Suzanne Lewis Susanne Lewis CD

Susanne Lewis Music

List Price	$17.97 (You save $2.68)
Category	Rock/Pop Albums
Label	Rer
CD Universe Part number	7797986
Catalog number	400204
Discs	1
Release Date	Nov 04, 2008

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When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form ...

Som Brasil Tudo Joia CD (2005) (Import)

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Vinyl LP version also available directly from the label at www.whatmusic.comI come from a musical family from Porto Alegre, in the very south of Brasil. My father and three brothers, all of them were musicians - drummers, guitarists and accordionists. I began playing all three instruments, but I ended up deciding to play the accordion myself.I started out professionally by playing 'musica regional'. If you don't know exactly what 'regional' is, it's a type of group made up of two guitars, cavaquinho, accordion, flute and pandeiro and they used to accompany the 'calouros', as the new crop of singers were called, on the radio.After playing the accordion for some years I began to listen to an American group, the Art Van Damme Quintet. I was totally influenced by that sound and so I formed my first group with the exact same line up - electric guitar, vibraphone, bass, drums and accordion.Like I said, my first professional instrument was the accordion, but because of a heart problem, I lamentably had to give it up. That was when I started to play the vibraphone, which I played for many years. I only gave the vibes up in 1967 when the quartet broke up and there was no pianist to give me the necessary base for my vibes playing, so I was obliged to start playing piano, which is the instrument I've played until today!My first recordings were for the Columbia do Brasil label - 'Breno Sauer Quinteto', 'Viva O Samba' and 'Viva O Ritmo'. Then I recorded for RGE - 'Sambabessa' and 'Agostinho, Sempre Agostinho' which we recorded accompanying the singer Agostinho dos Santos.From there on we had a new formation, the Breno Sauer Quarteto, which dispensed with the accordion and was very much influenced by the Modern Jazz Quartet. This line up was the one we recorded in Rio for Musidisc - '4 Na Bossa' in 1965 followed by '4 No Sucesso' in 1966. Later, in Mexico, but with the same group, we recorded with Leny Andrade, Pery Ribeiro and the great flautist Altamiro Carrilho.In 1967 the opportunity arose for my group to tour Mexico, along with Primo Jr. and we ended up staying there for five years, playing as the Breno Sauer Quarteto, but eventually both the pianist and bassist went home to Brasil. JoÃ£o Gilberto was already there recording in Mexico City, doing shows and stuff but not actually living there. Carlos Lyra was also there when we arrived and there had been talk of us doing his play 'Pobre Menina Rica', but Carlinhos went home to Brasil before that could happen. The Tamba Trio were also in Mexico for two periods, once with my great friend Luiz EÃ§a and secondly with the maestro LaÃ©rcio de Freitas at the piano. Incidentally, my daughter Andrea had a doll at the time with really long legs that she called LaÃ©rcia after him, she thought he was great!After travelling extensively throughout Mexico and the Northwestern USA, our drummer Portinho decided to try his luck in the big city and moved to New York. All this time I was travelling with my family, [one daughter from my first marriage, my wife Neusa who still sings with me, and our daughter Andrea], and by 1974 we ended up in Chicago. We settled there because it really was time that the kids went to ...

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A certain rebirth has occurred in the development of music in the form of Victoria’s “Death to Sexy”. The genre dubbed “Punk-infused Electro” by band members Kevin Legere, Kelcy Clark and Scott Macpherson blends catchy electronic beats with distorted provocative vocals while maintaining an edgy attitude in song structure and form. Although recently signed as “Death to Sexy” with Toronto’s Bug-Eyed Records, the band, formerly “Rabbits Holding Guns”, have been creating music together since April of 2004 with the intent ...