| | Testing For Echo Renaissance CD Testing For Echo Discography of CDs
Hailing from Long Island, NY, Testing for Echo is a dynamic pop rock duo with a backing band that performs their original compositions throughout the New York metropolitan area and across the U.S. Marked by talent and passion that draws upon life’s inspirations and personal experiences, the duo has played more than 250 shows and events at venues ranging from community colleges to Tavern on the Green. Their work has been showcased at the New York Comic Con and commissioned as the theme song for a web-TV series.Rich Albergo, composer, lead vocalist and guitarist, and Antonio Gabriele, guitarist, have been writing and performing original music together since 2005. Their newly released five song EP, “Renaissance”, demonstrates their passionate belief in letting emotional truth take control of a song while using their instruments as a means of personifying their feelings. Honest lyrics, expressive melodies, rhythm and soul create the essence of Testing For Echo’s music. Their songs have an undeniable appeal that resonates with listeners long after experiencing their live and recorded performances.Testing for Echo\'s backing band includes an array of talented musicians who enrich the duo\'s live performances. Featured band members are: Eric Mazurkewitz on keyboards and backing vocals, James Boyle on drums and Mike Gaudiello on bass guitar. Testing For Echo Renaissance Songs | 1. | Anything |
| 2. | Unspoken |
| 3. | King and Queen |
| 4. | Between Us |
| 5. | Escape |
| Renaissance Review
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Purchase Renaissance CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
Renaissance
$11.35 NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically ...
| | W A S P Babylon CD (2009) (Import) United Kingdom
Renaissance
$15.45
| | Michael Buble Crazy Love CD (2009)
Renaissance
$14.49 Buoyed by the popularity of the hit contemporary pop ballad "Home," singer Michael Bublé's 2005 album, IT'S TIME, clearly positioned the vocalist as the preeminent neo-crooner of his generation. Easily the singer's most stylistically wide-ranging album so far, 2009's CRAZY LOVE is also one of his brightest, poppiest, and most fun. Bublé kicks things off with the theatrical, epic ballad "Cry Me a River" and proceeds to milk the tune with burnished breath, eking out the drama line by line. It's over the top for sure, but Bublé takes you to the edge of the cliff, prepares to jump, and then gives you a knowing wink that says, not quite yet -- there's more fun to be had. And what fun it is with Bublé swinging through "All of Me," and killin' Van Morrison's classic "Crazy Love" with a light and yearning touch. And just as "Home" worked to showcase Bublé's own ...
| | Vijay Iyer Historicity CD (2010) Digipak
Renaissance
$14.69
| | Pink Martini Splendor In The Grass CD (2009) Digipak
Renaissance
$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's ...
| | Bad Lieutenant Never Cry Another Tear CD (2009)
Renaissance
$8.79 With Peter Hook's departure in 2007, prospects for new material from New Order were looking increasingly dim, so the surprisingly workmanlike Bernard Sumner formed Bad Lieutenant to record his new songs. Sumner looked for help to various sources: latter-day New Order keyboardist Phil Cunningham; bassist Tom Chapman; a young Manchester head named Jake Evans for guitar, vocals, and a little songwriting; plus, on a few tracks, bassist Alex James of Blur and New Order drummer Stephen Morris. Sumner can't help ...
| | Leila Shance CD (1996)
Renaissance
$16.45
| | Nardo Ranks Cool And Humble CD (1995)
Renaissance
$24.45
| | Cut CD (2000) (Import) Australia
Renaissance
$36.79
| | Horseface Horsafix CD (2008)
Renaissance
$12.69
| | Benjamin Stapp Ecstasis CD (2008)
Renaissance
$20.25 All About Jazz ReviewBy Troy Collins It's a prime example of the new globalism. California-born tubist Ben Stapp graduated from UCLA, studied with English tuba master Roger Bobo overseas, then spent additional time studying in Portugal before returning home to record his debut album, Ecstasis. Demonstrating nimble dexterity and a keen melodic sense, the youthful Stapp holds his own in the heavyweight company of saxophonist Tony Malaby and percussionist Satoshi Takeishi.Tuba driven small combos were a favored line-up of saxophonists Arthur Blythe and Sam Rivers during the seventies loft era; the tuba helped reestablish a historical connection between free jazz and the rich polyphony of early jazz styles such as Dixieland and ragtime. Stapp mostly avoids such pre-swing forms however, tending towards a slightly modal pan Asian aesthetic. Malaby's serpentine soprano and muscular tenor musings, Takeishi's scintillating Taiko influenced percussion and the leader's euphonious bass lines congeal into an exotic mosaic of plangent themes and soaring motifs. Modal structures notwithstanding, Stapp also works conventional chord changes, thorny counterpoint, and elastic rhythms into his tunefully accessible, yet harmonically intricate writing.The trio vacillates between the written and improvised with poised authority and an empathetic rapport that blurs the line between freedom and form. Stapp's melodious variations complement Takeishi's ceremonial fanfares and kaleidoscopic accents, providing the trio with a harmonically solid, yet rhythmically fluid foundation that veers from buoyant to introspective. Malaby reigns in his extroverted tendencies, splitting his time evenly between soprano and tenor, while embellishing Stapp's memorable themes with lyrical restraint.Despite the limited instrumental palette, Stapp utilizes an array of inventive arrangements to provide the trio with ample space for individual expression. Unaccompanied cadenzas, intimate duets and collective improvisation are all featured alongside more conventional devices, like hypnotic bass ostinatos and concise call and response, keeping the structures malleable and joyously unpredictable.A credit to both the trio's conversational interplay and Stapp's resilient writing, the session flows with the graceful logic of a suite rather than a collection of disparate tunes. Ecstasis marks the solid debut of a fresh, new voice.www.allaboutjazz.comVisit Ben ...
| | J Hanson Veiled Beauty CD (2008)
Renaissance
$13.15
| | Richard D'Anjolell NC 28465 CD (2008)
Renaissance
$6.69 Great Performances and good songwriting
| | Helmholtz Chor Potsdam Ave Maria CD (2008) (Import)
$13.15 | | Mathias Schaffhauser Unequal Equality CD (2009)
Renaissance
$15.15
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