| | Hitoku Shinaide Drama CD CD - Import Hitoku Shinaide Discography of CDs
Drama CD Music | List Price | $50.99 (You save $3.70) | | Category | Rock/Pop Albums, Japanese CDs, World | | CD Universe Part number | 7770687 | | Catalog number | 120 | | Discs | 1 | | Release Date | Oct 22, 2008 | | Additional Info | Japan |
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Much of Daniel Galay's output as a composer revolves around the life, language, and music of the Jews of Eastern Europe. Yiddish folklore and literature as well as klezmer music have formed the core of his music in recent years. Each of his books of klezmer music consists of 18 (for chai - life) selections, and revolves around a particular theme. The titles of the pieces start with the same word in Yiddish. For his first book of original klezmer melodies the composer chose the theme of far - for. Galay's klezmer varies from joyous to melancholy, and takes us on a journey to the world of Eastern European Jewry of a century ago. Unique to Galay's style is the setting for clarinet and piano, making performance of klezmer music accessible to the classical performer. Thus folk meets classical, and the composer encourages the performer to be creative and seek out new sounds in his playing. The clarinetist Michèle Gingras has become one of the premier performers of Galay's klezmer music. Her sensitive playing captures the nuances of the music and brings the beautiful tone ...
| | Anissa Caprina Once Upon A Night In Jakarta CD (2008)
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Anissa Caprina with Lilik 'Once Upon a Night in Jakarta'What if two working musicians from Jakarta who share a passion for jazz and pop standards got together in the studio one Saturday? The answer is 'Once Upon a Night is Jakarta'. The recordings here were performed live in Musika's studio one, often in a single take, none more than three takes. There are almost no punch-ins, or edits of any kind.Anissa Caprina met Lilik met in July 2001 when Lilik asked Anissa to join his struggling club band. At the time Anissa was working in a different struggling club band, so it didn't work out. By the next year, both artists had given up on the Jakarta band scene and Lilik had a new acoustic act, one vocalist and two acoustic guitars playing standards and acoustic rock, when he again offered Anissa a job. That job lasted until December 2002, when Anissa went to the USA. By August, 2003, Anissa was back in Indonesia and discussions began for 'Once Upon a Night in Jakarta'. Between busy schedules, the artists got together several times during odd moments over the next month to choose songs and arrangements. With both artists often getting called at the last minute to fill-in, several attempts to get into the studio were aborted before things finally fell into place one Saturday in October. The engineer fiddled with the knobs until he had the sounds all dialed in and the artists pealed through their repertoire. Fourteen songs had been selected for these sessions and, as it happened, nine were recorded before the clock on the wall said the session was over. The artists met back up in studio four on March 8, 2004 for mixing and in spare moments recorded three more songs. Anissa Caprina's musical career began in 6th grade, when, at the urging of her grade school teacher, and without her parents' permission, she joined her school's singing competition and won. On her way home, she worried how she would explain to her parents why she was late. Trying to hide the 1st prize trophy behind her back didn't make her task any easier. She decided honesty was the best option, and when her parents discovered that she had won, they supported her fully. Over the next several years she was a mainstay on the Indonesian music festival circuit, taking 1st place 15 times and other placings that are now beyond the memories of anybody. The highlights of that period included a trip to Singapore for an appearance on 'Asia Bagus', and, at 17 years old, the national ...
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