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Harrington, Rachel - City Of Refuge CD Cover Art
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Rachel Harrington City Of Refuge CD

 Rachel Harrington Discography of CDs

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The cover of Rachel Harrington's second full-length album (following 2007's The Bootlegger's Daughter and her 2004 EP of demos, Halloween Leaves) is a sepia-toned photograph depicting a field on which a circus is being erected; it's a picture that could date from the mid-19th century. Harrington's music also often sounds like it could date from the 1850s, or at least as far back as the 1930s, anyway. Accompanied by bluegrass instrumentation -- fiddle, dobro, mandolin -- she sings in a rough-hewn country voice songs with a rural setting that touch on love and death. Some are traditional (the medley "Old Time Religion"/"Working on a Building," "I Don't Want to Get Adjusted to This World"), some original, but the old-timey feel remains constant. The playing is stellar, and Harrington convincingly re-creates the sound of a mountain singer. The inclusion of Bobbie Gentry's hit "Ode to Billie Joe" is appropriate, but it would be more effective if Harrington hadn't lopped off the last verse of the song and if she were aware of how Gentry spelled her first name and the name of her title character (with "ie," not "y"). ~ William Ruhlmann

Arranger: Rachel Harrington.

MOJO: FOUR STARS: "Beguiling"Performing Songwriter, Staff Pick: "will steak your heart""enthralling stories ... adorned in old-timey acoustic arrangements ... a classic American album." FOUR STARS! ~Maverick"connecting with the ghosts of American folk music" ~Americana UK"like the young Emmylou' ~Utne Reader"FOUR STARS!" ~ The Irish Times"the singer-songwriter who is captivating the hearts of Britain and Europe ... an ancient resonance combined wit a modern feel" ~Country Music People FOUR STARS "Scary bluegrass ... Gothic tracks on an inspiringly original album ... Q recommends!" ~Q"Rachel's blessed with a really attractive (and suitably ballsy) voice and ... totally convinces with the sheer directness and clarity of her lyrical expression and ... the pure unadorned beauty and gritty confidence of her vocal tone ... an abundantly fine new set from this enchanting chanteuse." ~NetRhythms9/10 STARS! "... as good an example of traditional Americana as you’ll find anywhere ... a great storyteller ...It’s been a good year for Americana already, and Harrington has just made it a lot better." ~CrackerJack"FOUR STARS!" ~ The London Sun"'City Of Refuge' - dips even deeper into Americana's bulging burlap sack and emerges with some arcane, but wonderfully fatalistic treasures which are all well worth coveting." ~Whisperin & HollerinReared among the Pentecostal pines of Oregon, Rachel Harrington has been doing things in the wrong order for quite some time. She'd had extensive radio play before performing her live show, and she was opening for Grammy winners and nominees before releasing her first record.Now, hot on the heels of her critically acclaimed 2007 debut, The Bootlegger's Daughter, Rachel presents City of Refuge. Her backing band is Tim O'Brien (fiddle), Mike Grigoni (dobro), Zak Borden (mandolin), and Jon Hamar (upright), with Holly O'Reilly and Pieta Brown on backing vocals.Peopled with characters seeking respite, escape or salvation, City of Refuge farms personal and mythical stories from the American West, including tales inspired by the memoirs of prostitutes during the Alaska Gold Rush, the cantankerous Harry Truman of Mt. St. Helens, and short story writer (and fellow Oregonian) Raymond Carver. The album is produced by Evan Brubaker and mixed by David Ferguson (Johnny Cash's American Recordings III & IV). Several tracks from City of Refuge have already been selected for in-store airplay by Starbucks.Fresh off a three month European tour, Rachel is currently touring behind the record as a duo, joined by multi-instrumentalist Zak Borden (Willy Mason).For current tour dates, and to sign up for Rachel's monthly spam-free mailing list, please visit: www.skinnydennis.com

Personnel: Rachel Harrington (vocals, guitar, banjo); Zak Borden (guMojo (Publisher) (p.115) - 4 stars out of 5 -- "This Oregonian's second album is stuffed with characters from the old West....Beguiling."
City Of Refuge Music


Detailed City Of Refuge Music Information



List Price $15.97 (You save $2.82)
Category Rock/Pop Albums, Folk CDs, Country, Folk Music
Label Skinny Dennis
Orig Year 2008
All Time Sales Rank   215795  
CD Universe Part number 7767207
Catalog number 2
Discs 1
Release Date Nov 18, 2008
Producer Evan Brubaker; Evan Brubaker
Engineer Evan Brubaker; David Ferguson; Evan Brubaker
Personnel Rachel Harrington - vocals, guitar, banjo
Zak Borden - gu
Rachel Harrington City Of Refuge Songs


Rachel Harrington City Of Refuge Album Track Listing



1.Karen Kane
2.Housewife's Lament, A
3.Old Time Religion/Working on a Building
4.Truman
5.Carver
6.Clearcut, The
7.Angel Boy
8.Ode to Billie Joe
9.I Don't Want to Get Adjusted to This World
10.Under the Big Top
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"Danny Massure is a true musician: DJ, producer, songwriter, drummer, and a couple other things, he certainly knows how to make some good music. This is shown well on his new album What it is. Similar in nature to the of Mr. Scruff, Massure is at the forefront of the Acid/Jazz/Funk movement, doing it all from Seattle, Washington. There are no samples on his new release, either...this cat is old school, doing everything instrumental and ringin' beautiful tones."-URB Magazine"Danny Massure is a jazzy cat with a spring in his step and a cool swagger, who hails from the Coffee capital and sounds like he enjoys it from his LP intro! This album is a cool neo funkified and jazzed out offering, which features a range of talented musicians and no samples. What It Is may not be particularly innovative, but features lovely tracks such as a sweet vocal ditty entitled Heaven, the mellow saxed out Sunbreak and the graceful Soledad. It is a summery treat."-Jon Freer -http://hearingisbelieving.blogspot.com"What a really surprising album this has turned out to be from Danny Massure, here was I looking at the cover and the fact that it was a DJ that was behind it, expecting it to be a fairly repetitive dance album. I couldn’t have been more wrong though, for while he does mix in breaks and house elements the overall feel of the album is that of a 70’s funk record.It’s nearer in sound to the likes of Lack Of Afro and Quantic Soul Orchestra, although he has gone down the latter’s route of keeping it sample free. Some of the tracks do edge ...
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