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Crown Of Thorns Faith CD - Import

 Crown Of Thorns Discography of CDs

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 Our Price: $44.35  CD
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Japanese pressing includes one bonus track. King. 2008.
Faith Music


Detailed Faith Music Information



List Price $51.98 (You save $7.63)
Category Rock/Pop Albums, Heavy Metal CDs
Label Phantom
CD Universe Part number 7757760
Catalog number 833930
Discs 1
Release Date Nov 11, 2008
Crown Of Thorns Faith Songs


Crown Of Thorns Faith Album Track Listing



1.Faith$0.99
2.All In My Head$0.99
3.Living In The Shadows$0.99
4.The One
5.Rock Ready$0.99
6.Believe Me$0.99
7.Nobody$0.99
8.Stay With Me$0.99
9.All I Wanna Do$0.99
10.Home Again$0.99
11.All Or Nothing$0.99
Faith Music


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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing. Personnel: Ilya Toshinsky (acoustic guitar, banjo); Steven Sheehan (acoustic guitar); Jerry McPherson, Kenny Greenberg, Brent Mason (electric guitar); Paul Franklin (dobro); Randy Scruggs (banjo); Aubrey ...
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It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints on this heavy duty style (Egyptian-influenced lyrics and musical bits, highly impressive instrumental dexterity, etc.). And on their sixth studio effort overall, 2009's Those Whom the Gods Detest, Nile has once again proven that they are a step ahead of the rest of the pack. Although some of the sonic depth has to be attributed to producer Neil Kernon (after all, he worked with such sticklers for audio perfection as Queensr˙che in the past), it's the true metallic fury that Nile create themselves that makes it all extremely impressive. Case in point, such delicious death metal ditties as "Kafir!," while on selections such as the title track and what's sure to be top metal song title of 2009, "Yezd Desert Ghul Ritual in the Abandoned Towers of Silence," Karl Sanders shows why he is considered by many to be the finest guitarist of the extreme metal genre (both songs incorporate Sanders' love of all things Middle Eastern). "Exotic" and "heavy metal" are not often terms used together, but in the case of Those Whom the Gods Detest, they go together as splendidly as peanut butter and jelly. ~ Greg Prato 2009 ...
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In this rare and ground breaking performance, hugely popular heavy metal band Metallica is accompanied by the San Francisco Symphony Orchestra with Michael Kamen conducting. The pairing of the full and lush-sounding symphony with the guitar-driven virtuosity works well, giving way for a deeper, more subtle appreciation of Metallica's well-constructed, impressively written music. This music experiment will appeal to hard rock and classical music fans alike! This DVD video features some of Metallica's select favorit es like never ...
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When Buckcherry hit the scene in the mid-'90s, few would have predicted that the raunchy, stripper pole/retro-hair metal outfit had a 15-year career ahead of it, let alone a Grammy nomination. Despite the nearly complete dissolution of the band in 2002, Buckcherry managed to embrace ...
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I Used To Know The Name Of All The Stars
Kid Pan Alley I Used To Know The Name Of All The Stars CD  (2008)

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Kid Pan Alley started with a brilliant, yet obvious, discovery—children’s imaginations make kids the great co-writers for songs. From their first recording, in 2001, Tidal Wave of Song,” Kid Pan Alley has started a tidal wave of over 1,000 songs written with over 20,000 children across the country. Their latest release I Used to Know the Names of All the Stars, recorded by some of the artists who call Charlottesville home, including Cracker, Sissy Spacek, Corey Harris, John McCutcheon, Trees on Fire, Jesse Winchester, Sparky’s Flaw, Sons of Bill, and Shannon Worrell, features songs written with the children of Charlottesville.The songs span the musical universe, from Jesse Winchester singing I Used to Know the Names of All the Stars, a song about how we used to know everything before we were born and now our job is to relearn it, to a reggae version of My Sister, sung by MacArthur award winner, Corey Harris. Songwriting is a way to talk about some of the most important and complex personal and world issues as seen through the wide and perceptive eyes of children. Trapezoid’s Paul Reisler founded Kid Pan Alley with the goal of reinvigorating creativity as a core value in education, one community at a time. These songs, which celebrate who we are and who we can be, changed the kids who wrote them, and now they inspire kids and adults all around the country ...
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