| | Beth Carvalho Canta O Samba Da Bahia - Ao Vivo CD - Import Beth Carvalho Discography of CDs
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Canta O Samba Da Bahia - Ao Vivo Music Canta O Samba Da Bahia - Ao Vivo Review
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Purchase Canta O Samba Da Bahia - Ao Vivo CD To buy, Click on price to add to cart | Colosseum Morituri Te Salutant: 1968-2003 On Stage & In The Studio CDs (2009)
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As any quick perusal of old Top 40 rock & roll station playlists will attest, singles were where the shakin' action was, as rock & roll albums were scarce as hen's teeth back in those pre-Beatle days. But when the record companies decided to issue one, it was usually an artifact of high rockin' value and some major influence. Naysayers to the contrary, this debut album by the Northwest's first great rock & roll combo is just such an artifact. The Wailers dispensed crude, greasy, largely instrumental rock & roll music for those who came to shake it up and shake it down, and it's all on fine, rhythmic, open display here. This album is amazing in its own simplistic, nuthin'-special way, its crudity ...
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Recorded in 1994. Originally released on EMI (30711). Includes liner notes by Paul Suter.
Queensryche's music is out on the border of what used to be known as progressive. Although they cut their teeth as a touring band opening for the likes of Ozzy Osbourne, AC/DC and Def Leppard, they're not really a straight-ahead metal band, but rather inhabit a similar space as a band like Rush. Powerful, guitar and drum driven music, fleshed out with immense synthesizer flourishes, tricky rhythm changes, and varied dynamic shifts.
PROMISED LAND sets a don't-look-don't-touch tone with the shamanistic minor cycles of "I Am I" while the Near Eastern Peter Gunnisms of "Damaged" and the acoustic drones of "Out Of Mind" anchor anthems about society's disconnected castaways and abused adolescents. The lack of information about instrumentation and what-not only serves to underscore the group nature of this ensemble...even as the booklet photo of a man with a nail driven through his forehead drives home a sense about just who might follow Queensryche to the PROMISED LAND.
"Bridge" extends the metaphor of alienation to include a father and a son, and the title tune sums up a sense of dashed expectations, as big, angry, ambient waves of electric guitar ring away suggestively over a grinding Pink Floyd pulse and synthesized percussion sounds. PROMISED LAND marks Queensryche's growing maturity, with a rich sonic canvas--a broader collage of sounds, images and musical styles than most of the one-trick metal bands currently fertilizing the fields of pop.
The deluxe remastered reissue of Queensr˙che's controversial Promised Land was rife for reconsideration in 2003. Available on its own or as part of the Revolution Calling box set, Promised Land is the sound of a band who has seen the writing on the wall -- Nirvana and pals pouring through the temple gates like barbarians on one side, and Ministry and the Revolting Cocks on the other flank burning and looting everything in sight. But Chris DeGarmo and Geoff Tate as well as their bandmates had more than a few tricks up their sleeves here. The harshness of Promised Land is not to be looked ...
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Coming off the triumph of his brilliant Edge of Heaven album (on which he adapted vintage Chinese pop music to a modern and often blues-flavored idiom), guitar god Gary Lucas is back with a duo effort featuring Indian singer Najma Akhtar. And while Rishte is a very enjoyable album, it doesn't quite achieve ...
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