| | Submerged Violence As First Nature CD Submerged Discography of CDs
 |
|
Our Price: $12.35 CDFor Sale Usually ships in 1-2 days
|  |
Some electronica is essentially disco, some electronica is designed for world music enthusiasts, some electronica is mindful of hip-hop, and some electronica operates with an in-your-face rocker mentality; New York City-based producer/DJ Submerged clearly favors an in-your-face rocker mentality on his two-CD set Violence as First Nature, which consists of the main 79-minute CD and a 59-minute bonus mix disc. Violence as First Nature doesn't sound like the title of a chillout, downtempo, ambient, or trip-hop album -- more like the title of a metal, punk, or hardcore disc. And while Submerged isn't metal, punk, or hardcore, he can certainly be found on the harder, heavier side of electronica. No one will mistake Violence as First Nature for easy listening; this is forceful, abrasive, confrontational stuff, and the fact that the music is programmed doesn't mean that it doesn't rock. Submerged rocks, and he does so aggressively (the bonus mix disc, in fact, can be downright brutal). But at the same time, a certain moodiness often prevails on Violence as First Nature -- which essentially falls into the drum'n'bass category. Drum'n'bass (also known as jungle) is the primary ingredient, although techno, industrial rock, and noise rock are also influences. And while this late-2008 release could easily appeal to ravers, Submerged could attract rockers as well. There are some rockers who don't care for the whole raver subculture but nonetheless appreciate certain electronic sounds; they wouldn't go to a rave, but they appreciate what industrial rockers like Ministry, Skinny Puppy, and the Revolting Cocks (as well as hip-hop agitators Public Enemy) have accomplished with technology -- and it isn't hard to imagine some rockers who fit that description getting into Submerged, whose material is mostly instrumental but with scattered soundbites. One doesn't necessarily have to be a big drum'n'bass fan to get into Violence as First Nature, an engaging effort that has both raver and rocker appeal. ~ Alex Henderson
Some electronica is essentially disco, some electronica is designed for world music enthusiasts, some electronica is mindful of hip-hop, and some electronica operates with an in-your-face rocker mentality; New York City-based producer/DJ Submerged clearly favors an in-your-face rocker mentality on his two-CD set Violence as First Nature, which consists of the main 79-minute CD and a 59-minute bonus mix disc. Violence as First Nature doesn't sound like the title of a chillout, downtempo, ambient, or trip-hop album -- more like the title of a metal, punk, or hardcore disc. And while Submerged isn't metal, punk, or hardcore, he can certainly be found on the harder, heavier side of electronica. No one will mistake Violence as First Nature for easy listening; this is forceful, abrasive, confrontational stuff, and the fact that the music is programmed doesn't mean that it doesn't rock. Submerged rocks, and he does so aggressively (the bonus mix disc, in fact, can be downright brutal). But at the same time, a certain moodiness often prevails on Violence as First Nature -- which essentially falls into the drum'n'bass category. Drum'n'bass (also known as jungle) is the primary ingredient, although techno, industrial rock, and noise rock are also influences. And while this late-2008 release could easily appeal to ravers, Submerged could attract rockers as well. There are some rockers who don't care for the whole raver subculture but nonetheless appreciate certain electronic sounds; they wouldn't go to a rave, but they appreciate what industrial rockers like Ministry, Skinny Puppy, and the Revolting Cocks (as well as hip-hop agitators Public Enemy) have accomplished with technology -- and it isn't hard to imagine some rockers who fit that description getting into Submerged, whose material is mostly instrumental but with scattered soundbites. One doesn't necessarily have to be a big drum'n'bass fan to get into Violence as First Nature, an engag Violence As First Nature Music Submerged Violence As First Nature Songs | | Violence As First Nature CD DISC 1: |
| 1. | Consciousness |
| 2. | Bad Time for the Empire |
| 3. | Homicide Bomber |
| 4. | Servant - (featuring Impulse) |
| 5. | Corrupt Souls - (featuring Bill Laswell) |
| 6. | Doctored Intelligence - (featuring Impulse) |
| 7. | Dirty Bomb - (remix) |
| 8. | Dirty Bomb - (Scorn Remix, remix) |
| 9. | Lady of Pain - (featuring Flea) |
| 10. | 28 Days... |
| 11. | Servant - (Technical Itch Remix, remix) |
| 12. | I Love You But I Chose Darkness |
| | Violence As First Nature Songs DISC 2: |
| 1. | Shitcollage |
| 2. | Jacob's Ladder |
| 3. | Corpse |
| 4. | Cannibal Holocaust |
| 5. | Underfoot |
| 6. | Underfoot [Breaker Remix] - (remix) |
| 7. | Therapist |
| 8. | Burn Down the Projects |
| 9. | Endure |
| 10. | Project Two |
| 11. | Ch'i Reshape |
| 12. | No Real |
| 13. | Consciousness |
| 14. | 110 [Live at PS1] |
| 15. | Hundred Bullets |
| 16. | Cop Killer |
| 17. | Gutter [Cable Remix] - (remix) |
| 18. | Skullfuck |
| 19. | Revelation |
| 20. | Human Camera |
| 21. | Suicide Hotline |
| 22. | Suicide Hotline - (Submerged Remix, remix) |
| 23. | Suicide Hotline [Temulent Redial] - (remix) |
| 24. | Kill 'Em All |
| 25. | 4 Minutes Hate |
| 26. | Let Your Body Take Control |
| 27. | Topo, El |
| 28. | Arsenal & Spears |
| Violence As First Nature Review
GuidelinesRemember to focus your comments on Submerged Violence As First Nature CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Violence As First Nature CD To buy, Click on price to add to cart | John Zorn Best Of Filmworks: 20 Years Of Soundtrack Music CD (2005)
Violence As First Nature album
$13.39
| | Fall I Can Hear The Grass Grow (2005)
Violence As First Nature CD music
$7.99
| | Grizzly Man CD (2005)
Violence As First Nature music CDs
$14.15
| | Sunra Arkestra & Rufus Harley DVD (2005)
Violence As First Nature songs
$11.09
| | David Byrne My Life In The Bush Of Ghosts CD (1981) Remastered; Enhanced CD
Violence As First Nature album
$15.65 Eno was a key figure in the development of Talking Heads, producing some of their most innovative albums. This ...
