Muzzy Boathouse Sessions CD

Boathouse Sessions Music

Category	Rock/Pop Albums, Rock CDs, Alternative
Label	F.O.F
Orig Year	2008
CD Universe Part number	7771641
Catalog number	11264
Discs	1
Release Date	Nov 11, 2008
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Rob Caggiano
Additional Info	Extended Play

Muzzy Boathouse Sessions Songs

1.	Mindframe	$0.99
2.	Cold	$0.99
3.	Pickle	$0.99
4.	Yellowest, The	$0.99
5.	Carla	$0.99

Boathouse Sessions Review

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After almost a decade since the release of their last full-length recording, Habit Trail has returned with a new album, Drifting On Off Of The Shoulder. A collection of original songs in a vintage country-rock vein, the album represents a long-delayed return to the studio for Habit Trail, the name under which songwriter and guitarist Dave Novak has released his varied musical projects since the early 1990s, when Habit Trail was a crucial part of the emerging Northwest indie scene in Portland, Oregon. The material highlighted on this new album is just as raw and creatively off-kilter as the 1990s lo-fi gems Fear Your Ear, Exile Is Now and the classic 4-track recording Rabbit Tail, but Drifting On Off Of The Shoulder accompanies a changing approach to songwriting and a powerful new group of musicians. Since Novak relocated to New York City for graduate school at the turn of the millennium, Habit Trail has slowly been honed into a solid country-rock bar band whose live shows in downtown Manhattan and Brooklyn have built a following with their “eccentric but surprisingly original“ songs, delivered with “drunken panache.” The new album reflects a unique alchemy between the rootsy musicianship and smooth emotional delivery of country and the folky dirt, oblique lyrics, and noisy energy of Habit Trail’s earlier incarnations. While tracks like “Deserted Heart” and “Mr. Daniels” shimmer with a sparkling classic country-rock sound (delivered with the help of pedal steel guitarist Bob Hoffnar), songs like “Juiced” and “Bottle” ring with a loose punky intensity, perhaps best captured by the band’s stripped-down reinterpretation of country punker Exene Cervenka’s “Good Luck” (expertly chanted by Jen Gherardi).Novak describes the challenge of writing country songs as a way to get to the heart of what makes a great pop song: “The country stuff I’m most interested is extremely commercial – they\'re hit songs, from a time when country was just part of what was happening in pop music, what was on the radio. But country songs are in a more controlled form than what rock songs became later on ; emotionally, you have to say a lot within a very strict verse-chorus structure. To write a country song that feels real, you can’t just go back and recreate those classic records -- you’ve got to tread a new path through really well-worn images ...

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