| | Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte CD - Import Falanga, Francesco CDS
Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte Music | Label | Tactus | | Orig Year | 11/11/2008 | | CD Universe Part number | 7761019 | | Discs | 1 | | Release Date | Nov 11, 2008 | | Recording Time | 1 11 | | Additional Info | Import |
Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte Review
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Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte Songs | 1. Sonata Fantastica, for piccolo & piano, Op. 100 (9:50) | | Composer | Luigi Hugues (1836 - 1913) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) | | 2. Danza Campestre, for flute & piano, Op. 43 (3:35) | | Composer | Ernesto Kohler (1849 - 1907) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) | | 3. Flute Concerto in D major,Op. 56: Allegro moderato (20:34) | | Composer | Luigi Hugues (1836 - 1913) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) | | 4. Flute Concerto in D major,Op. 56: Andante (5:33) | | Composer | Luigi Hugues (1836 - 1913) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) | | 5. Flute Concerto in D major,Op. 56: Allegretto (7:22) | | Composer | Luigi Hugues (1836 - 1913) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) | | 6. Allegretto Capriccioso, for flute & piano, Op. 93 (8:54) | | Common Name | Sonata For Flute & Piano | | Composer | Luigi Hugues (1836 - 1913) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) | | 7. Notturno, for flute & piano, Op. 94 (14:07) | | Composer | Ernesto Kohler (1849 - 1907) | | Performer | Francesco Falanga (Flute)
Lorenzo Bavaj (Piano) | | Venue | Villa privata dell'800, Pesaro, Italy | | Notes | Villa privata dell'800, Pesaro, Italy (02/27/2007-02/28/2008) |
Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte Music Composers on Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte CD : Ernesto Kohler, Luigi Hugues Performers on Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte CD : Francesco Falanga, Lorenzo Bavaj Purchase Luigi Hugues, Ernesto Köhler: Musiche Originali Inedited Per Flauto E Pianoforte To buy, Click on price to add to cart | Yo-Yo Ma Songs Of Joy And Peace CD (2008)
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From the liner notes:This album is the follow-up to my first solo album ‘Yesterday Will Be Better.’ In some ways it is an extension of that album, but it does possess several singular qualities. This album, too, is comprised largely of my interpretations of various traditional songs I have known and enjoyed. Unlike ‘Yesterday,’ the songs on ‘Hogtie’ stray a little more into the realm of blues and even rock occasionally. Nevertheless they are still ostensibly folk songs. The title track is the only truly ‘original’ song on the album; it summarizes the mood of the album as a whole. Like all good old-time tunes, the album generally resides on the darker side of things. There are songs of sin and salvation, heaven and hell, good and bad. Listen carefully, there are lessons to be learned. The songs recorded here are among my favorites. ‘Little Sadie,’ Devil and the Old Lady,’ ‘The Cuckoo,’ and ‘Lonesome Scene of Winter’ are songs I played on the banjo early in my musical career. With its haunting melody, ‘Lonesome’ has long been one of my favorites to play; this arrangement was taught to me by Chris Thile of Nickel Creek fame many years ago. In my mind, ‘The Cuckoo’ hails as one of the most classic old-time tunes in part due to Harry Smith’s Anthology. Other songs are more recent additions to my repertoire. Son House’s performance of ‘John the Revelator’ accompanied only by his clapping is one of the most powerful I have seen; this only adds to the power of the song itself. My introduction to the traditional ‘God\'s Gonna Cut You Down’ was via Johnny Cash’s recent recording. Perhaps most significant for me are the songs and playing Dock Boggs. In his songs and playing style I hear what I feel. Boggs referred to it as ‘playing it straight,’ that is playing and singing the same melody simultaneously. To me that style of playing is the style of playing; the power and emotion it brings is truly awesome and unexplainable. ‘Little Black Train’ and ‘Calvary’ are from Dock’s repertoire. The latter, with its droning melody and powerful ...
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BILL KILPATRICK BIOGRAPHICAL SKETCHBorn and raised in Southern California, Bill Kilpatrick began playing guitar at an early age, upon a suggestion from a boyhood friend who wanted to start a band. \"You learn to play guitar, and I\'ll learn to play drums\" is how he recalls his friend, Corey Wolfe, planting the seed in his head. A $25.00 nylon string guitar and lessons at Mr. B\'s Music got him on his way. Not too long afterwards, Bill realized he had a knack for arranging as well, and began putting ideas together for subsequent bands. Arranging led to song writing; \"Sort of backwards, I know...\" and Bill eventually found himself writing music in addition to arranging it.Bill\'s love of and fascination with the guitar continued as well, and he was one of the lucky students of the instrument who eventually found himself studying with Ted Greene. He took five years\' worth of lessons from the master in the 1980s. \"Ted was one of the most insightful, giving human beings I have ever met. He literally lived and breathed guitar. A handful of lessons with him opened the fretboard of the instrument up for me in a way that the previous 17 years hadn\'t even come close to doing. I know that I only gleaned a small percentage of Ted\'s knowledge of the guitar, yet he gave me enough to last a lifetime.\" It is safe to say that he has played music virtually all of his life. \"I\'ve been fortunate enough to play with some wonderful musicians over the years\", Bill says. Such as? Richard Carpenter, Greg Walker, Tim Heintz, Jewel (as a fledgling \"Can I sit in?\" young vocalist as she began to make her mark in the music world), Ronny Tutt, Kenny Park, Ralph Grierson, Jeff Kashiwa, Brooke Wilkes, Reggie McBride, Art Rodriguez, Paul Carman, Amy Grant, Michelle Pilar (Mrs. Larry Carlton), John Tesh, Ann Margaret, Roger Williams, The Oak Ridge Boys, Andy Griffith, Phil Stacey, Mandissa, Jon Peter Lewis... More recently, Bill has had a lifelong dream come to fruition: \"Having been a huge fan of the Progressive Rock band YES since the age of 17, I had always dreamed of meeting, and hopefully writing with, Jon Anderson, vocalist, lyricist, and ...
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