| | Kenny Drew Misty CD - Import Kenny Drew Discography of CDs
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Our Price: $43.05  CDFor Sale Usually ships in 1-2 days
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Misty Music | List Price | $52.98 (You save $9.93) | | Category | Rock/Pop Albums, Jazz CDs | | CD Universe Part number | 7757477 | | Catalog number | 50002 | | Discs | 1 | | Release Date | Sep 17, 2008 | | Additional Info | Japan; HDCD |
Misty Review
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Purchase Misty CD To buy, Click on price to add to cart | Vijay Iyer Historicity CD (2010) Digipak
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| | Henry Threadgill This Brings Us To, Vol. 1 CD (2009) Digipak
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Henry Threadgill has, in the framework of abstract music, been a stalwart, spontaneous composer whose personal sound is near impossible to identify, or certainly codify. A listener who enjoys very challenged music would have difficulty in discerning what is made up or written out. The elusive nature of Threadgill's kind of progressive jazz has to confound even those most oriented to his quirky pieces. Where the quintet Zooid lands in this quirky quandary of pegging a signature sound is subject to guesswork, but it definitely has its own brand of concentrated cohesion. Between Threadgill's scattershot flute and alto sax, the sleek tuba or trombone work of Jose Davila, and Liberty Ellman's ...
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| | Dave Koz Smooth Jazz Christmas CD (2001)
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| | Chris Botti In Boston CDs (2009) With DVD
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A sequel of sorts to Chris Botti's 2006 PBS special, LIVE WITH ORCHESTRA & SPECIAL GUESTS, the September 2008 event LIVE IN BOSTON found the sartorially splendid cool jazz trumpeter accompanied by the Boston Symphony and a collection of celebrity vocalists. Also available as a DVD, the concert delivers an overview of popular music, with jazz standards like "I've Got You Under My Skin" right alongside "Ave Maria" and Sting's "If I Ever Lose My Faith in You." Whether featuring ...
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$11.19 | | Lemish Yes & CD (2008)
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Percussionist George Marsh and pianist Noam Lemish have been working together as a duo since the early part of 2007. “Yes And” is their first release. \"Marsh is, in himself, one of the finest and most versatile percussion sections in jazz.\"
 Rick Van Horn, Modern Drummer Magazine“As a musician, Lemish is deeply engaged, highly disciplined and his talent is without doubt world-class. I have every confidence that his music and thought will encourage his generation.” 
 W.A. Mathieu - Composer, author and teacher
\"George\'s sound enhances the music and his imagination makes for marvelous coloration and surprises - and he has roots!\"
 Shelly Manne\"It is well known that Noam is one of my favorite musicians. I admire his talent and openness to reach out and create new music.” 
Jessica Felix, Artistic Director of Healdsburg Jazz Festival\"A true jazz freak\'s drummer: loose, propulsive, constantly directional and incredibly sensitive.\" 
Mike Bourne, Down Beat MagazineGeorge MarshAt fifteen George Marsh became a professional drummer in Belleville, Illinois. His early experiences included work with Sam Andria, Jimmy Williams, and Barbara Streisand. He studied percussion with Tom Siwe and Jack McKenzie at Champagne-Urbana, and later played with the Lyric Opera, The Chicago Contemporary Chamber Players and many great Chicago jazz musicians. Since 1968, he has lived in the San Francisco area where he has performed and recorded with musicians such as: David Grisman, Jerry Garcia, John Abercrombie, Mose Allison, Joe Henderson, Harold Land, Denny Zeitlin, Terry Riley, William Allaudin Mathieu, Pauline Oliveros, Kronos Quartet, Mel Martin, etc. If you were around in 1970, perhaps you caught him with Chuck Berry, Loading Zone or The Jerry Hahn Brotherhood at the Fillmore West and East.George has written percussion music for such films as Never Cry Wolf and The Black Stallion. He premiered a suite of his pieces for chamber ensemble in the fall of 2002 at the Lincoln Center in New York which featured Rich Fudoli (reeds), David Wessel (interactive electroacoustics), and Mel Graves, bass. And he also performed on this same concert with TimelessPulse ...
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| | Bing Crosby Jazz Sides CD (2009) (Import)
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| | Tom Rapp Stardancer CD (1972)
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Tom Rapp's first album for Blue Thumb was in some ways an improvement over the disappointing final pair of records he did for Reprise. In title and cover art, it harked back to Pearls Before Swine's classic first two albums for ESP-Disk, complete with another painting by Breughel the Elder on the sleeve, but the album was produced in Nashville and features the usual local session crew: pianist David Briggs, fiddle player Buddy Spicher, multi-instrumentalist Charlie McCoy, and the like. They're undeniably fine players all, having worked with everyone from Elvis to Mike Nesmith, but Rapp is a special case. The best Pearls Before Swine songs were simply, almost starkly arranged, often with only guitar or harp, and sometimes with Rapp's delicate voice by itself. There are some excellent songs on STARDANCER, particularly the mournful title track and "For the Dead in Space" (later the title of an excellent Tom Rapp tribute album), and "Fourth ...
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