| | Number 12 Looks Like You Put On Your Rosy Red Glasses CD Number 12 Looks Like You Discography of CDs
Originally released in small quantities in 2003, Put On Your Rosy Red Glasses was the debut EP by the New Jersey post-hardcore outfit the Number Twelve Looks Like You. Reissued in 2006 by ECA after the band's profile was considerably raised, the long EP sounds in retrospect like the blueprint for their somewhat experimental form of grindcore. Although there's a little gratuitous shock value -- the track "Document: Grace Budd" is merely a spoken word reading of an infamous confession written by the cannibalistic serial killer Albert Fish in 1934 -- most of the album's lyrics are even more unintelligible than the average grindcore album. The supposed "clean" singer, Justin Pedrick, is only marginally less grunty than the band's resident Cookie Monster, Jesse Korman. Musically, however, this is a better than average grindcore album, with some unexpectedly jazzy and funky turnarounds slipped between the unison-riff assaults and a not-bad acoustic guitar interlude, "Empty Calm," before the epic closer "Civeta Dei." Strictly for fans of the style, but certainly worth a listen for anyone who came to the Number Twelve Looks Like You later in their career. ~ Stewart Mason Put On Your Rosy Red Glasses Music Number 12 Looks Like You Put On Your Rosy Red Glasses Songs Put On Your Rosy Red Glasses Review
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Purchase Put On Your Rosy Red Glasses CD To buy, Click on price to add to cart | Danzig Lost Tracks Of CDs (2007)
Put On Your Rosy Red Glasses album
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| | Lucky Thompson New York City 1964-1965 CDs (2008)
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(2-CD set) Uptown is proud to issue this set featuring the great Lucky Thompson in New York City in 1964 and 1965. Presented in fully restored audio, one hears Lucky in a late night club setting at the Half Note and in a concert atmosphere from the Littl
These previously unreleased live sessions from saxophonist and composer Lucky Thompson were done when he was at the zenith of his performing career, and unfortunately close to the end. Upon the release of his critically acclaimed album Lucky Strikes, Thompson performed in New York City at the Little Theatre in 1964, and over the airwaves of WABC-FM at the Half Note in 1965 with an octet and a quartet, respectively. At the time, Thompson was playing much more on the soprano than tenor saxophone, and in many ways paved the way for what John Coltrane would accomplish on a purely improvised level. Where Thompson differentiated was in a cooler, unforced, melodic arena that still has not been recognized as an original approach. Perhaps these recordings will deservedly elevate him to a higher regard, as his playing here is nothing short of marvelous. The larger ensemble is only ostensibly unleashed on two selections, one being the diffuse and developed ballad to swinger "Minuet in Blues" with wonderful harmonic frames established by Thompson's soprano, the alto sax of Danny Turner, the baritone of Cecil Payne, and trumpeter Dave Burns. The other is "Firebug," a jumpin' bopper with the leader switching to tenor, urged on by the calypso flavored mainstem drumming of Al Dreares and the superlative bassist Richard Davis, sporting a sub-chorus and fine solos by pianist Hank Jones, Payne, trombonist Benny Powell, and Davis. Thompson's "Theme," written for these recordings, bookends the octet tracks and quartet pieces with the rhythm section, including his famous modal "The World Awakes" which is a notable feature for the ever clever Jones, while "'Twas Yesterday" evokes a sad, reflective mood via Thompson's understated tenor. Where the 1964 set features a completely original program penned by Thompson, ...
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