Eric Dolphy Play Kurt Weill CD Spain

Play Kurt Weill Music

List Price	$14.97 (You save $3.18)
Category	Rock/Pop Albums, Jazz CDs
Label	Disconforme
Orig Year	2008
All Time Sales Rank	371295
CD Universe Part number	7776884
Catalog number	10349
Discs	1
Release Date	Nov 25, 2008
Studio/Live	Studio
Mono/Stereo	Stereo
Additional Info	Spain

Eric Dolphy Play Kurt Weill Songs

	1.	Alabama Song
	2.	Havana Song
	3.	As You Make Your Bed
	4.	Mack the Knife
	5.	Bilbao Song
	6.	Barbara Song
	7.	Pirate Jenny
	8.	Mack the Knife - (alternate take)
	9.	Bilbao Song - (alternate take)
	10.	Pirate Jenny - (alternate take)
	11.	Stranger, The
	12.	Afternoon in Paris
	13.	Night Float

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The gathering of this trio in February of 2000 guaranteed little except that they had demonstrated ably -- on Nothing Ever Was Anyway: The Music of Annette Peacock -- the ability to play together almost symbiotically. This follow-up attempts to extend the trio's reach across Peacock's music and into the terrain of the trio as an entity in and of itself. That said, not all the pieces here are new; in fact, some of them are decades old -- Marilyn Crispell's "Rounds" is from 1981, Gary Peacock's "Voices of the Past" and "December Greenwings" are both from the early '80s, and Paul Motian's "Conception Vessel/Circle Dance" is from the early '70s. The trio brings to these vintage pieces not only new eyes, but the freshness of this relationship and the willingness to reinvent them. In addition to the older works, producer Manfred Eicher asked the group to improvise a number of pieces just for the session. The results of this combination are quite remarkable. Perhaps the most noticeably gripping is the melodic invention in Crispell's playing. While it's true she has often displayed her lyrical side in free improvisation, she has never done so to this extent or with this much restraint. No matter where the improvisation goes, no matter whose tune she's playing, Crispell insists on harmony and an inventive yet attentive melodic framework as the session's basis. A shining example is on Peacock's "Voices From the Past," where his opening modal bassline is graced over by Crispell's pianistic melody, offering both line and harmony for Peacock to insert his lyric bassing. Motian uses his slip-dance on the cymbals to offer her just enough counterpoint to create a crystalline, droning melody that gleams in the darkness of the minor key signatures. On the brief title track, Crispell's tune, Peacock once again opens with the time signature and the underside of the melody. Motian joins him to usher in a minimal melodic ...

Gordon James CD (2008)

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Chris Botti are having superb success within the market. Well guys, make room for one more: There are not too many smooth jazz trumpeters or flugelhornists in this industry. Rick Braun and Gordon James. James is a break from the pack by combining the musical worlds of Soul, Acid Jazz, Hip Hop, Latin, Pop and Jazz. “I have listened to this album over and over again, and have not grown tired of it yet. Gordon James talent should be discovered by the world.” Fred Scott – Contemporary jazz.com“It’s a wild ride from beginning to end, and the high energy Gordon brings to his phrasing pulls it all together.”Jazzman Online“This album has a funky, soulful feel. Half of the dozen tunes are competent James originals, and a couple of well chosen covers (‘”Grazin in the Grass” and Tutu”) prove to be particularly good vehicles for James’ solos.”Dave Hughes – All About Jazz.com“Overall, this CD is worth the money because of stellar talent, the originality of the arrangements and the song selection. Aural emotions normally captured by string arrangements, are reached for and captured here with brass instruments, a testament to Gordon James’ ability to translate his intriguing sounds to an appreciative audience.”Paula Edelstein – Jazz Review.com“Although not well known, James blows a mean trumpet and is highly recommended. One of James’ strengths is knowing which songs to cover.”Brian Soergel – ...