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UK edition includes one bonus track, 'We Wanna Party'. 2008 release from the UK's premiere girl group, who continue to take Pop music to places it's never been before. Five albums into their career they are trailblazers who have consistently raised the bar and changed what it means to be a girlband in the 21st century. Working again with the Xenomania team, Girls Aloud have been constantly challenging themselves in the studio. The lead single, `The Promise' sees the girls explore the lush sounds of the '60s. It's a sound that has already proved to be a winner. Even before release the single is already one of the most played Girls Aloud songs on radio. 12 tracks. Polydor. Out Of Control Review
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Purchase Out Of Control CD To buy, Click on price to add to cart | Geri Halliwell Scream If You Wanna Go Faster CD (2001)
Out Of Control
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SCREAM IF YOU WANNA GO FASTER features 13 tracks by Spice Girl Geri Halliwell and includes her remake of "It's Raining Men."
As on her previous album, Schizophoinc, the former Ginger Spice Geri Halliwell tackles several different genres of music on her ...
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With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and, her own idol, Carlos Santana. On her 2009 sophomore album, BELIEVE, her style hews closer to the finger-frenetic pyrotechnics of such '70s and '80s ...
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$9.58 | | Jordan, Erin & The Whiskey Romance Gateway To Temptation CD (2008)
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The Whiskey Romance leads you through a twisted world of vengeful cowgirls, forlorn lovers living above mariachi bars, mysterious strangers sitting alone at the end of the bar, and a variety of characters we encounter or house within. Formed by singer/songwriter Erin Jordan, The Whiskey Romance’s songs combine American roots music with Cabaret and traditional Eastern European styles of music (most notably Gypsy and Klezmer). Oboe, violin, and accordion are some of the instruments that give the songs on Gateway to Temptation their exotic and tantalizing sounds...........................................................................Review from Sepiachord (November 2008):"Gateway to Temptation" is the first release by Seattle quartet (Erin Jordan and) The Whiskey Romance. It's a wonderful and delectable debut.The music here has a bad part-of-town/other-side-of-the-tracks (and on "Porque Tu No Me Amas", south-of-the-border) feel that evokes what the Doors called "the darkness on the edge of town"... it reminds you that there are disturbed places near where you live, places that are haunted by the living. One of these places is a bar where Erin Jordan and her crew are the featured entertainment. It's a dive, a place where the drinks come easy and the broken hearts easier. A place where any lost soul might wander in, a place where the band sounds like it stumbled over from the cabaret down the street after they got kicked out for playing Patsy Cline songs.It's easy to peg the basis for the pieces on "Gateway..." as roots music. But who's roots? None of us are old enough to remember a time when cabaret was popular or when country wasn't. But the key here is not the roots, it's the result. EJ & the WR tap into something timeless: we'll always be looking for love and, when that's lost, for solace. When you're broken you can drink yourself into oblivion or dance the night away with a tempting stranger. "Gateway to Temptation" is the soundtrack for both.It follows that the sound on this disc is sexy, sultry and (frequently) sleazy. We say the damnedest things when our hearts are on our sleeves (or when we're three sheets to the ...
| | Stepehn Paul Dix Chaos & Beauty CD (2009)
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Chaos and Beauty was written and conceived between March and August 2008, in a dingy little room in a huge green house on Willard Street in Reseda Ca. To say this was a dark period of my life would be a grave understatement. This CD deals with Loss, "Recovery", and ultimately Redemption. I went through a spiritual reawakening and it is my belief that these songs were a big part of the process. They certainly were a more constructive and healthier way of dealing with my anger, and sorrow then the way I had been going about it. I demoed the songs, and two things became clear, one ...that the songs worked conceptually well together, and two... I needed professional musicians and a very good engineer to get my ideas across. I asked Doug Johnson to play drums. I played with him in Logan05 and thought he was the best drummer I'd ever worked with. He bought in Stan Taylor to play bass. We rehearsed in Oxnard Ca . Doug Gave me Earle Mankey's number. I was impressed that he had played with Sparks and also was considered a legendary producer, having worked with The Beach Boys, Concrete Blonde, The Runaway's and many other artists who I enjoyed. Earle's production ideas ...
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