| | David Byrne Knee Plays CD (1985) Bonus DVD
Violence As First Nature CD music
$15.65 Talking Heads fans sometimes have mixed reactions to David Byrne's solo work, complaining that it lacks the quirkiness and edge of classic Heads material. Those fans will have reason to take notice of the 2007 CD release of THE KNEE PLAYS, Byrne's score for Robert Wilson's opera THE CIVIL WARS. Originally recorded in 1985, THE KNEE PLAYS was Byrne's second solo outing, following THE CATHERINE ...
| | Tania Mara Cancado Especial CD (2003) (Import) Brazil
$31.55 | | Movus CD (2008) (Import)
Violence As First Nature music CDs
$12.85 BIOGRAPHYMovus is all about dreamy and ethereal guitars, landscapes, nostalgic noisy delay layers, pulsating bass lines and jazz influenced drumbeats, in a context of mythological meanings reflected in the name of the songs and of the band (a male fairy). The ...
| | Tom Verlaine Dreamtime CD (1981)
Violence As First Nature songs
$10.45
| | Raquel De Corazan CD (2008)
Violence As First Nature album
$18.99
| | Cassandra Robertson Impulse To Dream CD (2008)
Violence As First Nature CD music
$18.99
| | Tukk Three Faiths CD (2008)
Violence As First Nature music CDs
$9.35 For most of my life I have been a musician. And for most of my life I have been drawn to the stage. From simple high school talent shows to run of the mill cover bands, I have pursued the spotlight relentlessly. Itâs an obsession really. A driving force that never lets up. It speaks to me, engages me, and helps me to escape the mire of everyday life. It is my sanctuary.We were first introduced when I was eight but it wasnât until I joined the Army at age seventeen that I really started taking it seriously. Purchasing a top of the line Yamaha keyboard, I spent the next two years letting my creative energy flow; penning a library of instrumentals that I still revisit today. Sadly, keyboards can only get you so far so I made the decision to step out from the shadows and try my hand at guitar. Laughable at best, I quickly realized that playing the old six string was simply not for me. Not only was I having extreme difficulty shaping my fingers into something that resembled a chord but my picking style was atrocious! Knowing that this was something I was obviously not ready for I decided to chuck my aspirations of playing guitar and focus on bass instead. This was by far a better choice. Inspired by such notable artists as Nikki Sixx and Gene Simmons I immediately grew comfortable with the elongated neck of the bass and in no time had mastered such anthems as âRound and Round,â âStrutter,â and âDr. Feelgood.â But it wasnât enough. I wanted more. Not happy with learning other peoples music I began to move away from doing covers and focused on writing my own. There was only one thing standing in my way: my voice.Because of the inconceivably high vocal range of the decadent â80âs I never believed I would ever become the quintessential front man but when a new sound emerged out of Seattle a whole new world opened up to me. Pearl Jam, Nirvana, and Soundgarden showed me a side of music that I never knew existed. The lyrics were solid and thought provoking. The image was subdued and generalized. But what was most important to me was that it was something I could sing to. Who would have thought that men with real voices could actually break into the mainstream; but there it was and I was on it from the beginning.Coincidentally, it was also at this time that my need to learn guitar really ramped up again so I went to the local music store and purchased a cheap Ovation shallow body acoustic. I guess it was just meant to be because this time around it worked. Armed with only a simple chord book, I painstakingly played through each of the pages until my fingers were just a mottled, bleeding mess of calloused tips. Sometimes my fingers hurt so bad I could barely touch the strings but I persevered until I managed to create a compilation of ten original songs. What emerged was a sound similar to that of Incubus-that of acoustic rock infused with a touch of Lenny Kravitz, Live, and Smashing Pumpkins. What set me apart from these well established artists was my wide vocal ...
| | Laura Fleming Never Say Never CD (2008)
Violence As First Nature songs
$16.45 Laura Flemingâs music can be described as a mix of pop, indie, soul, and jazz with a touch of the blues. With open, honest lyrics, her songs talk about love - falling in love and losing love. Her songs speak to the dark places you can find yourself in, but also of the redemption that can be found.Laura grew up in Palos Park, a small suburb outside of Chicago. She attended Illinois Wesleyan University on a voice scholarship and while there she studied every kind of vocal music she could, learning songs in Italian, Spanish, French, German and Russian. ...
| | Giuseppe Spoletini Now Sings My Soul CD (2008)
Violence As First Nature album
$18.99
| | Collider Six Story Walk Up CD (2008)
Violence As First Nature CD music
$10.15 Colliders have been used for decades to study the makeup of the atom and to rock out on songs like \"Boy Rock\" and \"Jannath\". Less than 100 years ago scientists thought protons and neutrons were the smallest components of an atom\'s nucleus or that they where just a small band from DC, but in stages since then experiments have shown they were made of still smaller quarks and gluons and that there were other forces ...
|
|
|