| | Classica Cubana CD Maiburg, Anette CDS
Classica Cubana Music | List Price | $19.98 (You save $1.93) | | Label | MDG | | Orig Year | 1/27/2009 | | CD Universe Part number | 7806738 | | Catalog number | 6101536 | | Discs | 1 | | Release Date | Jan 27, 2009 | | Recording Time | 54 minutes |
Classica Cubana Review
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Classica Cubana Songs 1. El Carretero, for ensemble (4:48)  Windows Media  Real Audio | | Composer | Guillermo Portabales (1911 - 1970) | | Performer | Omar Rodriguez Calvo (Voice)
Joaquin Clerch (Voice)
Pancho Amat (Voice) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 2. Merengue Clerch, for guitar (1:58) Windows Media Real Audio | | Composer | Javier Pedrá | | Performer | Joaquin Clerch (Guitar)
Pancho Amat (Cuatro) | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 3. María Eugenia, for guitar (5:05) Windows Media Real Audio | | Composer | Pancho Amat | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 4. Capullito de alelí (5:27) Windows Media Real Audio | | Composer | Rafael Hernández | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 5. Enséñame, song (3:45) Windows Media Real Audio | | Composer | Joaquin Clerch (1969 - ) | | Performer | Joaquin Clerch (Voice) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 6. Guajira a mi madre (Guajira for my mother), for guitar (4:30) Windows Media Real Audio | | Composer | José Antonio (Ñico) Rojas Beoto (1921 - ) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 7. Dos Gardenias (3:49) Windows Media Real Audio | | Composer | Isolina Carillo | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 8. Retorna, song (3:09) Windows Media Real Audio | | Composer | Sindo Garay (1867 - 1968) | | Performer | Pancho Amat (Voice) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 9. Cachita, for string quartet & percussion (3:52) Windows Media Real Audio | | Composer | Rafael Hernández | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 10. Tardes de café, for guitar (4:49) Windows Media Real Audio | | Composer | Pancho Amat | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 11. Lágrimas negras, song (4:07) Windows Media Real Audio | | Composer | Miguel Matamoros (1894 - 1971) | | Performer | Joaquin Clerch (Voice)
Pancho Amat (Voice) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 12. Un cubanito en Hallein, for guitar (2:36) Windows Media Real Audio | | Composer | Javier Pedrá | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 13. Mi niña, song (3:08) Windows Media Real Audio | | Composer | Joaquin Clerch (1969 - ) | | Performer | Joaquin Clerch (Voice)
Pancho Amat (Guitar) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) | | 14. Juramento, song (3:06) Windows Media Real Audio | | Composer | Miguel Matamoros (1894 - 1971) | | Performer | Pancho Amat (Voice) | | Ensemble | Classica Cubana | | Venue | Ehem. Ackerhaus der Abtei Marienmünster | | Notes | Ehem. Ackerhaus der Abtei Marienmünster (05/04/2008-05/06/2008) |
Classica Cubana Music Composers on Classica Cubana CD : Pancho Amat, Sindo Garay, Guillermo Portabales, Isolina Carillo, Javier Pedra, Joaquin Clerch, Jose Antonio (Nico) Rojas, Miguel Matamoros, Rafael Hernandez Ensembles on Classica Cubana CD : Classica Cubana Performers on Classica Cubana CD : Pancho Amat, Joaquin Clerch, Omar Rodriguez Calvo Purchase Classica Cubana To buy, Click on price to add to cart | Joseph Haydn: Die Schöpfung CDs (2009) Bonus DVD; Limited Edition; BONUS DVD
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Live Recording
Recorded at Soundtrack, Studio 900 & Steller Productions, New York, New York.
Engineers include: Dave Wittman, Robert Kinkel, Michael Shielzi.
Personnel: Jody Ashworth, Joe Cerisano, Katrina Chester, Marlene Danielle, Thomas Faresse, Peggy Harley, Daryl B. Pediford (vocals); Al Pitrelli (guitar, bass, background vocals); Paul O'Neill, Chris Caffery (guitar); Jon Oliva (piano, keyboards, bass, background vocals); Robert Kinkel (piano, keyboards, background vocals); John Middleton (bass); Jeff Plate (drums); Maurice Lauchner, Timara Sanders, Zak Stevens, Doug Thoms, Yolanda Wyns (background vocals).
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Track Listing of songs: Sonatine: I Allegro ritmico; Sonatine: II Andante e molto legato; Sonatine: III Allegro; Quintet No. 4 in D major, G.448 Fandango: IV Grave assai; Nature Boy; Deux Pièces: I Esquisse Torrobienne; Deux Pièces: II Matin de Printemps; Piezas caracterÃsticas, Op.92, B. 29, No. 12: Torre Bermeja; Sakura; Prelude, Fugue and Allegro in D major, BWV 998: I Prelude; Prelude, Fugue and Allegro in D major, BWV 998: II Fugue; Prelude, Fugue and Allegro in D major, BWV 998: III Allegro; Recuerdos de la Alhambra;
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The Devil's Guitar by Sonny BellavanceIn this time of innumerable existing style of music, most often than otherwise repetitive, Sonny Bellavance arrive with "The Devil's Guitar" an album totally original. It is an album of classical guitar dedicated to the Devil!Giving is nobility back to classical guitar Mr. Bellavance propose fifteen original compositions and two interpretations from the baroque time. Being composed and interpreted in the name of the four Crowns of Hell, "The Devil's Guitar" is the very first Satanic album of classical guitar in the world!About Sonny Bellavance:Sonny Bellavance was introduced to classical guitar by an old scholar of classical music in his very young days. He fall instantly in love with this instrument and it lovely sound. Sonny bought his first guitar at the age of nine and begun to learn how to play with his father who is a guitarist as well. Segovia, Bream, Bach, Sor, Sanz, and Mudarra were among his favorites composers and interprets. Mr. Bellavance really enjoyed to played and practiced with these masters.Sonny started to wrote his own compositions at the age of fourteen and began to tried and touched different style of music. He played in Jazz and Death Metal Bands for several years but, his love for classical guitar was so very strong that he literally stopped to play anything else and concentrated himself to practicing and composing for classical guitar..."The Devil's Guitar" is a compendium of works he have done over these years.
