| | American Superstars - Stardust CD - Import
2008 ten CD box. This box contains 10 CD's of by true American Supertars including Frank Sinatra, Ray Charles, B.B. King, Bing Crosby, Doris Day, Perry Como, Judy Garland, Mel Torme and Marilyn Monroe, 172 tracks. American Superstars - Stardust Music American Superstars - Stardust Review
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Steve Tyrell has attracted enough attention for his two regular albums, A New Standard and Standard Time, that he is almost beyond journalists' usual tack of describing a new singer's voice by who he sounds like; pretty soon, they'll be saying that other singers sound like him. But it remains true that if you have never heard him but you are familiar with Dr. John, your first reaction upon hearing him is likely to be that you are listening to Dr. John. Well, maybe a younger ...
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This sprawling double album is the last Embryo title to feature the great guitarist Roman Bunka. Here, as on many of the band's other recordings, the basis sextet led by Christian Burchard is augmented by dozens of other musicians to varying effect. For starters, Embryo's live recordings are always their best. That is testified to here, as well, since the album was recorded in studios all over Europe, and features a live performance from Munich. It's the sprawl that testifies simultaneously to this album's greatest strength and weakness. While Embryo's musical restlessness counts for great improvised music, particularly in concert settings, the band's studio offerings sometimes lack focus, and that is certainly the case here. There are few long pieces on these two CDs, with 22 tracks in all. Taken as a whole, it would be unfair to say ...
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Even before M.I.A. (Maya Arulpragasam) debuted in 2005 with ARULAR, the blogosphere was already abuzz about her, engaging in the kind of discourse normally reserved for academic dissertations. Whether hailed as a canny postmodern pastiche or dismissed as inauthentic cultural pirating, the music, a lively pan-global mash-up of regional dance music styles, seemed to be emanating simultaneously from every ghetto, favela, and council-flat within earshot. As if to call out her detractors, M.I.A. returns for another shot of explosive, politically charged and globally conscious dance music on her second album, KALA.
Lacking the patchwork quality of the debut, KALA is a more cohesive and polished affair, though it matches its predecessor for shear visceral thrills. Recorded across several different continents, and featuring the production talents of Timbaland, Switch, and Blaqstarr, as well as longstanding collaborator Diplo, the globetrotting beat makers mine sources as varied as funk carioca, Baltimore bounce, and the occasional ludicrously placed sound-effect (a squawking chicken). The gloriously bombastic lead single, "Boyz," kicks off the party with a blaring horn loop, carnival percussion, and a stuttering Bollywood vocal sample, while M.I.A. merrily chants the chorus in her sing-song faux patois. The twittering, beat-heavy "Bird Flu" sounds a bit like what you might expect--jagged beats create syncopated poly-rhythms, while birds chirp feverishly against Arulpragasam's bratty invective. But the irreverent cultural re-appropriation doesn't stop at her borrowing from the third world; clever nods to the Clash, New Order, and even Jonathan Richman appear in unexpected ...
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Escherbach is an instrumental rock trio from South Bend, Indiana formed early in 2007. The trio performs intense music which laces fusion arrangements with the styles of post and progressive rock in order to satisfy the technical junkies yet still be accessible enough for the casual music listener. The resulting sound is chaotic, beautiful, energetic, and sometimes indescribable. And without putting constraints on the listener through the use of lyrics, Escherbach allows the listener to conjure up their own emotions ...
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