| | Roman Andren Juanita CD - Import Roman Andren Discography of CDs
Juanita Music | List Price | $51.99 (You save $3.40) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7791784 | | Catalog number | 833326 | | Discs | 1 | | Release Date | Nov 04, 2008 |
Roman Andren Juanita Songs | 1. | Let’s Live Forever, Love |
| 2. | Bumblebee |
| 3. | Juanita |
| 4. | O Sapo - The Frog |
| 5. | It’s Nice |
| 6. | Long Ago And Far, Far Away |
| 7. | Til Another Day |
| 8. | If Tomorrow Will Come (I Don’t Know) |
| 9. | O Mundo É Seu - The World Is Yours |
| 10. | You Never Told Me |
| 11. | Vasto Como O Céu - Vast As The Sky |
| 12. | Vento Do Verão - Summer Breeze |
| 13. | Love Has A Name |
| Juanita Review
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Purchase Juanita CD To buy, Click on price to add to cart | Beegie Adair Jazz Piano Christmas CD (1999)
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| | Masada Quintet Stolas: Book Of Angels Volume 12 CD (2009)
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$12.99 STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent the symmetry of ensemble play as much as they do an extremely advanced sense of ensemble ...
| | Karen Gallinger Remembering Bill Evans CD (2000)
Juanita music CDs
$17.05 The obstacles notwithstanding, vocalist Karen Gallinger and her talented cohorts pull off this undertaking with facility and aplomb making Remembering Bill Evans a notable event. Their success was aided and abetted by Evans' widow, Nenette Evans, who provided material giving the performers unique insights on the music. This results in not only excellent interpretations of some of Evans' better-known compositions like "Turn out the Stars" and the jazz classic "Waltz for Debbie" tour de force performances, but lesser-known works like "My Bells" and "Only Child" are made memorable occasions as well. With her dark, deep voice, restrained scatting, and her unusual ability to transform her voice into a stringed instrument like a bass or cello, this becomes Gallinger's finest album to date. Her supporting cast is excellent. Tom Zink's piano, which shows the influence of Evans, along with Larry Steen's lyrical bass and Chris Wabich's restrained drums provide the foundation upon which this session is built. Larry Koonse is on just four tracks, but on those his guitar work is sterling. In addition to her singing, Gallinger also wrote the lyrics to some of the songs. This is a fine tribute album and is recommended. ~ Dave Nathan
"An amazing ability to cover boisterous blues and quiet ballads..." She is "well suited to the sensitivity of the Evans material." -Bill Kohlhaase (L.A. Times) "Gallinger possesses a deep, rich voice that is nothing short of astonishing" -Steve Eddy (O. C. Register) ".... a remarkable endeavor." -Nenette Evans Remembering Bill Evans is Karen Gallinger's third release on Sea Breeze Jazz. It is remarkable not only for the abilities of this gifted vocalist, but for the material itself. All of the songs, except "I Remember Bill" a beautiful tribute written by Don Sebesky, are Bill Evans' originals . Thanks to the cooperation of the Bill Evans Estate, Ms. Gallinger assembled some very special material for this project, including previously unrecorded and unknown material. This is extremely challenging material, handled with sensitivity and intelligence by a singer with a voice hailed by critics as "astonishing" and "extraordinary". ...
| | Steve Tibbetts Exploded View CD (1987)
Juanita songs
$15.55 Opening with a bang that builds to a thunderstorm, Exploded View is the definitive Steve Tibbets album. His electric guitar howls defiantly without a lot of power chords or convention, and his musicianship is top-notch, perhaps an Adrian Belew without the pop, plus a nod toward world music in production value. Tibbets scrapes and tears through the sky ("Name Everything," "Your Cat") with jaw-dropping intensity, but it would all be too much if there weren't such rich texture and softness folded into the disc as well. "Drawing Down the Moon" is a comparatively restrained piece with acoustic guitars, shakers, kalimba, congas, and a mixed bag of other percussives. A sort of unsettling warmth pulses throughout the track to pull the listener in and carry them along for a midnight desert drive. Another thing that sets this piece apart is its consistency in dynamics. On other tracks, the musicians run up and down the spectrum, but this one seems to be much more linear. Depending on your tastes, this could either be the best track on the album, or it may be the tame contradiction to the earthquake of music happening all around it. Either way, it's a welcome breather. The album is also a great showcase for Marc Anderson, a fantastic percussionist who shines here. He really understands the musical dialogue going on between himself and Tibbets' guitar. It's rare for one of them to lead or accompany the other -- the symbiosis is such that you couldn't pry them apart with a crowbar, and any sheet music would still show their separate parts blurred together. The final minute of "A Clear Day and No Memories" is the only time Anderson leaves the room (probably to mop the sweat from his brow), and the tenderness of the acoustic guitar blooms like a single flower in a minefield. Songs like "The X Festival" give Anderson the almost impossible task of keeping up with himself, switching tempos, dynamics, and instruments repeatedly in a mere two-and-a-half minutes. The sweet harmonics of the tabla and the pounding waves of the bigger drums swell with urgency until the whole thing breaks apart with curious and unsettling abandon. Somewhere on the perimeter, Bob Hughes lays down the bass, but his contributions may be felt more than heard as he participates in the mix rather than adding anything new ...
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