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This download is a GREAT VALUE! Unfortunately, while you can't sample the whole track here, "Desert Fancifal" has been played over 2,000 times at Last.fm but you can't purchase it there.What can you expect? Stephen D. Forman blends traditional formal structure and challenging contrapuntal writing with modern synthesizers and inventive orchestrations. Mr. Forman rejects the self-indulgent direction that contemporary orchestral writing has taken and embraces a pop accessibility instead.Rhapsody for Orchestra in C Major: "Desert Fancifal" includes the following inscription:"A man crosses the desert, what does he find?Blaring sun, shifting sands, yet also exquisite, serene beauty.As thirst and exhaustion overtake him, he dreams sweetly of Arabian Nights, a genie, a princess, an oasis surrounded by palm trees.He staggers to his knees-- is that salvation before him or only a mirage?"
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The recording artists that have moved me the most over the years are those who are somehow able to write and produce songs that, regardless of when they are played, don't sound dated and continue to reflect something consistent about the artist. As long as I can remember, I have held my work as a singer, songwriter, and producer to that standard.When I recorded these songs, between 1994 and 2002, I was still very unsure of my music, probably due to years of insecurities and because I did not immediately attract world attention nor did I have the experience of having a flurry of A&R people try to sign me to their labels. Yet since the release of later material I have written and produced, starting with "TONIGHT" in 2004, I've come to see, often through the comments of others, that many of these early, formative songs, stand as a historical record that when I am moved to write and produce music, something timeless does happen.Since these songs were recorded, I have learned a lot about production and it is easy for me to fault certain aspects such as repetitive drum programming, however, one thing is clear to me. The melodies speak of something that relates to the lyrics and the lyrics are poetic, sung by someone who sounds like they mean what they say.I've become much more complex with my vocal arrangements since this earlier time where harmonies and layers were only occasionally used, and it is good for me to hear this simpler Barton, to remind me what is at the root of my music, which is, essentially, my sharing with you the experience of what it feels like for me to be alive. I hope you enjoy these songs now that I am ready to share them with you.
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Elektra Women’s Choir Vancouver’s Elektra Women’s Choir, founded in 1987 by co-conductors Morna Edmundson (new Artistic Director) and Diane Loomer, C.M. (Conductor Emerita) is regarded as an international leader in the classical women’s choir movement. Its mandate is to inspire and lead in the choral art form through excellence in performance and through the creation, exploration and celebration of women’s repertoire. Elektra is known for its adventurous programming, seeking out music written specifically for women and frequently commissioning new works. These are some of the qualities that have allowed Elektra to maintain its place among the choral elite nationally and internationally. This spring marked a unique landmark in the life of Elektra. Morna Edmundson, was appointed sole Artistic Director for the choir and her enthusiasm for continuing to augment the well established reputation of the choir is strong and secure. Elektra has a rich history of awards and national and international appearances. Elektra was Canada’s representative at the World Symposium of Music in Sydney, Australia and appeared by invitation at the National Convention of American Choral Directors in New York. In 2008 Elektra was an invited guest of the Northwestern Division Convention of the American Choral Directors Association in Vancouver. In recent years, Elektra has also appeared at several Podium conventions of the Association of Canadian Choral Communities (ACCC). Multiple first place awards in the CBC biennial Choral Competition established Elektra as a leader in the choral community of treble voices worldwide. Ongoing outreach programs are a priority for Elektra: Mira Mentorship Program for Young Singers (annually), Composer Reading Sessions (every 2 years), Conductor Mentorship Program (every 2 to 3 years), and a Women’s Singing workshop (every 2 years) ensure that Elektra’s music and activities are accessible to all. Elektra participates enthusiastically in shared projects with other arts organizations such as the Vancouver Symphony Orchestra, ArtsWay, MusicFest Vancouver, and Chor Leoni Men’s Choir. Each Christmas, Elektra welcomes a local children’s choir to sing alongside Elektra and in their own solo spotlight. Besides the live performances it gives in Vancouver, it has become a valued resource, especially for conductors the world over looking to program the best of Canadian repertoire for treble voices. Elektra has commissioned nearly 60 compositions in its 22 year history. On its website, Elektra houses a permanent Canadian resource called “Thirty-Top Picks†(created with the assistance of the Vancouver Foundation). This resource has become invaluable to conductors from around the world. Ongoing updates and the development of a new international section are planned for the near future. Elektra now has nine CDs available. Its first CD, Elektra Women's Choir (1992) was nominated for a JUNO award. Elektra's ninth recording and its first self produced album, Elektra's Garden was released May 2009. Elektra CDs are available through CDBaby.com and iTunes and are in constant demand locally, nationally, and internationally.
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