| | Ritornell Golden Solitude CD Ritornell Discography of CDs
The Austrian duo Ritornell might not immediately seem to be a logical choice for either the Karaoke Kalk label or for having Patrick Pulsinger as a mixer. The understated late-night jazz touches, from moody electric bass to sparkling keyboards and moaning brass, suggest everything from electric Miles Davis to the further edges of Tortoise instead, not to mention the thriving 21st century Norwegian improvisational scene in general. The near noir moodout of "Disappearing City" alone would be enough to suggest that Ritornell's spiritual home might even be ECM. But Golden Solitude, whether it plays around with stuttering breaks as on "Emere" or "Nina" or simply finds a good spot for some general chilling, often finds its own remarkable balance between impulses. The vocals that arc in and then often cut off or suddenly withdraw on "A Fancy Friendship (Richard's Rework)" or the glitch twitch on "Naked" -- these and other moments make the album an enjoyable if not completely unique listen. ~ Ned Raggett
Audio Mixers: Richard Eigner; Roman Gerold; Patrick Pulsinger. Ritornell Golden Solitude Songs Golden Solitude Review
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Purchase Golden Solitude CD To buy, Click on price to add to cart | The Ultimate Bee Gees CDs (2009)
Golden Solitude album
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Golden Solitude CD music
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Golden Solitude songs
$9.59 THE PREACHER'S WIFE was nominated for a 1988 Grammy Award for Best R&B Album. "I Believe In You And Me" was nominated for a 1998 Grammy Award for Best Female R&B Vocal Performance.
That renaissance gal is at it again. As in THE BODYGUARD, Whitney Houston does double duty as star and soundtrack provider for THE PREACHER'S WIFE. Don't look for her to be sticking to the commercial pop-R&B sound that served her so well on her last soundtrack album, though. THE PREACHER'S WIFE finds Houston reaching back to her roots in gospel, and collaborating with some stellar gospel artists, including her mother, Cissy.
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Golden Solitude album
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Most of Graffiti -- that is, the songs that do not detail what ex-girlfriend Rihanna and the rest of the world have done to him -- is a natural progression for Chris Brown. Like many young cred-seeking male singers who have just exited their teenage years, Brown clumsily emphasizes womanizing and hedonism and balances it out with a couple clean and empty ballads. Out of this portion of the album, only a couple songs leave a lasting impression, and when they do, the silly things that come out of Brown's mouth tend to be the reason; take "As stingy as you are, I think you ready," part of "Take My Time"'s chorus and hopefully no woman's idea of an effective bedroom line. A two-track patch of gloopy and gawky Europop, where he's on slightly better behavior, is at least more tolerable than the inane chest-puffing, but nothing comes close to the big singles from Brown's first two releases. The rest of this album could not have been voiced by anyone but a brat who pleaded guilty to the felonious assault of his pop star girlfriend, one ...
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