| | Dragon Sacrifice CD - Import Dragon Discography of CDs
Remastered version of Dragon's fourth full-length album from 1991 - 'Sacrifice'. New digipak edition is limited to numerated 2000 copies and digitally remastered using 24-Bit process on golden disc. The band's music underwent some minor changes: 'We tried to concentrate that material around some clearly displayed motives. The tracks are not open (as they were on Fallen Angel and Scream of Death) but rather condensed, which made them more communicative. We didn't want to constantly create music for an elite group of fans' - said Jarek when commenting the release of the new album. Along with a simpler track construction, the album was also unique because of the subtle acoustic 'Etudes' which glued the material together.
Personnel: Adrian "Fred" Frelich (vocals); Jarek Gronowski (guitar); Grzegorz "Demon" Mroczek (bass guitar); Krystian Bytom (drums).
Recording information: Studio Music Center Beat, Katowice, Poland (1994).
Dragon Sacrifice Songs | 1. | Return |
| 2. | Living and Suffering |
| 3. | Death from Agony |
| 4. | Route of Unworthy Rest |
| 5. | Time for Last Farewell |
| 6. | Spell of Recollection |
| 7. | 4 W.D.W. |
| 8. | Sacrifice |
| 9. | Looking for the Death |
| 10. | Mystic, The |
| 11. | Yog-Sothoth |
| 12. | Crying Woman |
|
Sacrifice Review
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Purchase Sacrifice CD To buy, Click on price to add to cart | Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak
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The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more Lindsey Buckingham sounds than one would expect, especially since the two guitarists come from two different musical worlds. "Odds and Ends" is more lighthearted, the kind of music Paul McCartney toyed with on The White Album's "Rocky Raccoon." What Second Chapter immediately sets forth is the importance of Kirwan as a pop artist, and how, despite Fleetwood Mac's success after he left, his sounds could still have been beneficial to that supergroup. "Hot Summers Day" is a fine example of that, a beautiful song that could offset Buckingham's gritty ramblings. It would have made a nice counterpoint as Stevie Nicks complemented Christine McVie's tunes with her adventures, bringing an ...
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| | Coleman Hawkins Bebop Years CDs (2001)
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Recorded between 1939 & 1949. Includes liner notes by Joop Visser.
Covering a period from 1939-1949, The Bebop Years profiles Hawkins during the days of combo swing and bebop. That the tenor great sounds at home in both settings here is testament to his great flexibility and intellect as a player. Proper pays its respects with four discs and a lavish booklet sporting a detailed discography, extensive notes, and rare photos. The quality rarely dips as Hawkins is heard making history on his 1939 take of "Body and Soul," cutting a wealth of 1944 gems for Keynote, rubbing shoulders with young beboppers like Dizzy Gillespie and Monk, and waxing nostalgic with the Metronome All-Stars. An amazing document befitting a master in his prime. ~ Stephen Cook
(Budget priced 4-CD box set) Coleman Hawkins reached a new level of creativity during the 1940's. This 88 track set focuses on those years, presenting the original master of the tenor sax in a wide variety of settings, including his encounters with young
Includes a 56 page booklet.
Personnel includes: Coleman Hawkins (tenor saxophone); Nat "King" Cole (vocals, piano); Frank Sinatra, June Christy (vocals); Benny Webster (tenor saxophone, clarinet); Don Byas, Illinois Jacquet (tenor saxophone); Benny Carter, Buck Clayton, Harry "Sweets" Edison, Howard McGhee, Fats Navarro, Miles Davis (trumpet); Vic Dickenson, Kai Winding (trombone); Lionel Hampton, Milt Jackson (vibraphone); Count Basie, Art Tatum, Teddy Wilson, Thelonious Monk (piano); Oscar Pettiford (bass); Sid Catlett, Buddy Rich, Max Roach, Shelly Manne, Cozy Cole (drums).
Personnel: Coleman Hawkins (tenor saxophone); Nat King Cole (vocals, piano); Frank Sinatra, June Christy (vocals); Jackie Fields (guitar, alto saxophone); Chuck Wayne, William Oscar Smith, Freddie Green, Hy White, Teddy Walters, Bob Ahern, Lawrence Lucie, Jimmy Shirley, Allan Reuss, Mary Osborne, Tiny Grimes, Bernard Addison, Al Casey, Charlie Christian (guitar); Benny Carter (clarinet, alto saxophone, trumpet, piano); Eddie Barefield (clarinet, alto saxophone); Ben Webster (clarinet, tenor saxophone); Edmond Hall, Andy Fitzgerald, Danny Polo (clarinet); Georgie Auld, Walter Thomas (alto saxophone, tenor saxophone); Pete Brown, Leonard Lowry, Eustis Moore, Earle Warren, Howard E. Johnson , Hilton Jefferson, Hubert Fol, Ernie Powell, Johnny Hodges, Leo Parker, Tab Smith, Toots Mondello, Willie Smith (alto saxophone); Budd Johnson (tenor saxophone, baritone saxophone); Don Byas, Flip Phillips, Illinois Jacquet, Kermit Scott, Lester Young, Allen Eager, Tex Beneke, Ray ...
| | North Mississippi Allstars Electric Blue Watermelon CD (2005)
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ELECTRIC BLUE WATERMELON furthers the notion that the North Mississippi Allstars have become something of a rolling history of 20th-century musical forms. Deeply rooted in Delta blues of the heavily rhythmic, modal variety pioneered by Charlie Patton (the band covers Patton's "Mississippi Bollweevil" here) and practiced by latter-century artists like R.L. Burnside, the Allstars spread their wings to encompass old-school rock & roll, country, electrified blues rock, '60s psychedelia, hip-hop, and a dash of alt-rock ...
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