| | Olga Tanon Fuego En Vivo Vol. 1 CD Olga Tanon Discography of CDs
OLGA FUEGO EN VIVO VOLUME 1 is the first half of a two-part set of live discs by the Latin pop star Olga Tanon. The Puerto Rican merengue artist, known as "The woman in fire" to her fans across Latin America, covers the length of her career through these eight songs, including hits like "Cosas del Amor," En La Disco," and "Asi es la Vida," as well as three medleys combining several of her best-known songs.
Director: Ceferino Caban.
Unknown Contributor Roles: Eduardo Ramos; Wilfredo "Papo" Lopez.
Personnel: Jorge Guzmán, Iris Rosario, Mileydis Jimenez, Jose Estrella, Lorna Marcano (vocals); George De Leon, Carlos Rodríguez (guitar); Hector L. Pagan (bajo sexto, bass instrument); Jose Santiago, José Diaz (tenor saxophone); Angel Hernandez, Jesús Alonso (trumpet); Jorge Diaz (trombone); Nelson Hernandez, Ceferino Caban (keyboards); Santiago David (guiro, percussion); Eliud Velázquez, Pedro Angulo, John Pierre Lamoutt (percussion).
Audio Mixer: José Luis Morín.
Fuego En Vivo Vol. 1 Music Olga Tanon Fuego En Vivo Vol. 1 Songs Fuego En Vivo Vol. 1 Review
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Purchase Fuego En Vivo Vol. 1 CD To buy, Click on price to add to cart | Elvis Crespo Urbano CD (2002)
Fuego En Vivo Vol. 1 album
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URBANO was nominated for the 2003 Latin Grammy Award for Best Merengue Album. "Bandida" was nominated for the 2003 Latin Grammy Award for Best Tropical Song.
With his each one of his three previous records reaching number one on Billboard's salsa chart, Elvis Crespo certainly had set a high standard of success for his 2002 release, Urbano. Leaving his pretty-boy look and youthful vocal approach behind him, Crespo ...
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Just as American and British rock encompasses an incredibly wide variety of styles, Rock en Espanol spans many different sub-genres. While some artists classified under said heading are essentially traditional Latin bands that employ a few electric guitars and a drum kit, others, such as Jaguares, are committed to a full-on rock approach.
"Bruja Canibal" lays the band's biggest influence out for all to see, employing a sound highly reminiscent of the Beatles' "Tomorrow Never Knows," complete with backwards guitars, phase-shifted vocals, and circular drum pattern. "Tu Me Liberas" and "Fenomeno," on the other hand, fast-forward a few decades, mining the chorused guitar ...
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