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Submerged Violence As First Nature CD

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Some electronica is essentially disco, some electronica is designed for world music enthusiasts, some electronica is mindful of hip-hop, and some electronica operates with an in-your-face rocker mentality; New York City-based producer/DJ Submerged clearly favors an in-your-face rocker mentality on his two-CD set Violence as First Nature, which consists of the main 79-minute CD and a 59-minute bonus mix disc. Violence as First Nature doesn't sound like the title of a chillout, downtempo, ambient, or trip-hop album -- more like the title of a metal, punk, or hardcore disc. And while Submerged isn't metal, punk, or hardcore, he can certainly be found on the harder, heavier side of electronica. No one will mistake Violence as First Nature for easy listening; this is forceful, abrasive, confrontational stuff, and the fact that the music is programmed doesn't mean that it doesn't rock. Submerged rocks, and he does so aggressively (the bonus mix disc, in fact, can be downright brutal). But at the same time, a certain moodiness often prevails on Violence as First Nature -- which essentially falls into the drum'n'bass category. Drum'n'bass (also known as jungle) is the primary ingredient, although techno, industrial rock, and noise rock are also influences. And while this late-2008 release could easily appeal to ravers, Submerged could attract rockers as well. There are some rockers who don't care for the whole raver subculture but nonetheless appreciate certain electronic sounds; they wouldn't go to a rave, but they appreciate what industrial rockers like Ministry, Skinny Puppy, and the Revolting Cocks (as well as hip-hop agitators Public Enemy) have accomplished with technology -- and it isn't hard to imagine some rockers who fit that description getting into Submerged, whose material is mostly instrumental but with scattered soundbites. One doesn't necessarily have to be a big drum'n'bass fan to get into Violence as First Nature, an engaging effort that has both raver and rocker appeal. ~ Alex Henderson

Some electronica is essentially disco, some electronica is designed for world music enthusiasts, some electronica is mindful of hip-hop, and some electronica operates with an in-your-face rocker mentality; New York City-based producer/DJ Submerged clearly favors an in-your-face rocker mentality on his two-CD set Violence as First Nature, which consists of the main 79-minute CD and a 59-minute bonus mix disc. Violence as First Nature doesn't sound like the title of a chillout, downtempo, ambient, or trip-hop album -- more like the title of a metal, punk, or hardcore disc. And while Submerged isn't metal, punk, or hardcore, he can certainly be found on the harder, heavier side of electronica. No one will mistake Violence as First Nature for easy listening; this is forceful, abrasive, confrontational stuff, and the fact that the music is programmed doesn't mean that it doesn't rock. Submerged rocks, and he does so aggressively (the bonus mix disc, in fact, can be downright brutal). But at the same time, a certain moodiness often prevails on Violence as First Nature -- which essentially falls into the drum'n'bass category. Drum'n'bass (also known as jungle) is the primary ingredient, although techno, industrial rock, and noise rock are also influences. And while this late-2008 release could easily appeal to ravers, Submerged could attract rockers as well. There are some rockers who don't care for the whole raver subculture but nonetheless appreciate certain electronic sounds; they wouldn't go to a rave, but they appreciate what industrial rockers like Ministry, Skinny Puppy, and the Revolting Cocks (as well as hip-hop agitators Public Enemy) have accomplished with technology -- and it isn't hard to imagine some rockers who fit that description getting into Submerged, whose material is mostly instrumental but with scattered soundbites. One doesn't necessarily have to be a big drum'n'bass fan to get into Violence as First Nature, an engag
Violence As First Nature Music


Detailed Violence As First Nature Music Information



List Price $13.99 (You save $1.64)
Category Rock/Pop Albums, Rock CDs, R&B, Electronica, Dance
Label Ohm Resistance
Orig Year 2008
All Time Sales Rank   272034  
CD Universe Part number 7757002
Catalog number 10
Discs 2
Release Date Nov 18, 2008
Personnel Flea, Bill Laswell, Impulse
Submerged Violence As First Nature Songs


