nocturnal, urban, eclectic and sophisticated."Heathen Harvest"Mendizabal's sound bytes, from the heights of the telescope to the depths of the microscope, are finely realized and meticulously constructed, and together create a seamless voyage through the outer reaches of inner space and beyond.”-Aural Innovations JC Mendizabal aka Kyron / Ki-rin I come from a country with a long tradition of human warmth and a painful and bloody history: El Salvador. I came to the United States in the early '80s, at the start of the civil war there, and I have lived here in San Francisco since then. I have travelled back to El Salvador many times since then, so I consider myself a kind of synthesis of both cultures. Much like the music that I create my mind is equal parts magic and science, logic and madness! I studied creative writing in college and wrote many short stories. I slowly became dissatisfied with the way that creative writing was taught in college and I changed my major to music, which I studied in SFSU. I graduated in 1993 with a specialty in Music Composition and Electronic Music. The main skill I feel that I learned in school was the careful application of attention to each and every detail of a musical composition. I learned that this attention could be applied to any style of music. Several of my pieces in a "classical" style were performed by the Symphonic Orchestra of El Salvador and by other smaller chamber groups. In 1994, the University of Santa Clara gave me a comission to create the music for a Multimedia Piece (involving dance and theatre) based on the massacre of El Mozote. This piece was finally performed in 1996. But even before then, around 1992, I started to realize that something was missing from my musical work. I started to experiment with various shamanic and magical traditions, slowly finding my way through this mine field to arrive at the start of what is known as the Path. I ...
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In "Temperance & The Devil," Brian Molnar & The Naked Hearts tap sonic traditions of the Americana genre that have been around almost as long as temperance has been a movement to dry up the nation and the devil has been a hooved fiend looking to steal men's souls. ...
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