| | Jones / Stitt Good Life CD - Import Jones / Stitt Discography of CDs
Good Life Music | List Price | $41.99 (You save $2.60) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7804865 | | Catalog number | 821094 | | Discs | 1 | | Release Date | Dec 09, 2008 |
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DIVERSITY best describes the artistry of guitarist, bassist, and producer Jack Jezzro. His recordings and productions have sold well into the millions, and he surely ranks high in formal education, knowledge of his instrument, and sheer musicality. But even more than that, Jezzro has a style and taste that are all his own-qualities that are a breath of fresh air to the music of today and qualities that breathe new life into the music of yesterday. ::: The Early Years Jazz is a natural expression for this West Virginia native, who seems to have been born musical. Jack Jezzro grew up in the small town of Rivesville, starting on piano and accordion when he was very young. "I would go to the piano and start banging out tunes when I was four or five," he recalls. His remarkable skill at simultaneously fingering melody and chord changes came naturally to him as a young listener. "I had a stack of Chet Atkins records, and that's how I learned to play," Jezzro reports. "As a kid, I'd want to play all the parts. I'd listen to a tune by James Taylor, The Doobie Brothers, Simon & Garfunkel, or whomever. I'd play the bass part, the piano, the vocal-and I'd want to do it all right there on the guitar." ::: Education For his bass-playing skills, Jezzro earned a scholarship to West Virginia University in nearby Morgantown. "I still kept playing guitar, but they didn't have a guitar program," he says. "I wanted to go to school there because it was close by, so I picked the bass and really got into it." The year was 1976. "That fall, the Pittsburgh Symphony Orchestra came to Morgantown, and I got to meet the principal bass player, Sam Hollingsworth. We immediately hit it off." Hollingsworth took Jezzro under his wings, preparing him for a professional career. By 1978, Jack knew that if he wanted to become a professional, it was time to move on. So he took the year off from school and began playing in the Charleston Symphony Orchestra (CSO). After a year with CSO, Jezzro won a scholarship and sailed into the sophistication of the prestigious Eastman School of Music in Rochester, New York. While a student at Eastman, he won an audition for and subsequently played in the Rochester Philharmonic Orchestra for two years. Meanwhile, he continued developing as a guitarist by absorbing the sounds of George Benson, Joe Pass, and Jim Hall. After graduation, "it was either New York, Nashville, or Los Angeles, and Nashville felt more like home" where he landed a job with the Nashville Symphony Orchestra ...
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"Offical website" ericscortia The correlation between the words magical and musical is much closer than one would think. It's hard to fully comprehend exactly what force music can have on humans even though it has been known to drastically change people's lives and is a healing force when used for medicinal purposes. Just imagine for a moment a mild-mannered young man with a Clark Kent demeanor stepping inside a metaphysical phone booth only to be transformed into a screaming demon of the Hammond B-3 organ known to other musicians as Scorch! The journey began in Massillon , Ohio and wound up in the great state of Texas where an incubation took place while attending North Texas State University (now U.N.T.), an acknowledged breeding ground for first-rate players especially those of the jazz persuasion. Scorch has been a Texas resident since 1977! Fast-forward to the present, where our protagonist now has three previous solo albums under his belt and some major label credits as a side man. He has charted at jazz radio top 20 Gavin on two of his recordings and Billboard #17 Rock charts with Omar and The Howlers. Scorch is a current voting member of the recording academy "the Grammy's." His new C.D. /DVD, The Tone Generator is scheduled to be released in June 2007. He has toured extensively with numerous Texas rock & blues masters. Scorch was the keyboardist for Columbia Records recording artists Omar and The Howlers on Stevie Ray Vaughan's Live Alive and Soul to Soul world tours. He also played with Delbert McClinton and Rock Hall-of-Famer Bo Diddly, Scorch has performed live on stage with jazz burners such as Wynton Marcelas and Dewey Redman just to name a few. Scorch is widely respected in his home turf of Texas and resides in the Dallas/Fort Worth area. He also has several movie and television sound tracks to his credit. As a keyboardist Scorch has appeared on MTV in a heavy rotation music video and has also appeared in network television commercials for Miller Lite. Check out vitalorgan.org ericscortia or Google him for ...
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