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Herbie Hancock Future Shock CD - Import

 Herbie Hancock Discography of CDs

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Japanese Blu-Spec CD pressing of this classic album. The Blue Spec format takes Blu-ray disc technology to create CD's which are compatible with normal CD players but provides ultra high quality sound. Sony.
 
Future Shock Music


Detailed Future Shock Music Information



List Price $49.98 (You save $2.13)
Category Jazz Albums
Label Phantom
CD Universe Part number 7805141
Discs 1
Release Date Dec 30, 2008
Additional Info Import; Reissued
Herbie Hancock Future Shock Songs


Herbie Hancock Future Shock Album Track Listing



1.Rockit$0.99
2.Future Shock$0.99
3.T.F.S.
4.Earth Beat$0.99
5.Autodrive$0.99
6.Rough$0.99
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals ...
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Recorded on December 8, 1960 and April 27, 1961. Originally released on RCA (2362). By 1961, film composer Henry Mancini was already well known in Hollywood for his jazzy, brassy scores to Touch of Evil and Peter Gunn. But it was this effervescent soundtrack for Blake Edwards' adaption of Truman Capote's wistful novella that propelled Mancini into the major league of Hollywood composers. Though there were other jazz-oriented arrangers working in Hollywood at the time, none possessed Mancini's imagination and skill in orchestration. (He was a veritable Berlioz in the way he cast instruments as characters in the story.) Only John Barry could ever match his gift for melody. The Oscar-winning "Moon River" is a case in point. Toots Thielemans' tremulous, lonely harmonica introduces the simple, near-folk tune, neatly evoking protagonist Holly Golighty's "secret" country roots. Later on, Mancini vividly illustrates urban living itself ...
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The 2002 version is digitally remastered from the original tapes. One of the true firebrands of early creative improvised music, alto saxophonist Charles Tyler has always been revered -- especially by Europeans -- as a forefather of the free jazz movement alongside John Coltrane, Ornette Coleman, and Albert Ayler. Also titled Tyler's "First Album," Charles Tyler Ensemble has the same four tracks as the original album release, totaling about 34 minutes of music with no alternate or bonus cuts. This mid-'60s recording, one of two he did for ESP, has been identified by many as a cornerstone statement of the movement, and its issuance on CD does nothing to dissuade the listener of that notion. Regardless of genre, this is a very stimulating band that buoys Tyler's freedom statements, featuring a young pre-Ornette Ronald Shannon Jackson on drums, the emancipated-from-mainstream-jazz bassist Henry Grimes, and obscure cellist Joel Friedman, who worked briefly with Ayler. Drummer Charles Moffett -- also closely associated with Coleman in this time period -- plays the bright, so-called "orchestra vibes" on one track. With this vivacious music that stretches time parameters and harmonic envelopes, Tyler and his crew bend whatever malleable shapes they can, while burning down the traditional jazz house and still paying homage to bebop. It's intriguing to hear Tyler's expressive and robust color palette, using overtones juxtaposed in contrast with Moffett's tinkling vibes, a fickle sonance during "Strange Uhuru" as the bowed string players surround the sound in hushed tones. Jackson's bop-like rhythms permeate "Lacy's Out East" in a rambling deep blues that reflects his peer group of saxophonists, including Steve Lacy. "Three ...
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Full Bloom
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Rhythm guitarist Marty Grosz has been a central figure squarely placed in the vintage/traditional/swing era/hot jazz style. He's in many ways a one-of-a-kind artist as a performer, while priding himself as an archivist, historian, and song excavator. The Hot Winds band that Grosz surrounds himself for this recording is loaded with multi-instrumentalists like Scott Robinson, Dan Block, and Vince Giordano, wielding an ...
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