| | John Gerard What Lies Between CD John Gerard Discography of CDs
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"John Gerard's songs are real. Raw. Honest. Pure. And what a singer he is, what a beautiful voice. His new CD What Lies Between is a lovely, highly listenable body of work. Steve Rapson did a fine job producing this record. It sounds fantastic, it sounds like John. Accessible, pure, unpretentious." Mary Gauthier John Gerard What Lies Between Songs | 1. | Alicia |
| 2. | Footprints |
| 3. | Monsters |
| 4. | Broken |
| 5. | My Good Woman |
| 6. | The Only One |
| 7. | My Voice |
| 8. | Follow You Into The Dark |
| 9. | Song For Eveline |
| 10. | Photographs |
| 11. | Chloe |
| 12. | Turn To Stone |
| 13. | Always |
| 14. | Out Of My Head |
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What Lies Between Review
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| | Bradley Weaver Songs For Shirley (& Other Children) CD (2008)
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-As most of you know, I've been a songwriter for a long, long time. Up until last year, I'd written exclusively for an adult audience. Here is the story of my foray into writing music for children & their families.thanks, bradley In the fall of 2007, I decided ...
| | King James 2 Big Money Walk CD (2008)
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“…my music is real life…I’m not giving you some juiced up depiction of my upbringing, or an over-extravagant impression of the party scene…real people do real things, and that’s what I’m about…”Originality, flavor, blended with youthful exuberance and lyrical prowess are the popularly known ingredients of bona fide recording artists we know as emcees. Traditionally in hip hop, many recording artists are known for the controversy defining their history of being shot, selling drugs or being incarcerated or arrested with multiplicity. King James’s version of a rapper’s image does not fully negate from this, but the quality of his music and his respect for the art form is how he has chosen to establish his image. Born James A. Jones Jr. in St. Louis, Missouri, to an eventually separated Valerie and James A. Jones Sr., King would escape constant in-home turmoil ...
| | Thompson, Eric & Suzy Dream Shadows CD (2008)
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Eric & Suzy Thompson continue their long-standing love affair with Southern music of the 1920's and 30's, at the intersection of country blues, old-time string band music, and Cajun songs. "Dream Shadows" takes a stripped down approach to production – no big name special guests, no fancy arrangements, just old time music the way Eric & Suzy play and sing it whether at home or on stage, using guitars, fiddle, Cajun accordion, banjo, mandolin, etc. This is roots music from an era when record companies were still willing to record quirky, intensely personal and exotic sounds and had not yet adopted the "one size fits all" philosophy."In the hands of these two master musicians, the songs pull us back into the past and, in doing so, bring us right square into the here and now! " Laurie Lewis"For nearly 35 years Eric and Suzy Thompson have been joyfully mining and authentically sharing precious gems of all America's vernacular music. On Dream Shadows, it is clear that Eric and Suzy are themselves the treasure." Alan SenaukeFrom the liner notes: Geeshie Wiley sings "What you do to me baby, it never gets outa me", and that's how we feel about the material on "Dream Shadows." There's something about this between-the-wars music from the American South that still feels current to us in the early twenty-first century; perhaps the "roaring 20s" remind us of the 1960s and 70s, and music from the 1930s depression feels all too right for today! Elvie Thomas and Geeshie Wiley, mystery women of the country blues, are the source for Little Bitty Mama, Motherless Child, and Last Kind Word. They journeyed to Wisconsin (possibly from Mississippi) to record four sides in 1930, returned to do 2 more the following year, and then disappeared, never to be heard from again. An 1881 newspaper report described "the soul-harrowing music of the string band" in Atlanta's Beaver Slide neighborhood, which was demolished in the 30s in the name of redevelopment. In 1927, Eddie Anthony recorded the Beaver Slide Rag with Peg Leg Howell and His Gang. It seemed natural for Eric to reinvent it as a bluegrass guitar tune, especially since Atlanta was also the place where Bill Monroe put together the original Bluegrass Boys. Valse de Vieux Temps clearly was already old when the Breaux Brothers recorded it in 1934 and it hasn't gotten any newer since then. Gasport Two-Step is from Anatole Credeur, who recorded four sides in 1929; there is no Gasport in Louisiana, it's probably really supposed to be Gaspard. We sure miss playing with Danny Poullard and dedicate these two Cajun songs to his memory.Texas seems to be a good place for waltzes. The lovely Dream Shadows is from the East ...
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