Submerged Violence As First Nature Album Track Listing



Violence As First Nature CD DISC 1:
1.Consciousness
2.Bad Time for the Empire
3.Homicide Bomber
4.Servant - (featuring Impulse)
5.Corrupt Souls - (featuring Bill Laswell)
6.Doctored Intelligence - (featuring Impulse)
7.Dirty Bomb - (remix)
8.Dirty Bomb - (Scorn Remix, remix)
9.Lady of Pain - (featuring Flea)
10.28 Days...
11.Servant - (Technical Itch Remix, remix)
12.I Love You But I Chose Darkness
Violence As First Nature Songs DISC 2:
1.Shitcollage
2.Jacob's Ladder
3.Corpse
4.Cannibal Holocaust
5.Underfoot
6.Underfoot [Breaker Remix] - (remix)
7.Therapist
8.Burn Down the Projects
9.Endure
10.Project Two
11.Ch'i Reshape
12.No Real
13.Consciousness
14.110 [Live at PS1]
15.Hundred Bullets
16.Cop Killer
17.Gutter [Cable Remix] - (remix)
18.Skullfuck
19.Revelation
20.Human Camera
21.Suicide Hotline
22.Suicide Hotline - (Submerged Remix, remix)
23.Suicide Hotline [Temulent Redial] - (remix)
24.Kill 'Em All
25.4 Minutes Hate
26.Let Your Body Take Control
27.Topo, El
28.Arsenal & Spears
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For most of my life I have been a musician. And for most of my life I have been drawn to the stage. From simple high school talent shows to run of the mill cover bands, I have pursued the spotlight relentlessly. It’s an obsession really. A driving force that never lets up. It speaks to me, engages me, and helps me to escape the mire of everyday life. It is my sanctuary.We were first introduced when I was eight but it wasn’t until I joined the Army at age seventeen that I really started taking it seriously. Purchasing a top of the line Yamaha keyboard, I spent the next two years letting my creative energy flow; penning a library of instrumentals that I still revisit today. Sadly, keyboards can only get you so far so I made the decision to step out from the shadows and try my hand at guitar. Laughable at best, I quickly realized that playing the old six string was simply not for me. Not only was I having extreme difficulty shaping my fingers into something that resembled a chord but my picking style was atrocious! Knowing that this was something I was obviously not ready for I decided to chuck my aspirations of playing guitar and focus on bass instead. This was by far a better choice. Inspired by such notable artists as Nikki Sixx and Gene Simmons I immediately grew comfortable with the elongated neck of the bass and in no time had mastered such anthems as “Round and Round,” “Strutter,” and “Dr. Feelgood.” But it wasn’t enough. I wanted more. Not happy with learning other peoples music I began to move away from doing covers and focused on writing my own. There was only one thing standing in my way: my voice.Because of the inconceivably high vocal range of the decadent ‘80’s I never believed I would ever become the quintessential front man but when a new sound emerged out of Seattle a whole new world opened up to me. Pearl Jam, Nirvana, and Soundgarden showed me a side of music that I never knew existed. The lyrics were solid and thought provoking. The image was subdued and generalized. But what was most important to me was that it was something I could sing to. Who would have thought that men with real voices could actually break into the mainstream; but there it was and I was on it from the beginning.Coincidentally, it was also at this time that my need to learn guitar really ramped up again so I went to the local music store and purchased a cheap Ovation shallow body acoustic. I guess it was just meant to be because this time around it worked. Armed with only a simple chord book, I painstakingly played through each of the pages until my fingers were just a mottled, bleeding mess of calloused tips. Sometimes my fingers hurt so bad I could barely touch the strings but I persevered until I managed to create a compilation of ten original songs. What emerged was a sound similar to that of Incubus-that of acoustic rock infused with a touch of Lenny Kravitz, Live, and Smashing Pumpkins. What set me apart from these well established artists was my wide vocal ...
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