| | Ramy Sabry Ghamat Eny CD - Import Ramy Sabry Discography of CDs
Ramy Sabry Ghamat Eny Songs | 1. | Fi Eah |
| 2. | Gowaya Hateash |
| 3. | El Kalam Kolo Addi |
| 4. | Kelmah |
| 5. | Lawo Hata Mosh Shayfek |
| 6. | Mablash |
| 7. | Fakeer Zaman |
| 8. | Wmneen |
| 9. | Bahess Beh |
| 10. | Agabetni |
| 11. | Nefsy Araf |
| 12. | Dalli Bastnah |
| 13. | Ghamat Eny |
| 14. | Bahebk Ya Omi |
| 15. | Gowaya Hateash (Instrumental) |
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Ghamat Eny Review
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Purchase Ghamat Eny CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the ...
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MACARTHUR PARK goes beyond the famous hit title track to explore the recorded work of stage and screen actor Richard Harris, including his versions of "Paper Chase" and "Name Of My Sorrow."
This CD reissue from England is almost (but not quite) identical to Raven Records' Richard Harris: The Webb Sessions 1968-69 from Australia, combining the contents of the albums A Tramp Shining and The Yard Went on Forever. The difference is the absence of the last Richard Harris-Jimmy Webb collaboration, "One of the Nicer Things," which appeared as a free-standing single in 1969. Alan Hodgson's annotation is slightly less informative than the notes by Jimmy Webb on the Raven CD. On the other hand, this disc is also about $3-$5 cheaper, so budget-minded fans may appreciate it. As for the sound, it is superior to any of the LP versions of A Tramp Shining, with Webb's reliance on stereo separation for important timbral effects coming through bright and sharp throughout -- a small, muted string orchestra coming up opposite an electric guitar and bass on one song, an electric piano or harpsichord tinkling from one speaker, while a big-scale orchestra pumps out rich horn playing from the other. Moreover, ...
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Claude Challe's Buddha-Bar, Vol. II compilation has elements of Far Eastern spirituality, African song, European electronica, and Spanish spice. The first album, Buddha-Bar, is very mellow for the most part. Deepak Chopra and Demi Moore, far and away the most recognizable names on the album, do a spoken word ditty on love and self-worth. People who are not fans of new age doctrine will appreciate artists such as Oliver Shanti and Consuelo Luz, both of whom contribute songs that manage to sound musical, spiritual and ethnic at once. The second album varies from hallucinatory ...
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Known for her singing and song writing in Arabic, French, and English, Saida sings for love, peace, tolerance, justice, and respect. Beginning at the age of eight, she started out with playing her first guitar. By age twelve, Saida had written her first song, and there began a life-long career as a talented, successful artist. Saida's creative and unique style consists of expressing her deepest thoughts through mesmerizing beats of all different kinds of music, and powerful lyrics. Her goal is to unify all cultures and beliefs through her music. She is concentrated on creating a new kind of music, one that everyone can enjoy, no matter their musical interests. Saida always finds time to dedicate to her awaiting fans around the world. ...
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