| | Afro-Cuban All Stars Toda Cuba Le Gusta CD - Import Afro-Cuban All Stars Discography of CDs
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Our Price: $40.75  CDFor Sale Limited Availability
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Capturing the sound of the legendary soñeros of the 1950s golden age of Cuban big band music, A Toda Cuba Le Gusta was recorded in just six days and nights at the same time as the Buena Vista Social Club sessions. Bold and brassy, this is exhil Toda Cuba Le Gusta Music | List Price | $42.99 (You save $2.24) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7779635 | | Catalog number | 830711 | | Discs | 1 | | Release Date | Nov 04, 2008 |
Afro-Cuban All Stars Toda Cuba Le Gusta Songs | 1. | Amor Verdadero | $0.99 | |
| 2. | Alto Songo | $0.99 | |
| 3. | Habana del Este | $0.99 | |
| 4. | Toda Cuba le Gusta  | |
| 5. | Fiesta de la Rumba | $0.99 | |
| 6. | Sitio' Asere | |
| 7. | PĂo Mentiroso | |
| 8. | Maria Caracoles | $0.99 | |
| 9. | Clasiqueando con Rubén | |
| 10. | Elube Chango | $0.99 | |
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Toda Cuba Le Gusta Review
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Purchase Toda Cuba Le Gusta CD To buy, Click on price to add to cart | Glee Cast Glee: The Music, Vol. 2 CD (2009) Original Soundtrack
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The second Glee soundtrack throws a bone to the show's supporting characters, with Jenna Ushkowitz (the faux-stuttering Tina) singing her first solo and Amber Riley (Mercedes) receiving a larger chunk of airtime. Lea Michele and Matthew Morrison continue to steal the show, though; Morrison delivers one of the album's most inventive songs with a mash-up of "Don't Stand So Close to Me" and "Young Girl," while Michele sings the absolute pants off of everything the producers give her. The album sometimes strays away from choral arrangements and focuses on individual actors, but it's hard not to sing along with a song like "Jump," where the cast replaces Eddie Van Halen's keyboard riff with bright choral harmonies. ~ Andrew Leahey
The second Glee soundtrack feels a bit rushed, arriving no less than four weeks after Vol. 1's release and featuring songs from half as many episodes. Returning fans will still find a lot to enjoy here, though, as Jenna Ushkowitz (the faux-stuttering Tina) gets her first solo and supporting characters Amber Riley (Mercedes) and Kevin McHale (Artie) enjoy a healthier chunk of airtime. Nevertheless, Lea Michele and Matthew Morrison continue to steal the show, with Morrison delivering one of the album's most inventive ...
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie Johnson's production and mixing equalize everything at ten, making it feel like the disc is recorded live.
The set opens with the pulsing bass throb of "Broke Down on the Brazos," just before ...
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Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
Jackson's domination of the world record market continued following Thriller, although by comparison it was an almighty flop with only 12 million sales. As Pink Floyd and Dire Straits have proved, one album can go completely sales haywire without necessarily being any better. The title track and the gorgeous "Man In The Mirror" were substantial hits, but quality material such as "Dirty Diana" and "Liberian Girl" bolster a strong album. Jackson also seemed to have found the romance he seeks in "I Just Can't Stop Loving You" and "The Way You Make Me Feel." Regardless of his press, history clearly shows that he has made a lot of people very, ...
| | Kings Of Leon Only By The Night CD (2008)
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With their raw, organic sound, Tennessee's Kings of Leon emerged in 2003 as Southern rock for the indie-garage set, sort of a Strokes for the South. While there were hints of a new direction on their third album, BECAUSE OF THE TIMES, its follow-up, ONLY BY THE NIGHT, follows through with a near-reinvention of the Kings' sound. ONLY BY THE NIGHT could be mistaken for avant-indie cult heroes the Liars on a Southern vacation, as post-punk angularity, ...
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Breaking Benjamin's fourth foray into the crowded waters of early 21st century alternative metal/post-grunge feels a lot like ...
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| | Rufus Wainwright Milwaukee At Last CD (2009)
Toda Cuba Le Gusta songs
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Milwaukee at Last!!! captures singer/songwriter Rufus Wainwright performing live in Wisconsin at the Pabst Theater on August 27, 2007. Recorded while on tour in support of his 2007 studio effort, Release the Stars, Milwaukee at Last!!! finds Wainwright drawing heavily from that album, along with a few inclusions from 2003's Want Two and 2007's Rufus Does Judy at Carnegie Hall. In that sense, Milwaukee is reminiscent of the opera-esque aspirations of Release the Stars, as Wainwright includes the best material off that album and delivers the songs in a timely, dramatic fashion that makes for a well-paced listen. If Rufus Does Judy was Wainwright's own homage to a classic live recording, then Milwaukee plays as his own would-be concert masterpiece. Surrounded by a large brass and woodwind ensemble and backed by a superb rock band, Wainwright is left to command center stage here as only he can, with a cabaret sense of derring-do and a theatrical style, while never sacrificing the true ...
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